Authors: Okay, so – hold onto your hats – there’s Holly Bourne, Tom Becker, Kevin Brooks, Sita Brahmachari, Melvin Burgess, Katy Cannon, Cat Clarke – *gulp of air* – Juno Dawson, Tracy Darnton, Julie Mayhew, Non Pratt, Marcus Sedgewick aaand Benjamin Zephaniah *phew*
Publisher: Stripes Publishing
Publication date: 22 September 2016
Category: YA, short stories
Source: I received a NetGalley copy of this book in exchange for an honest review
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The short story collection I’ll Be Home For Christmas sees a host of big names writing on the theme of home – but of course, this is UKYA, so if you have any expectations of that meaning a nice semi-detached feat. two parents, three kids and a Labrador, you can pretty much throw them out the window before you even start reading it.
This is gritty UKYA on full blast, tackling subjects like poverty, homelessness, grief, violence, homophobia, escape and isolation, with occasional appearances from sci-fi, thriller and semi-ghost stories. It’s difficult to write happy short fiction, and many authors rely on use of the dark or stark for impact here. The collection is less idealised than the Stephanie Perkins-helmed Summer Days and Summer Nights and provides more stories in general than Malorie Blackman’s why-are-there-only-five-original-pieces-in-this Love Hurts, though as with most anthologies, it is a hit and miss affair.
It is the stories which weave hope and survival with support and family that really stand out in I’ll Be Home For Christmas. Juno Dawson’s take on new love, family and coming out is an uplifting addition to a book which features stories like Holly Bourne’s ‘The Afterschool Club’- a far cry from the feel-good feminist ferocity of the Spinster Club series, titles are about as similar as things get in this account of conditional friendship, toxicity and desperation with a horrific sting in the tail. Sita Brahmachari’s distinctive style makes her contribution interesting reading, while the closing story, ‘Routes and Wings’ by Lisa Williamson, is centred on the issues of homelessness most related to the work of the charity Crisis (which will receive a donation for every copy of the book sold). For those who don’t often read short stories, names like Marcus Sedgewick and Cat Clarke – who focuses on the kind of eclectic ‘found family’ dynamic many have been asking for from YA of late – will appeal.
Non Pratt’s look at the first steps of a teen romance complicated by a strange coincidence is unsurprisingly one of the best stories in the collection, displaying a talent for short fiction already honed by this year’s Unboxed for Barrington Stoke. She knows how to pack story into her pages. Susie Day’s ‘Tumbling’ (from the above mentioned Love Hurts) remains undefeated, however, as my favourite UKYA short story of recent years. (It’s clever and enjoyable in a way that has set the short story bar high for me, and IT NEEDS TO BE GIVEN A FULL-LENGTH SEQUEL, YOU GUYS.)
But I digress. I’d like to see more short fiction in YA, but it’s a tricky thing to pull off – too serious and you end up with a book most readers will put down after thirty seconds, too saccharine and it will lack the realism many come to YA for. This book is fairly serious and definitely requires a trigger warning (in fact it requires several) but strong work from a handful of its authors keeps you reading (though I could’ve sworn Sarah Crossan was announced as part of the original line-up!).
A solid addition to the UKYA short fiction scene, though the sheer variety entailed in an anthology means it won’t be everyone’s cup of tea. Stand outs include contributions from Juno Dawson, Cat Clarke and Non Pratt.