20 Things I Learned at DeptCon3

As some of you may know, I attended DeptCon3 (Ireland’s largest YA book convention) again this year! As well as having lots of bookish chats and bumping into various folk from the book world, (there seriously wasn’t enough time for even half of the cool conversations to be had), wearing delightfully vampy nails and only nearly tripping up the stairs twice, I took lots of detailed notes – so many I can barely decipher them, and have decided to do a round-up made of highlights and fun moments instead!

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image courtesy @Dept51

Maggie Harcourt’s top priority when it comes to writing is being near the biscuit tin. Her assertion that bourbons are the best writing biscuit, however, was more controversial…

If there’s one thing we can all agree on, it is THE HEALING POWER OF NAPS. As Sarah Maria Griffin put it, “Is napping not just horizontal walking?”

Before she settled on being an author, Krystal Sutherland wanted to be an actress: “I had this grand plan that Peter Jackson was going to get a flat tyre outside my house and discover me…”

There were plenty of podcast recommendations, which is interesting because just last week I devoted a whole post to re-imagining YA books as podcasts… 

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image courtesy @Dept51

Katherine Webber can apparently quote the entirety of Clueless, and can definitely quote the first three minutes. We probably would have been treated to a live reading if there weren’t time constraints on a top-notch panel alongside Lauren James, Holly Bourne, Cat Doyle and Anna James.

We can never look at garden gnomes the same way again, thanks to Cat Doyle and her deviant ex… (Other topics of conversation on that panel included writing female characters and romance in YA.)

The panellists were ruthless when it came to David Stevens’ moderation, as Sheena Wilkinson, Meg Grehan, Sara Barnard and Estelle Maskame chatted responses to characters, fandom, fan-fiction (“It was one time!”), genre, and how “bad choices make good stories.”

If Meg Grehan’s book The Space Between was a kitchen utensil, it would be a ladle…? 

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image courtesy @Dept51

“MAKE GOOD CHOICES, DECLAN!” became one of my favourite slogans of the weekend thanks to Deirdre Sullivan, who is a rare combination of hilarious panel guest and enthusiastic chair (the moderating position, not the piece of furniture) and also she knits very cute hats.

It was Pooja Puri’s first-ever panel, and she got a round of applause for finishing her dissertation!

Whether or not one writes to music was a popular topic and came up on multiple panels; it was addressed by authors including Lydia Ruffles, who listens to songs and lights candles to get in the writing zone, and YA Book Prize winner Patrice Lawrence.

Sally Nicholls “is so here for gay suffragettes!” but had to do quite a lot of research as she is so here for it, in fact, that she wrote an entire book about it.

The eternal struggle of the DeptCon audience: sit near the front for best view (Facial expressions! Secrets boxes!) or near the back to get out first for the post-panel signing (Chat! Shorter queues!)…?

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image courtesy @Dept51

SARAAAAHHHHHH. Hang on, wait, that’s not an answer. Okay, so Sarah, who is English but recently defected to Scotland along with her new fringe, made her first trip to DeptCon this year AND IT WAS GREAT. She made for a fab convention co-conspirator. There may have been singalongs. She and I are fairly seasoned book event people, so instead of participating in the ARC drop I played with a dog and she spent her time on a chocolate muffin #priorities Also I learned actual facts, such as that Gàidhlig (Scottish or Scots Gaelic), is pronounced ‘Gallic’, like the French term, as opposed to the Irish Gaelic or Gaeilge. 

Hayley Barker’s time as a teacher influenced her writing of YA. In a panel that was often focused on writing as a process and a craft, it was generally agreed that YA can act as a safe space for teenagers to explore serious issues.

Anna Day’s book The Fandom isn’t out until January, but she still got to do at least one signing – because I had a coveted review copy with me!

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image courtesy @Dept51

The panel unofficially known as ‘Prosecco and Secrets’, Melinda Salisbury, Cat Doyle, Alice Broadway, Dave Rudden and Moira Fowley-Doyle, was raucous and totally salacious. If this quintet held a dinner party, just some of their guests would include Lyra from His Dark Materials, Death from Discworld, and Sirius Black because Mel wants to sleep with him (“I bought a pair of rams’ horns… for personal reasons… ask Sirius Black if you want to know more!”)

As every Irish person knows, it was reiterated that you should never piss off the fairies. This involved sharing many fairy anecdotes, such as clapping twice after sneezing so a fairy won’t die and mistaking the light of illegal poitín stills on bogs for otherworldly creatures. As Moira Fowley-Doyle put it: “Growing up in Ireland, you’re super sceptical and willing to believe at the same time…” Melinda Salisbury countered with “In England you wouldn’t speak to anyone on the bus, let alone to the fairies” but noted that when she went to the Isle of Man, the announcements on her bus greeted a fairy bridge…

Things got a bit existential when Fowley-Doyle wondered if, rather than fantasy folks being bad at reality, “Maybe reality’s just not very good at us?”

The otherwise brilliant Holly Bourne can’t spell Dobby. She may never live this down. (The Harry Potter Spelling Bee, won by Emily Barr, was a really entertaining addition to the schedule, and it worked really well to break up the panels – more like this, please!)

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image couresty @Dept51

Bonus: there was a giant, portable My Little Pony there for the whole weekend, and nobody questioned it…

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36 Questions That Changed My Mind About You by Vicki Grant // true love, tropical fish and other pressing enquiries

35698625Author(s): Vicki Grant
Publisher: Hot Key Books
Publication date: 19th October 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: I received an e-copy of this book in exchange for an honest review. Quotes from this copy may be subject to changes in final editions.
Find on Goodreads and The Book Depository

Two random strangers. Thirty-six questions to make them fall in love.

Hildy and Paul each have their own reasons for taking part in a PhD studen’ts psychology study on love and relationships (in Paul’s case, it’s the forty dollar reward). They must ask each other thirty-six questions, ranging from “What is your worst memory?” to “If you could wake up tomorrow having gained any one quality or ability, what would it be?”

By the time they’ve made it to the end of the questionnaire, they’ve laughed and cried and lied and thrown things and run away and come back again. They’ve also each discovered the pain the other was trying so hard to hide. But have they fallen in love?

A straightforward, eye-catching hook led me to pick up 36 Questions That Changed My Mind About You after a brief sojourn from contemporary fiction. I wasn’t expecting much as I’d heard very little about the book beforehand, but then I do like to open up new books away from the hype, and I was surprised to soon find myself racing through this one. Engaging, entertaining and hurtling along at a brisk pace (it clocks in at around 280 pages), it tells the unfolding story of two strangers who turn up for a study which asks whether a close relationship can be manufactured through a series of intense, highly personal question-and-answer sessions. Bubbly, loquacious overtalker Hildy is eighteen and curious about the potential of the study, while artistic, taciturn teenager Paul is, at first, only there for the money.

Sizeable chunks of 36 Questions That Changed My Mind About You are told in transcripts, texts, messages and other epistolary additions. It became my favourite thing about the book. It relies heavily on dialogue – something I’m not always a fan of, particularly if it comes at the expense of description, as happens here – but in this case it’s pleasingly deliberate, effective and realistic. It’s sharp (“That was a ten-second cover-up of a thirty-six part docudrama”) and often funny (“You have very good emotional antennae” “I love it when you talk dirty, but could please just finish your answer”). Hildy and Paul have a sparky dynamic which ranges from emotional to witty to furious to solemn; they’re remarkably expressive given that when you take away descriptors or adverbs most authors would, at least initially, flounder, but Grant takes it in her stride (it was only after reading the book that I discovered she’s also a screenwriter, which probably contributes to this). The prose sections are fairly unexceptional, but lo and behold, a book that shows just how much you can get done without dialogue tags!

 

LOOK AT THEM, IN ALL THEIR DIALOGUE-TAG-FREE GLORY. Significant sections of the book are told in texts and messaging, too, and FINALLY, the first YA book I’ve read for ages that gets teenage textual voices right. It’s not cringe-worthy or overly stylised, instead taking cues from character (Hildy is all long sentences and correct capitalisation; Paul is lowercase and fine with shortening the occasional word) and punctuation, or lack thereof (“hey! watch it with the !!! someone could lose an eye”).

This is undoubtedly character-driven contemporary. Hildy and Paul are interesting and, particularly in Paul’s case, intriguing enough leads to keep you reading. For a book that seems to be about romance, there is relatively little of it in swoony Stephanie Perkins or sweet Sarah Dessen terms. It’s definitely an opposites-attract relationship, with spiky back-and-forth (“normally I’d challenge you to a duel for the insult but I’ve got the sniffles”) and a touch of the bad-boy exterior, but there’s a sense that they matter to each other (“You’re just the way you’re supposed to be”) which is a tricky balance to pull off. You’d be surprised how many other YA romances don’t have their characters spending any time actually getting to know each other, and if there’s one thing you can say about Hildy and Paul’s story, it’s that they certainly do.

Family drama, a last-minute dash to find each other and an unusually prominent tropical fish are thrown in for plot. Hildy’s well-off family life has been ruptured by a startling revelation – a subplot I ultimately wasn’t delighted by, though it’s cleverly only hinted at for much of the book and provides a twist for Hildy and Paul’s first date – with her brother Gabe and friends Max and Xiu making up most of the secondary cast. The psychology study, which isn’t conducted in any believable way in the first place, isn’t followed up much in the latter stages, so if you picked up the book for that, you’ll be disappointed. It looks like there’ll be illustrations in the final edition, though they’re not in the advance copy, which is a shame as illustrated YA is a really fun concept. The book’s ending is fairly sudden and completely lacking in resolution, and there are too many stereotypes in its characterisation. However, despite their differences – and despite the book’s abrupt ending – the reader is invited at least theoretically to hope for Hildy and Paul’s opposites-attract romance.

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A surprisingly funny, fast-paced contemporary with a solid hook and some great dialogue, though the ending is rather abrupt and it lacks the spark of truly brilliant YA. If you like books by Keris Stainton, Emma Mills or Sarah Mlynowski, you may find something to like here.

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Re-imagining Books As… Podcasts!

Today on The Paper Alchemist, I’m looking at some books (mostly YA) that would make amazing podcasts  (and describing them in detail, because of course. WE NEED THE JUICY DETAILS. Alternatively, feel free to see them as radio plays. I get very into this).

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the_loneliest_girlThe Loneliest Girl In The Universe by Lauren James

Commander Romy Silvers is the loneliest girl in the universe: the only crewmember of the spaceship Infinity, travelling to a distant planet on a mission to establish a new colony, Earth II. Then she learns that a new ship, The Eternity, has been launched and will join her – and on it is a single passenger named J. Their messages take months to transfer across the vast expanse of space, but Romy holds on to the hope that when J arrives, everything will be different. If she can keep her increasingly eerie ship running that long… 

This is such an obvious candidate for a podcast adaptation! A single viewpoint character, an ear-catching premise, a distinct setting, a twisty plot, escalating narrative tension, ominous thriller overtones. It’s a relatively compact book, so a well-planned series of 17-22 minute episodes would keep it short and sharp. It could be in the form of Romy’s captain’s or ship’s log, with sections of her fanfic for the fictional TV show Loch & Ness used to break up segments. Throw in some suitably sci-fi background noises and occasional guest voice actors to vary the sonic landscape, and you’d have a super-cool narrative podcast. It’d probably be totally creepy, but some of the most talked-about podcasts are dark or mysterious (*coughs* Welcome to Night Vale).

Side note: I’ve talked extensively about how much I like The Next Together (time travel! Epistolary additions! “Said the actress to the bishop”! Hot Tom!) and The Last Beginning (More time travel! LGBT lady protagonists! Hot DILF Tom!!). While either could work as a podcast, albeit quite a complex and busy one given the multiple time periods, from a more straightforward stylistic standpoint The Loneliest Girl In The Universe unfortunately fits the medium better. Also I SUPPOSE one can’t put the Finchley-Galloway-Sutcliffes (unless there is a collective noun for an extended family of rule-breaking gay time travellers that will have to be their name okay I don’t make the rules) in every feature. In the meantime though you can read more about them here, or here, or here…

30370281Freshers by Tom Ellen and Lucy Ivison

The messiest choice on this list by far! I reviewed Tom Ellen and Lucy Ivison’s third book Freshers before it released earlier this year (you can read the review here) and it was amazing – clever, vibrant, outrageous, incredibly funny. I’d definitely read a sequel, or in the absence of one, listen to a podcast adaptation.

The Freshers podcast could be framed as a university radio show, ostensibly hosted by one of the more sensible characters like Josh or someone totally outgoing and eclectic like Frankie (ohmygod, imagine her music choices) but actually hijacked by the entire friend group. It would include lots of chat, campus news, a slot for the Quidditch society, and salubrious amounts of gossip. Negin would be the deadpan, sarcastic one, speaking only when it’s effective. Rita would put in disclaimers to stop them being sued for libel, but be an unsurprisingly good contributor. Bowl-Cut Mary would wish she’d thought of it first and try to get on this wildly popular campus radio show (really, the first cool thing they’ve had on in years). 25-minute podcast episodes would cut in and out of the much longer in-world radio show (fading back in after ‘songs’ etc.), with some choice backstage scenes of plot where, most importantly, Josh and Phoebe finally talk about their OBVIOUS feelings!! There’d be lots of tea and laughter and quickfire dialogue and general awesomeness.

17199504The Bone Season by Samantha Shannon

I’d like to see more fantasy podcasts given a chance! I’ve chosen Samantha Shannon’s The Bone Season because it’s alternate timeline SFF, with some recognisable elements – the London setting, the general concept of clairvoyance – rather than high or epic fantasy, which might need more of a leap on the part of listeners. There was supposed to be a movie of this series but I haven’t heard anything about it in ages, so maybe a podcast would be a more successful medium! Episodes would be twenty minutes to half an hour, with that slightly mysterious, unsettling feel and evocative background soundscapes, like crowds or echoing tunnels. It would, of course, feature members of SciLo’s unnatural population, and would be as much about the more interesting elements of its world as about plot. Side characters might take take more prominence – one might even helm it (is there an order of clairvoyant to do purely with sound?) – than they do in the series, which is told almost exclusively from Paige Mahoney’s perspective. Think stories from or about London’s spirits, its different types of clairvoyants, its shadiest corners and ongoing rivalries – and every now and then, a hint at the shifting allegiances and events of the ongoing books.

The idea of a podcast or radio show in SciLo is also quite subversive – it’d be an insight into stories or an underworld the reader or listener knows is forbidden in the world of the books. And, oh wow, I’ve just realised if he thought he could get away with it, Jaxon Hall would absolutely showboat his way into a radio show like this. Like Potterwatch, only completely insufferable. Well, isn’t that delightful.

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The Spinster Club
trilogy by Holly Bourne
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Rather than just a book-to-podcast adaptation taking listeners from reworked versions of Am I Normal Yet? and its sequels, what strikes me as interesting podcast material here is the post-series years. Evie, Amber and Lottie, still frustrated with not seeing each other much several months after the events of And A Happy New Year? decide to make a commitment to record a friendship-and-feminism podcast every month so they have an inescapable excuse to hang out. Plot progression mostly involves behind-the-scenes moments, updates on who’s dating and who’s hating, Lottie’s political ascension and the steady exploration of the girls’ lives as twenty-somethings.

Lottie is the moderator and leader with the schedule and microphones, Evie is the researcher and referee, and Amber is the riotous one who inadvertently gets quoted in all the soundbytes. A shaky start devolves into lots of laughter, cheesy wotsits and Amber yelling about taking down the patriarchy while accidentally snorting her drink out of her nose. There are regular features such as ‘Feminist Ladies We Love’, ‘An American Boyfriend Chips In Where He’s Not Wanted; or, The Token Bloke’ and eventually ‘Agony Aunties (And Other Annoying Relatives)’ in which they attempt to give advice in response to a chosen listener letter, deferring to areas of expertise or experience or, sometimes hilariously, trying to tag-team an answer. Episodes are fifty minutes to an hour depending on how many times someone falls (or gets pushed) off their chair howling.

This is just me describing the perfect podcast now, isn’t it. TL;DR: SOMEONE MAKE THIS PLEASE I NEED MORE SPINSTER CLUB IN MY LIFE.

Would you like to see YA books turned into podcasts? What books would you pick? Do you have any podcast recommendations? Leave a comment down below!

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Love Song by Sophia Bennett // fun, feel-good, well-written boyband lit

27396059Author(s): Sophia Bennett
Publisher: Chicken House Books
Publication date: 7th April 2016
Category: YA, teen fiction
Genre(s): contemporary
Series or standalone?: standalone (so far)
Source: I received a copy of this book from the publisher in exchange for an honest review.
Find on Goodreads and The Book Depository

A million girls would jump at the chance to meet world-famous boyband The Point, but Nina’s not one of them. She’s the new assistant to the lead singer’s diva fiancée, and she knows it’s going to suck. She quickly learns that being with the biggest band on the planet isn’t as easy as it seems: behind the scenes, the boys are on the verge of splitting up. Tasked with keeping an eye on four spoiled teenage rock stars, Nina’s determined to stick it out – and not fall for any of them…

You guys, I’ve been trying to review this book for AGES. I really liked Sophia Bennett’s first historical fiction novel, Following Ophelia, which published in March. I loved Threads and The Look. But even I was surprised by how much I enjoyed Love Song. Fun, refreshing and fabulously feel-good, it’s accessible but irresistible. An effective, clear-cut writing style makes a world of touring, gossip columns and guitars seem believable and multi-faceted. Bennett is undoubtedly one of the most reliable writers of quality teen fiction of recent years, and Love Song is certainly the best boyband lit book I’ve read (I wrote a whole post about the trend here). So far it seems to be a standalone, but I’d definitely read a sequel or a spin-off.

When Nina accidentally finds herself hired as an assistant and dragged on tour with The Point, the last thing she wants is to fall for one of the band’s members – and none of them look like boyfriend material when they’re throwing pizza at the wall or feuding with each other backstage. But her practical demeanour is noticed by Windy, their manager, and she ends up accompanying them on a songwriting trip at a vast, dilapidated country pile, where she slowly starts to realise that there is more to these teenage idols (“Three of Seventeen’s ‘Ten Hottest Humans’ were asking to enter my bedroom”) than meets the eye (“bad morning breath, a shared Led Zep obsession, and a surprising fear of bats”, for instance). But even with Nina and Jamie growing closer, mishaps seem to lurk around every corner.

Love Song shines most when the trappings have been stripped away and it’s just Nina and the boys in the old tumbledown house. The story is engaging, clever and funny (I forget how funny it is when I’m not reading it, which may be why it’s such a great re-read) with a brilliant setting in Heatherwick Hall. The romance between Nina and Jamie is sweet, though I’m more of a Declan fan myself. Capable and laidback, the newest bandmember (filling in for George, who winds up in rehab) may not have the lead-singer appeal of Jamie, and Connor has too much ego for most people to stand for more than five minutes, but someone’s got to shout-out the ginger multi-instrumentalist. Minor characters include Nina’s sister Ariel, chef Orli and a friendship struck up with cool, affable latecomer Issy.

Some would say that boyband lit is wish fulfillment, to which I would say: of course it is. The genre almost certainly has its roots in fan fiction, which exists, ultimately, for enjoyment. To see that kind of audience-focused storytelling spill in some way into YA is surely a good thing. YA should be a place where teens, especially teen girls, can enjoy themselves and what they’re interested in. Of course, there are some trade-offs – the romance here is decidedly PG, elements of the plot may be a touch unrealistic or melodramatic, the family plotlines needed to be handled better, and a book about a fictional band is never quite as on-the-button as the casual observer might expect – but there are also tremendous gains. The story benefits from skillful editing, character depth, a strong narrative arc, and Bennett’s experienced pen.

Bennett interrogates the tropes of this hybrid genre, such as unquestioning admiration of rockstar love interests. She avoids the one-dimensionality of cardboard cut-outs who give up everything for a flawless, empty life by giving down-to-earth Nina dreams of her own, namely in photography. Ariel, who unlike Nina is a fan of The Point, gives this fictional fandom a humanising touch, sidestepping the tendency of some boyband lit, and cultural impulses generally, to degrade or homogenise teen girls in fandom. In someone else’s hands, Nina would probably be linked with Angus, but instead of the bad-boy-who-needs-saving angle, Bennett opts for a healthier relationship. There are still obstacles and a little too much miscommunication for my liking, but Nina isn’t there to fix Jamie. When he treats her poorly, she doesn’t stand for it, and what’s more, they have things in common. Jamie and Nina both cried the first time they heard a certain classic rock song, which perhaps says more about their emotions than anything else in the book. The Point’s lyrics aren’t great, but in the absence of actual music, it’s conjuring an atmosphere that counts. Love Song is full of strummed chords and session musicians, and it makes for some terrific contemporary UKYA.

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Love Song is a warm and clever exploration of music, passion and a bit of teen wish fulfillment. I really can’t emphasise enough how enjoyable it is to read and re-read. This is deliciously feel-good, well-written stuff. It may have a straightforward premise, but Bennett really delivers. This is one of her best books yet. 

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Seven YA Books I Haven’t Gotten Around To Reading (Oops)

As a book blogger, it can feel like you constantly have to be on top of all the biggest books or constantly harping on about new releases. But there’s only so much time in the day, and inevitably books are going to slip through the net! That’s right, you guys, I’m basically about to name and shame my own TBR pile. I know I’m going to be inundated with recommendations after this, but I’ll get around to them at some point… I think…

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32820770Unconventional by Maggie Harcourt

Lexi Angelo has grown up helping her dad with his events business. She usually stays behind the scenes – until the messy-haired, almost arrogant Aidan Green arrives unannounced at the first event of the year, throwing her life into dissaray.  In a flurry of late-night conversations, mixed messages and butterflies, Lexi discovers that some things can’t be planned. Things like falling in love…

I’ve heard lots of praise for this convention-set contemporary (published by Usborne in spring 2017), particularly for its nerdy characters, cute romance and mentions of fandom. It sounds like just the sort of thing one could use for a light sojourn in contemporary, so it’s definitely high up on my to-be-read list!

20821111The Young Elites by Marie Lu

This entire trilogy – about Adelina, who survived a blood fever that gave her silver hair and a scar instead of a left eye, Teren, the leader of an inquisition which hunts down any ‘malfetto’ it can, and Enzo, a member of a secret society which tries to get there first and reveal survivors’ mysterious gifts – came and went before I realised I hadn’t read more than an extract! Marie Lu’s Legend books constitute probably the only YA dystopian trilogy I’ve ever actually liked, and I’ve come close to picking up The Young Elites as the quality of her writing has the potential to appeal. However, high fantasy is more reliably my cup of tea than dystopia-SFF.

23009402Saint Anything by Sarah Dessen

I really enjoy Sarah Dessen’s books, but Saint Anything, her twelfth, is among the few I haven’t read. The premise is fairly standard American YA fare (it’s about a teenager whose older brother takes the family spotlight until he causes a car accident and is jailed, before protagonist Sydney indulges in some self-discovery and acceptance among a warm, chaotic family called the Chathams who run a pizza parlour and play bluegrass). It’s a little less original than the premise of her 2017 book, Once and For All, but I’ll probably get around to reading more of her back catalogue one day.

27074515The Dark Days Club by Alison Goodman

London, April 1812. On the eve of eighteen-year-old Lady Helen’s presentation to the queen, one of her family’s maids disappears, and Helen is drawn into the shadows of Regency London. There, she meets Lord Carlston, one of the few who can stop the perpetrators: a cabal of demons infiltrating every level of society. Dare she ask for his help, when his reputation is almost as black as his eyes? Will her intelligence and curiosity finally be put to good use, or are they falling into a trap?

Okay, so this one isn’t for want of trying! I’ve started my copy of The Dark Days Club TWICE in full-on-choice-snack-and-nearby-cat reading sessions without success. I read an excerpt before it was released, too, and I really liked the supernatural historical fiction concept. There’s just something about the book as a whole – maybe the dense prose or chunky length – that makes it a little inaccessible. Maybe I’ll have to try an audiobook instead?

15832932What I Thought Was True by Huntley Fitzpatrick

When Gwen’s Biggest Mistake Ever, Cassidy, takes a job as a yard boy on her small island, it’s the last thing she wants. He’s a rich kid from Stony Bay, while she’s from a family of fishermen and cleaners who keep the island guests happy. Just when it looks like she’ll never escape her past – or a future spent cleaning summerhouses – she gets some shocking advice. Sparks fly and histories unspool as she spends a restless summer struggling to resolve everything she thought was true.

When I was researching this post I couldn’t believe What I Thought Was True was published way back in 2014! I loved My Life Next Door, and always assumed I’d get around to reading this standalone eventually. But it looks like the appeal of the Garrett family – who also appear in a companion novel to Fitzpatrick’s début, The Boy Most Likely To, which I have read – wins out for me! I’m still keen to see what Fitzpatrick writes next.

17675462The Raven Boys by Maggie Stiefvater

For as long as she can remember, Blue has been warned that she will cause her true love to die. Even living in a house where clairvoyance is common, she never thought this would be a problem. But as she gets caught up in the strange and sinister world of the private school Raven Boys – Adam, Ronan, Noah and the one whose death seems to have been predicted, Gansey – she’s not so sure anymore…

The Raven Boys is possibly the Most Hyped YA Book of Ever, but that alone is enough to make me less inclined to read it. There’s just so much endless hype, rarely including stylistic critique or detail. I think most series would struggle under so much super-inflated expectation. Also, I can’t read Gansey seriously as a hero because HIS NAME LITERALLY MEANS JUMPER. ‘Gansey’ is the anglicised or slang version of the Irish term ‘geansaí’ (jumper, sweater). I can’t read it without laughing. It’s like trying to tell me a love interest is called ‘Cardigan’ or ‘Dungarees’. Additionally, why is Owain Glyndŵr’s name being mutilated. ARE YOU AFRAID OF OTHER LANGUAGES.

10194157Shadow and Bone by Leigh Bardugo

Okay, this is a big-hitter. As a YA fantasy fan, I’ve tried to get into Leigh Bardugo’s Shadow and Bone. But the Grishaverse just hasn’t clicked for me. I think the genre has moved on from the character types of the trilogy at this point, too. I have read Six of Crows and think its characters and plot (a fantasy heist!) are really striking, but found it too steeped in Grishaverse worldbuilding for it to stand entirely on its own two feet. I know A LOT of readers love these books so I reckon the series will be perfectly fine without another jumping on the bandwagon. Besides, YA is full of great fantasy books – you could probably read it exclusively and never get around to them all!

So there you have it – the blockbuster books this busy reader hasn’t quite gotten around to yet! Are there any YA books you feel everyone has read but that haven’t clicked for you or that you haven’t yet had time for?

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The Trials of Morrigan Crow (Nevermoor Book One) by Jessica Townsend // pleasingly fun and utterly immersive

dfp1adkuqaaos5lAuthor(s): Jessica Townsend
Publisher: 
Hachette/Orion Children’s Books
Publication date: 12th October 2017
Category: children’s
Genre(s): fantasy, adventure
Series or standalone?: series (#1)
Source: I received an e-copy of this book in exchange for an honest review. Quotes from this copy may be subject to changes in final editions.
Find on Goodreads and The Book Depository

Morrigan Crow is cursed. Born on the unlucky day of Eventide, she’s blamed for all local misfortunes from hailstorms to broken hips. Worst of all, the curse means that Morrigan is doomed to die on the next Eventide – until, that is, a strange and remarkable captain named Jupiter North appears. Chased by black smoke-hounds and shadowy hunters on horseback, he offers her the chance to escape her draughty, unwelcoming manor and enter an unpredictable but magical city called Nevermoor.

Jupiter believes Morrigan could contend for a place in the city’s most prestigious organisation: the Wundrous Society. If she can pass four difficult and dangerous trials, she will have a chance at a future full of strange adventures. But there are hundreds of children with extraordinary talents in Nevermoor, and as far as Morrigan is aware, she hasn’t got a gift anyone would want. Morrigan will need to discover more about who she is, and more importantly, who she could be – or she’ll have to leave the city and confront her fate, once and for all.

Having only recently read Katherine Rundell’s terrific historical standalone The Explorer, I was itching to dive into more new children’s fiction  – but whatever I expected when I picked up this book, it probably wasn’t something quite as wonderful as Nevermoor. It took me a few chapters to get into it, but once I had, I raced through it in a couple of hours. This is charming, utterly immersive stuff.

As Eventide draws near, the last thing cursed eleven-year-old Morrigan Crow expects is for a magical and magnificently dressed Captain called Jupiter North to offer her a chance to escape the fate she thought she’d been resigned to long ago. Exciting and rhythmic but not overstuffed, the plot is one of discovery and cleverly placed detail. It doesn’t reinvent the literary wheel but almost every page features something interesting or memorable. Townsend’s use of familiar tropes, like the whisking away of a downtrodden child hero to a secondary world or the appearance of an unconventional pseudo-father figure, is highly effective. There are requisite foes in a compelling conflict with a Big Bad called The Wundersmith and some lesser enemies made at a very intense garden party. While the final showdown is a bit anticlimactic (it’s cut short and the stakes don’t quite make an impression), there are some suitably spooky, atmospheric moments in the build up which show the shadowy side of the Republic and even of the otherwise glittering Nevermoor.

It is in worldbuilding that this book really shines. Startlingly inventive and entertaining, the sheer imagination and delight at play is astonishing. There are hints at the workings of a broader fantasy world – it is, for example, run on Wunder, a mystical medium few truly understand, and opens in the gothic ‘Great Wolfacre’ – but much of the novel spills over with inexplicable and varied magic simply because it can. Because it’s fun. There’s a logic and yet an immense expressiveness to it. There are rooms that redecorate themselves for different occupants; carriages built like nimble metallic spiders; shadows that can wander on their own. Violinists who pickpocket entire audiences while playing; a clock with a sky for its face. Fireblossom trees and mesmerists and snowhounds and a gigantic talking cat.

Plunged into a city where the impossible seems positively ordinary, self-effacing, black-clad Morrigan is startled to realise that it is a place in which she might be able to feel she belongs. The Hotel Deucalion is full of colourful, eccentric characters. The charismatic, gregarious Jupiter North was undoubtedly my favourite, but trouble-making dragon rider Hawthorne was a close second. Even minor characters like Martha and Dame Chanda have their moments. One of the finer details of the book is that many of the core cast feel like they could be the hero of their own story, and one imagines there are thousands of untold escapades just waiting to spill from the mysterious Wundrous Society (“Tales from the Wundrous Society” is totally the title of a short story spin-off collection).

The best of the book’s prose comes from its descriptions (“Days of splashing in the sun-drenched Jasmine Courtyard pool gave way to balmy nights of ballroom dancing lessons, barbecue dinners and long lounging sessions…”, “an enormous rose-coloured chandelier in the shape of a sailing ship, dripping with crystals and bursting with warm light”). The writing is fairly undemanding, but it’s accessible and surprisingly funny (“the first day of Morningtide, Spring of One, Third Age of the Aristocrats. Weather: chilly but clear skies. Overall city mood: optimistic, sleepy, slightly drunk”). I would’ve liked a positive female friendship for Morrigan or more useful guidance from Jupiter rather than seeing her be kept in the dark, but these are small quibbles. A lack of hugely expansive explanation leaves this one feeling very much like a series opener, but then it is a story readers will likely be thrilled to return to. There is such tremendous potential in this energetic, appealing piece of storytelling.

4hstars-fw

Vivid, imaginative and surprisingly funny, Nevermoor: The Trials of Morrigan Crow is a dazzling children’s fiction début. 

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Wing Jones by Katherine Webber // big-hearted but bittersweet

25909375Author(s): Katherine Webber
Publisher: Walker Books
Publication date: 5th January 2017
Category: YA
Genre(s): contemporary, historical fiction
Series or standalone?: standalone
Source: purchased
Find on Goodreads and The Book Depository

Wing Jones has worshipped her older brother Marcus for as long as she can remember. Good-looking, popular, and the star of the football team, Marcus has made an asset of the Ghanaian-Chinese heritage that makes Wing stand out. 

Then a drunk Marcus gets behind the wheel of a car after a party. With Marcus in a coma, Wing is tormented at school for his mistake and haunted at home by her grandmothers’ grief.  

Unable to sleep, Wing finds herself sneaking out to run on her school’s empty track. When Aaron, Marcus’s best friend, sees her running, he recognizes that her speed and skill could get her spot on the track team – and maybe even a shot at a coveted sponsorship. Wing can’t pass up the opportunity to train with her longtime crush and to help pay Marcus’ medical bills, but can she handle being thrust out of Marcus’s shadow and into the spotlight?

One of my most anticipated reads of the year, it nevertheless took some time for me to get around to reading Wing Jones (more detail on that in my July reading check-in here). However, perhaps some distance from the hype (and you know how I feel about hype) was a good thing. It allowed a book I’d otherwise heard plenty about to spring a few surprises. It took me a while to get into the narrative as I found the writing style in the opening chapters very jerky and jagged, but rather like a runner finding their form, when the book hits its stride, it simply glides. Written with charm as well as drive, it’s gorgeously cinematic and would make for an awesome book-to-movie adaptation.

Wing Jones is, in many ways, typical ‘all-American’ YA: not only in setting, slang and sports, but in its petty high schoolers, crushing-on-older-brother’s-best-friend device, and familiar overarching formula. The added ingredients are of identity (Wing is biracial) with a dash of magical realism (her personal talismans, a lioness and a dragon, clearly represent the dual aspects of her heritage). Wing faces racism at school, but she’s proud of her heritage and her grandmothers, Granny Dee and LaoLao, are consistently present. If you’ve read Sarah Dessen’s Saint Anything, Angie Thomas’ The Hate U Give or Robyn Schneider’s The Beginning of Everything, you’ll recognise scraps of the story here.

When Wing’s star football player brother causes a car crash under the influence, her world is thrown into chaos. All she wants to do is run and run until her problems are far behind, so she does. Soon she’s running on an empty school track every night, wearing out her Converse and waiting for the sun to come up. What’s more, she’s good. She’s fast. It’s in running that Wing finds something that feels totally hers. The descriptions of running in the book are grounded yet spectacular, even soaring (“with my dragon on one side and my lioness on the other, I stretch my legs out, as my feet hit the track, heel-toe, heel-toe”), notably in the first third when it’s just Wing, the night and the track. Accidentally revealing her speed creates a flood of pressure and expectation (and paves the way for improbably swift success), but it also gives her a sense of purpose and, importantly, belonging, as she joins an athletics team and makes positive female friendships, particularly with warm, self-assured sprinter Eliza and her girlfriend Annie.

I was surprised by how much I loved the book’s romance. As swoonworthy as it is sweet, t’s probably one of the  top YA romances I’ve read all year. Aaron and Wing’s dynamic was built on actually spending time with each other (you’d be surprised how many YA romances aren’t!), and even with a requisite dose of drama, it’s a well-played and supportive relationship. A mix of fizzy first love and deep, realistic companionship, it’s been ages since I’ve read a YA relationship quite so delicious as this. Wing – brave, lost, angry, kind, big-hearted – grows a lot during the book, and the romance grows with her.

I was also surprised by Webber’s dextrous handling of character expression. Several secondary characters were a little two-dimensional on occasion – the book could’ve used more backstory – but her subtle understanding of the core cast was terrific. This is a deceptively hard-hitting novel, but it makes Wing’s elation all the more moving. I expect the mid-90s setting and elements of magical realism (Wing’s lioness and dragon appear to her in moments of need, but it’s never really explained in any way. Are they elaborate metaphors? Imaginary friends? Is she hallucinating?!) will be a deal-breaker for some, but a few unnecessary scenes aside, it’s an interesting twist in a hugely bittersweet book.

4hstars-fw

Bittersweet yet charming, Wing Jones is big-hearted, cinematic, satisfyingly driven YA. A top-notch romance and vivid running scenes are among the highlights as a choppy start gives way to a book that really hits its stride.

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