Floored Blog Tour // A Playlist for Velvet

What’s this? Two blog tours in a row?!

A few months back, I was invited to take part in the blog tour for Macmillan’s big summer YA novel, Floored, which of course I said yes to as the book was one of my most anticipated of the year (as you can see in this post from last winter)! Today I’m hosting my stop on the tour for this collaborative novel, which was written by some of the biggest names in UKYA including Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson, and Eleanor Wood.

And there’s a twist: the book is told from seven different perspectives, but no one knows which author has written which character…

34372905When they got in the lift, they were strangers (though didn’t that guy used to be on TV?).

Sasha is desperately trying to deliver a parcel. Hugo knows he’s the best-looking guy in the lift and is eyeing up Velvet, who knows what that look means when you hear her name and it doesn’t match the way she looks, or the way she talks.

Dawson was on TV, but isn’t as good-looking as he was a few years ago and is desperately hoping no one recognizes him. Kaitlyn is losing her sight but won’t admit it (and used to have a poster of Dawson on her bedroom wall).

Joe shouldn’t be here at all, but wants to be here the most.

And one more person, who will bring them together again on the same day every year…

You can check out previous posts in this tour, each corresponding to a character, here:

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As for my own contribution to the tour, I’m writing about Velvet, a working class teenager who struggles with insecurity but is beginning to uncover her own agency, and whose first chapter simply begins with “Velvet?”. I wanted to do something a little different, so without further ado, here is a Velvet-inspired playlist…

Tapestry by Liv Dawson

This song is the closest I’ve found to describing the feeling of both stillness and motion conjured in the opening events of Floored. For Velvet, this moment means that six other lives inextricably become more intertwined with her own – from then on they are, so to speak, always going to be part of her story.

Total Eclipse of the Heart by Bonnie Tyler 

This one has a simple explanation: it is, canonically, Velvet’s belt-it-out cleaning song (come on, you’ve all got one).

M.O.N.E.Y by The 1975

There’s a lot of drama in Floored, not least between Velvet and Hugo. This song, from The 1975’s first album, has some incisive lyrics relating to everyone’s least favourite posh boy, but is also apt because so many of Floored’s key events take place in Manchester, where the members of The 1975 (among many other iconic bands!) are from.

Friends by RAYE

A big part of Velvet’s story (and indeed for each of the other characters in the book) is dealing with friendships outside of the core We Should Have Taken the Stairs gang – friendships which change and emerge and sting and fade over time. (Be warned: this is a dance track, so best listen with your clubbing heels on).

Woman Is A Word by Empress Of

Finding a song that pins down Velvet herself has been the trickiest part of this playlist, and I think that’s due to the complexity allowed to the characters in the book. They’re never static. They change, they make mistakes, they learn – just as real young people do. This song hints at how Velvet grows into herself.

Youth by Troye Sivan

More than anything, this contemporary is an ode to youth. This triumphant pop earworm – which was all over the radio when it was released – is not only one Velvet is likely to listen to, but one that expresses the youthfulness of her shared experiences.

Heroes by David Bowie

Another classic plucked from the book itself, it would be absolutely spoilerific to explain the context in which this appears in Floored, but it makes for a terrific playlist finale…

Have you read Floored yet? Who was your favourite character? Let me know down in comments below!

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Take Five: The Storm Keeper’s Island blog tour Q&A with Catherine Doyle

Today on the blog, I’m hosting a quickfire five-question Q&A with Catherine Doyle as part of the blog tour for The Storm Keeper’s Island! You can read my review of the book, which went up yesterday, here!

As ever, my questions are in bold, with Catherine’s answers in plain text.

thumbnail_Headshot1Catherine Doyle grew up in the west of Ireland. She holds a first-class BA in psychology and a first-class MA in publishing. She enjoys movies, running and travelling. She is the author of the Blood for Blood trilogy (Vendetta, Inferno and Mafiosa) for young adults. It is often described as Romeo and Juliet meets The Godfather. Her debut middle grade novel, The Storm Keeper’s Island an adventure story about magic, bravery and self-discovery set on the island of Arranmore, where her grandparents grew up.

1. Your new children’s book, The Storm Keeper’s Island, is a big departure from your previous YA series, Blood for Blood. What prompted the leap?

The change happened organically. I had been spending time on Arranmore Island, exploring the rugged landscape and delving into its incredible maritime history, and I realised quite suddenly that I had to write a story set in this incredible place. When I sat down to begin The Storm Keeper’s Island in earnest, eleven-year-old Fionn’s voice was already firmly in my head, ready to go. His story unfurled and I went along with it.

2. The story of the SS Stolwijk and its connection with 1940s Arranmore is an important feature of The Storm Keeper’s Island. But what made you want to write it into a fantasy novel and not, say, historical fiction?

By writing the events of the SS Stolwijk into a fantasy novel, I was able to have Fionn take part in the adventure, reliving his ancestor’s bravery and witnessing it first-hand. As someone whose great grandfather was part of that rescue mission, I can’t think of anything more inspiring and exciting than being able to do this. That day was magical in its own right already – adding a little bit extra seemed like the right decision.

3. The book is set on the Irish island of Arranmore and involves Irish mythology. What kind of research informed your approach to this side of the book?

I grew up on a steady diet of Irish lore and legend. So much of it was already simmering in my head. I ended up pulling strands from my favourite myths and weaving them together with some new magic of my own making.

366347654. Did you find anything unexpected or surprising in the process of writing The Storm Keeper’s Island? What did you enjoy most about it?

I found it to be a deeply personal experience for me. Arranmore is my ancestral home and some of the historical events within the story happened to members of my family, so I felt extremely connected to Fionn’s journey, and certainly more emotionally involved than I usually am while writing books. I enjoyed the undercurrent of realism, and the historical grounding, because I think these lend their own kind of magic to what is already a fantastical adventure story.

5. Can you tell us anything about what’s next for Fionn, and for you? Do you feel that your time with YA is done? And when will readers get to return to Arranmore?!

Readers will get to return to Arranmore next July, where Fionn will be on an urgent quest to summon the merrows to help protect the island from the rising threat of Morrigan. As for me and YA – who knows what the future holds!

And now, just for you: thanks to the folks at Bloomsbury’s publicity department (especially the lovely Emma Bradshaw, though she has just moved to publishing pastures new), you can read the first two chapters of The Storm Keeper’s Island right here!NameTag2.fw

The Storm Keeper’s Island by Catherine Doyle // Doyle comes home with island tale

Today on the blog, it’s time to dive back into middle grade with this latest review…

36634765Author(s): Catherine Doyle
Publisher: Bloomsbury
Publication date: 12th July 2018
Category: children’s fiction, middle grade
Genre(s): fantasy, magical realism
Series or standalone?: series (#1)
Source: I received a proof copy of this book in exchange for an honest review. Any quotes taken from this copy may be subject to changes in final editions.
Find on Goodreads and The Book Depository

Fionn Boyle and his older sister Tara have been sent to stay with their grandfather on the tiny Irish island of Arranmore for the summer. Fionn has never met his grandfather before – an eccentric old man who lives in a cottage brimming with candles – though he knows his islander ancestors have long lived in tandem with the sea, a force city-born Fionn is afraid of.

Unbeknownst to Fionn, an old magic is stirring deep inside the layers of Arranmore. A dark storm is coming. The same kind of storm that took his  father twelve years ago. To protect his family, Fionn must embrace his destiny as an heir to the storm keepers, for their island is calling out to him…

Catherine Doyle made her début as one of the bolder contributors to Irish young adult fiction with the Blood for Blood trilogy, a teen twist on movies like The Godfather set in the dark, dangerous underworld of the Mafia, but her first middle grade offering, The Storm Keeper’s Island, couldn’t be further from the blood-soaked streets of Chicago. With the temperamental skies and sea-salt tang of the island of Arranmore, it seems that Catherine Doyle has come home.

The island setting is undoubtedly one of the book’s stand-out features. Doyle offers up vivid, whirling descriptions, adding to an already interesting landscape an ancient mystery which stirs as soon as Fionn sets foot on its windswept shores. On Doyle’s Arranmore, tea is a must and magic is everywhere. This elemental magic is protected by a storm keeper and, in one of my favourite touches, gathered amid memories in the colourful array of candles Fionn’s grandfather Malachy makes by hand. The island is steeped in history, from miraculous lifeboat rescues to strange caves.

The book’s higher powers, Dagda and Morrigan, are plucked straight from Irish mythology, and while the pairing is not a new one, the appeal of the dichotomy is understandable (if you’ve read this post, you’ll know I have something of a soft spot for The Dagda). There are hints of fantastical worldbuilding – water-dwelling merrow, a flying horse identifiable to those literate in Irish mythological cycles – but there’s definitely a sense that this is an opening gambit written with laying groundwork in mind. Any sequels worth their salt will delve deeper into the rich and complex seam of myth teased here.

The story is enchanting enough to keep you reading through info-dumping and erratic pacing; explaining the fate of the SS Stolwijk before Finn sees it play out, for instance, sucks the tension out of what would otherwise be a strong sequence. As I was reading I couldn’t help feeling that I knew there was a plot in there somewhere, but it just kept getting caught up in an ill-defined structural muddle. It needed more textured secondary characters and more developed motive for the villains. One seemed to be mainly characterised as ‘bearded’ (“Where is he off to with a beard that big, anyway?”). And, while this may be a bit niche, making more use of the Irish language could have added to the magic, as the real-life Arranmore, just off the coast of Donegal, is known for its Irish-speaking.

Still, The Storm Keeper’s Island is a fast read and practically unputdownable. I liked the focus on the relationship between Fionn and his grandfather (I’d only recently written this post about grandparents in YA and teen fiction). I was racing to get to any scenes which expanded on Fionn and his father, Cormac, one of the book’s most compelling emotional cornerstones. A dramatic, action-packed finale – always one of Doyle’s strong suits – provides hope of a series with plenty more to give.

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The Storm Keeper’s Island isn’t the most subtle of books, but it is a vivid, energetic adventure with a great setting. This is magical realism-turned-fantasy for younger fans of Martin Stewart’s Riverkeep, Dave Rudden’s Knights of the Borrowed Dark and Jessica Townsend’s Nevermoor. 

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Everything All At Once by Steven Camden // a punchy, poetic week in the life

Today on the blog, I’m reviewing some POETRY.

40193883Author(s): Steven Camden
Publisher: Macmillan
Publication date: 12th July 2018
Source: I received a NetGalley copy of this book in exchange for an honest review. Any quotes taken from this copy may be subject to changes in final editions.
Find on Goodreads and The Book Depository

One week. One secondary school. Hundreds of teenagers. Forty-two poems.

Zooming in across a cast of characters over the course of just five days, this collection illuminates a kaleidoscope of teenage moments. From fitting in, finding friends and falling out, to lessons, losing out and losing it, to worrying, wearing it well and worshipping from afar. 

There is a mythical dream tied to writing poetry aimed at young adults, and that is to make poetry cool. Such is the raison d’etre of acclaimed spoken word poet Steven Camden’s second book for young people of the year, Everything All At Once. It’s splashed all over the book: in the shouty cover, in the slang, in the Stormzy references. There must be a powerful pull to the promise of glory that would follow if you were the one who solved, once and for all, that strange equation, defined the inscrutable, ever-shifting property that is cool poetry. If you were to convince a whole target audience, who often only encounter poetry when it seems blunted into some kind of torture device – modern but laid out for dissection in revision materials and examination papers, important but deliberately pulled from the dustiest book on the shelf – that actually, poetry can be relevant and enjoyable.

Set at a busy, mutable comprehensive – the message clearly that it could be any school, anyone’s school  – the book presents a cross-section of quickly-sketched characters, from year sevens to school-leavers (“Funny to think / I was ever / that small”). Some names recur. Some figures aren’t named. Many appear, at least identifiably, for only one poem, as in the case of Yusuf, who pretends not to speak French well in order to better fit in, despite his mother being from Toulouse. The work flits from one poem to the next, one perspective to the next, usually in first person. As if to further say: look, you could write this. A football match can be worthy of a poem. Even if you’re no good at exams or like to make things with your hands. You could read poetry, too. 

From the ordinary (“Shauna said that / Leia said that / Jordan said it’s over / He changed his status yesterday / before he even told her”) to the startling (“a gaggle of mad daggering laminate features”), the poems are energetic, rapid-fire, staccato. As it strives to capture the bizarre microcosm that is secondary school society, the language is often mundane and the imagery sometimes vague, but I imagine it sounds great out loud. Hurtling along at a breakneck 128 pages, some of my favourite pieces included “Vending Machine”, “New Guy”, and “Parting Thought”.

Everything All At Once is more of a novel-in-verse than a collection, but there isn’t much of a plot, it can sometimes be tricky to follow, and it doesn’t delve that deeply into any of the themes or issues it raises. I’m not sure that it will transform poetry, either, given its very school setting, its try-hard nature. It will go down well in classrooms or workshops; it will certainly fit projects like Sarah Crossan’s ‘We Are The Poets’ laureateship. It probably won’t have the ‘organic’ feel of contemporary poets like Rupi Kaur or Amanda Lovelace whose digital, personal strategies persuade audiences, especially young women (who are somewhat sidelined in favour of a majority-masculine cast here) that subversive poetry, cool poetry, occurs outside the school gates, but it’s a fast-paced, dynamic effort.

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For fans of Sarah Crossan, Phil Earle and Benjamin Zephaniah, this novel-in-verse delivers on its premise. It lacks plot, but there are some energetic poems within its pages.

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Brightstorm by Vashti Hardy // an exciting tale of skyship exploration

lt’s time for some more marvellous middle grade with this latest review…

375947291Author(s): Vashti Hardy
Publisher: Scholastic
Publication date: March 7th, 2018
Category:
children’s, middle grade
Source: Library
Find on Goodreads and The Book Depository

When Arthur and Maudie Brightstorm receive word that their famous explorer father has died in an attempt to reach South Polaris, the last thing they expect is for him to also be accused of breaking the Explorer’s Code by trying to steal fuel from his competitors on the journey.  

Unable to believe it, the twins answer an ad seeking crew for a new southern expedition in the hope of piecing together the truth and salvaging their father’s reputation. As the winged skyship Aurora sets sail, the twins must keep their wits about them and prove themselves if they are to restore the Brightstorm name. But what answers await them in the perilous unknown?

Readers alight in a world of sky-ships and expeditions in this plucky adventure. An eye-catching blue-and-gold cover peels back to reveal a plot with plenty of vigour and an accessible, effective writing style. While it touches on some big themes like loss and letting go, Brightstorm’s cartoonish villains and exciting set-pieces should go down a treat in the hands and classrooms of readers aged 8-11.

As twins Arthur and Maudie Brightstorm set off to discover the truth about what happened to their explorer father, they inadvertently enter into the very same race to the bottom of the world on which he vanished. Maudie has a knack for engineering – so much so that she built and maintains Arty’s prosthetic arm – only matched by the twins’ penchant for getting themselves into sticky situations. They face a variety of ghastly ne’er-do-wells out to crush their spirit, but receive a helping hand from young sky-ship captain Harriet Culpepper, larger-than-life cook Felicity, disgruntled butler turned second-in-command Welby and sapient pets Parthena and Queenie. Where there’s a race, there’s a rival, and the crew of Maudie and Arthur’s adopted sky-ship The Aurora must also face-off against the ominous and influential Eudora Vane, captain of the sky-ship Victorious. 

Hardy’s world-building is straightforward but fit for purpose. Arthur and Maudie’s quest takes them from the crowded streets of Lontown through the arid, wild-west deserts of the nearest continent into the cold reaches of the unknown South Polaris. They meet kings and bandits and (in my favourite addition) galloping thought-wolves. Hardy enriches the exploration angle with nods to nature and some vivid action sequences. I probably would have given it five stars if not for parts of the bittersweet ending, but there is terrific series potential to what otherwise works as a standalone début. Arthur, Maudie and Harriet could easily helm a whole trilogy of sky-ship escapades.

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For fans of Sky Chasers by Emma Carroll and The Boy Who Went Magic by A.P. Winter, Vashti Hardy’s Brightstorm is an accessible, Victoriana-lite fantasy adventure set in a straightforward secondary world.

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Love Songs and Other Lies by Jessica Pennington // boyband lit book won’t trouble chart-toppers

35034369Author(s): Jessica Pennington
Publisher: Tor
Publication date: 28th April 2018
Source: I received a NetGalley copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Two years after a heartbreak worthy of a rock song, Virginia Miller is looking forward to a carefree summer. Her friends just landed a spot on a battle-of-the-bands bands reality show, and Vee is joining them for her dream internship. 

Then she learns she’ll also be sharing the tour bus with Cam. Her first love. The cause of that first heartbreak. Now she’s dodging cameras and her ex, who has secrets the show’s producers would kill to get their hands on. What’s more, she’s starting to wonder if their breakup anthem deserves a new ending…. 

Love Songs and Other Lies is a quick YA contemporary clearly going for the ‘American summer read’ approach. It appeared sporting the hallmarks of boyband lit – a phenomenon I’ve written about here and here – and I decided to see what’s being done with the genre across the pond, given that much of what I’ve read from it has come from UKYA.

Vee’s been the songwriter behind her best friend’s band for most of her teenage life, and when Logan’s band wins a spot on a battle-of-the-bands reality TV show, she gets pulled along for the ride – only to come face-to-face with Cam, her heartbreaker ex-boyfriend, who’s been called back into the band at the last minute. Cam is determined to win her forgiveness, but as the story of his secret is slowly unravelled and the competition gets more intense, it looks like things are going to get messy for the both of them once more.

This début has got music, mystery, and the added intrigue of the close-quarters setting. It’s told in dual timeline alternate narration, revealing how Cam and Vee fell for each other the first time around while also following a bitter reunion over the battle of the bands. It takes some getting used to, but showcases a bit of narrative ambition, which I liked. Reminiscent of Sarah Dessen or Emery Lord’s When We Collided, Cam and Vee’s first romance is enjoyable and heady, full of one-on-one moments and beaches at midnight. Vee’s friendship with Logan and the other band-members is interesting, too. The book deals with some intense stuff – fame, heartbreak, loss – and I was drawn into the pages by that unexpected level of intensity.

However, once you’ve closed those pages, the feel of the book is less captivating; it’s one of a modish, fleeting contemporary which doesn’t delve deep into exploration of theme or character. Most of the relationships don’t have depth, the secondary characters are thinly sketched and the prose is dialogue-heavy. The reader sees very little of the actual battle of the bands. Increasingly unbelievable decisions result in correspondingly unbelievable, too-easy, undeveloped successes. The ending could have been braver. There are so many warm, rich, thoughtful, well-written takes on this genre to be found elsewhere – Love Song by Sophia Bennett, Remix by Non Pratt, I Was Born For This by Alice Oseman – that this one became forgettable.

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This contemporary has its heady and intriguing moments, but it just doesn’t compare to the more accomplished additions to boyband lit on the shelf.

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The Song Rising by Samantha Shannon // a strong sequel in a complex supernatural saga

Today on the blog, I’m catching up on some (you might want to sit down for this) adult science fiction and fantasy! As it’s the third book in the series, there may be a few spoilers but I’ve tried to keep them to a minimum!

28433405Author(s): Samantha Shannon
Publisher: Bloomsbury
Publication date: March 7th, 2017
Category: 
adult, crossover
Source: Library
Find on Goodreads and The Book Depository

Paige Mahoney has risen to the dangerous position of Underqueen, which gives her rule over London’s criminal population. But with vengeful enemies still at large, including the lethally dangerous Jaxon Hall, the task of stabilising a fractured underworld has never seemed so challenging.

Scion are closing in on the clairvoyant community, determined to quell rebellion before it spreads. And their next step could spell the end for Paige’s bid for freedom before it has even really begun… 

I caught up on the third book in Samantha Shannon’s seven-volume high-concept science fiction and fantasy saga earlier this spring. Series opener The Bone Season had a blockbuster premise, while The Mime Order made effective use of what was essentially a murder mystery plot. However, these books are dense, their stories long, the wait between them even longer, and any faltering in pace or efficacy risks the reader’s attention wandering. The Mime Order ends on a pretty intense sequence, but by the time The Song Rising came around, it was one of the only dystopian series I was still reading – the strong presence of fantasy elements like clairvoyance give it just enough of a cross-genre feel – and it could have been make or break.

A clairvoyant with the rare ability to dreamwalk – to leave her own body and enter the subconscious or dreamscape of others – Paige Mahoney has risen from criminal mollisher to the rank of Underqueen, overthrowing her old boss Jaxon Hall in the process. But Paige wants something Jaxon didn’t. She’s mobilising London’s unnaturals into a rebellion against Scion, the all-seeing anchor which has spent centuries feeding clairvoyants to otherworldly beings known as Rephaim. Hers is a ragtag collection of voyants, from longtime friends Nick and Danica to the battle-hardened Ognena Maria. They’re joined by several Rephaim sympathetic to the cause, including the ever dark and enigmatic Warden. With Scion closing in, they’ll need to destroy the latest piece of clairvoyant-hunting technology in order to give their rebellion a chance.

It’s fortunate, then, that The Song Rising showcases some of Shannon’s best work yet. Her writing is clear and more assured than ever before. Solidly constructed and smartly plotted, with admirably tight pacing and a compelling conflict, it thrums with action, from high-octane escapes to the series’ most dramatic finale yet. Its motifs of rebellion are fierce and evocative. There’s plenty to like, from inventive names and slang to intriguing details that will surely take root and reappear in later books. Also, shout-out to seeing more of Paige’s Irish heritage – there’s even use of Irish and the Scottish equivalent Gáidhlig! Needless to say I’d like to see more of that in the sequels.

There are the requisite elements of the supernatural, but there’s notable elaboration in setting and world-building, too. Paige discovers a world north of London, one of grimy slums and ancient cities and even snowy wilderness. For the first time in this series, there’s a sense that there’s a world beyond the one Paige knows to explore. It’s finally possible to see the scope of this saga, and I’m intrigued to see just how big and bold Samantha Shannon will make it.

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A strong addition to to Samantha Shannon’s name-making series, with an enthralling, pacy plot and a vivid, action-packed finale. Surprisingly unputdownable. 

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