INTERVIEW // Take Five with Natasha Ngan, author of Girls of Paper and Fire

Today on the blog, I’m delighted to be hosting a Q&A with author Natasha Ngan as part of my ongoing Take Five interview series!

As ever, my questions are in bold, with Natasha’s answers in plain text.

20180428-DSC04172_edit-cropNatasha Ngan is a writer and yoga teacher. She grew up between Malaysia, where the Chinese side of her family is from, and the UK. This multicultural upbringing continues to influence her writing; she is passionate about bringing diverse stories to teens. Natasha studied Geography at the University of Cambridge before working as a social media consultant and fashion blogger. She recently moved to Paris, where she likes to imagine she drifts stylishly from brasserie to brasserie, notepad in one hand, wineglass in the other. In reality, she spends most of her time getting lost on the metro and confusing locals with her French.

Set the scene: Can you tell blog readers something about where you are right now? 

Natasha Ngan: I’m sitting at my desk in my little studio apartment in Paris, looking out at rooftops and a beautiful blue sky! It sounds idyllic – except there’s two different sets of works going on in my block of flats, so the air is filled with the rumble and squeal of drilling, and people are shouting angrily in French in the street below. However, I have a cup of tea nearby and am wrapped up in blankets, so I’m pretty cosy!

160701411. Girls of Paper and Fire is the start of a new series. What makes this book different from your previous books (The Elites and The Memory Keepers)?

NN: GIRLS is my first fantasy book, which is funny since that’s the first genre I fell in love with and have spent so much time since young creating various fantasy worlds to lose myself in! I also feel like GIRLS is the most personal of my books to date. It’s own voices in more ways than one – the Asian-inspired world, queer characters, the theme of sexual abuse. So it feels pretty vulnerable offering up this story to the world! But I’ve been so overwhelmed by the response so far, and to see readers connecting with something that means so much to me is just incredible.

2. What served as your inspiration for Lei’s story? What kind of research did you do to build her world?

RNN: With Ikhara, I wanted to create a world that felt completely authentic and real to me as a person who has Chinese heritage but isn’t from mainland China. My mother’s side of the family is from Malaysia, and we spent a lot of time there when I was young so I could grow up surrounded by the languages and cultures that my mum is familiar with. But I’m also half English and was born in the UK. So I really wanted a fantasy world that had all these different influences and really celebrated them.

Research-wise, I’m lucky as a lot of things in Ikhara have come directly from my own memories and experiences, so during the writing many details such as clothes, superstitions and symbolism, architectural styles, language and food (LOTS of food!) are things I’m already familiar with. While I was dreaming up the world and story, however, I did do lots of research into the history of the regions I’m drawing from and brushed up on various mythologies and folklore too.

181965163. By the time Girls of Paper and Fire releases, it will have been four years since your last book was published. What do you feel you’ve learned about writing in that time?

NN: SO MUCH! And if you ask me this question again a few more books down the line, I’m sure I’ll say the exact same thing! I love how writing is a skill that constantly evolves alongside you. Not just in style and technique, but also in topics, ideas, the whole being of writing – it’s always changing, just as we are. If I had to rewrite GIRLS today, I’ve no doubt it would come out very differently, since it’s been almost four years since that first draft!

I’ve definitely learnt more about the craft over the past few years. I’m an instinctive writer and a total panster, so I struggle to explain the hows and whys of my writing, particularly whilst I’m actually writing. But I’ve made an effort to study and explore the technique of it more, listening to how other writers work, reading craft books, watching YouTube videos that break down why good films work etc. So even if I’m not consciously applying them, my subconscious is hopefully doing it for me!

4. As well as writing for teens, you’re also a fashion blogger and yoga teacher. Do you ever feel that you’re contributing to the pressure on young women to look a certain way by being involved in the fashion industry? Does that background ever affect your writing?

NN: This is such an interesting question! I actually think blogging back in its youth moved against those pressures by showcasing different looks, styles, shapes and personalities, particularly those underrepresented in mainstream media. Sadly, as blogging has become commercialised and social media use has exploded, it’s lost that quality. I don’t really blog much anymore, and that’s a big reason for it. Now I’m happy just sharing the odd picture here and there on Instagram with little snippets of my life in Paris.

On the other hand, being a yoga teacher is all about empowering your students to look after themselves from the inside out, and becoming confident and comfortable with who they are. I’ve struggled with anxiety since young, especially surrounding my chronic genetic health condition, and yoga has helped me enormously to be at peace within myself and whatever is going on in my body. These issues definitely come into what I write. GIRLS is a lot about inner strength and reclaiming your body after others have controlled and abused you, and I hope these messages come across positively.

5. Finally, can you tell us what’s next for you (and for Lei)?

NN: I’ve just finished the first draft of book two in the GIRLS trilogy! It was an … experience. There’s still a lot of work to come of course, but I’m actually very happy with the direction the story takes and the new characters, settings and conflicts book two explores. [BLOGGER’S NOTE: What comes next is a mild spoiler for Girls of Paper and Fire. If you’re not lucky enough to have read the book yet, skip over the white out. Highlight it at your peril!] Without giving away too much, I can tell you that Lei and a certain someone have escaped the palace, and they’ll be travelling all across Ikhara in a bid to secure allies for the upcoming war.There’s a big cast of new characters to fall in love with (I hope!) and we’ll see Lei learn and grow from what happened to her in book one, as well as explore the ethical dilemnas of the dark side of what she’s got herself caught up with. I can’t wait for readers to continue her journey! 

Thanks to Natasha for this fantastic and detailed interview! Girls of Paper and Fire is out on November 6th 2018 in the USA and March 21st 2019 in the UK and Ireland. On that note, there’s a special postscript from Natasha for readers in the US: 

Oh and I’m also coming to the US on a tour in November to celebrate the release of GIRLS! I’d love to meet you and chat all the bookish things. I’ll be posting up my tour dates very shortly over on my website. Please do come say hi!

———–

39449484Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It’s the highest honor they could hope for… and the most cruel.

But this year, there’s a ninth girl. And instead of paper, she’s made of fire.

Lei is a member of the Paper caste, the lowest and most oppressed class in Ikhara. She lives in a remote village with her father, traumatised by the loss of her mother. Now, the guards who took her mother are back, and this time it’s Lei they’re after. 

Over weeks of training in the opulent but stifling palace, Lei and eight other girls learn the skills and charm that befit being a king’s consort. But Lei isn’t content to watch her fate consume her. Instead, she does the unthinkable — she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens the very foundation of Ikhara, and Lei, still the wide-eyed country girl at heart, must decide just how far she’s willing to go for justice and revenge.

Is Girls of Paper and Fire on your TBR? Let us know in comments down below!

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The Way Past Winter by Kiran Millwood Hargrave // swapping the tropics for snowy forests

Today on the blog, I’m reviewing a book I read all the way back in June and am so excited to be able to talk about more!

way-past-winter-hb-no-bleedAuthor(s): Kiran Millwood Hargrave
Publisher: Chicken House Books
Publication date: 4th October 2018
Source: I received an advance copy of this book in exchange for an honest review. Any quotes taken from this copy may be subject to changes in final editions.
Find on Goodreads and The Book Depository

Mila and her sisters live with their brother Oskar in a small forest cabin in the snow.

One night, a fur-clad stranger arrives seeking shelter for himself and his men. But by the next morning, they’ve gone – and it looks like Oskar has joined them. Twelve-year-old Mila can’t believe her beloved Oskar would abandon them. But then she never believed her father would abandon them either, and he disappeared years ago. 

Then she learns that all the boys in the village have gone. Except one – an outcast mage called Rune. To discover the truth, Mila and Rune set out in a dog sleigh to find Oskar and bring him back. Even if it means facing a wilderness full of dangerous, magical things. Even if it means going all the way to the frozen north… 

Kiran Millwood Hargrave is having a bit of a moment. Already a published poet and playwright when her first children’s novel The Girl of Ink and Stars was picked up by Chicken House Books, it was shortlisted for the Branford Boase Award, declared Children’s Book of the Year at the British Book Awards and won the Waterstones Children’s Book Prize. Her second children’s book, The Island at the End of Everythingwas shortlisted for a Blue Peter Book Award and the Costa. The first book in a feminist YA series, Bellatrix, which will see her working with fellow Costa nominee Kit de Waal, is slated for July 2019. A buzzy 13-way auction for rights to her first adult novel The Mercies (previously known as Vardø) earlier this year was eventually won by Picador, with publication set for 2020.

What, then, of The Way Past Winter, which seems to bridge a critical moment between Millwood Hargrave’s children’s fiction and a transition to work for older audiences? Has this relatively short adventure been left in the dust in the rush to get to other projects? It certainly seems like a break with tradition when compared to The Girl of Ink and Stars and The Island at the End of Everything, which both feature long titles, only children, and sun-drenched tropical island settings. The characteristic girl heroine and male villain remain, and islands are to an extent still places of wonder for this writer, but the trading of sand for snow and sun for ice has the effect of conjuring a world as fresh and sharp as the air after a storm. It seems that Millwood Hargrave has found the means to step further away from the formula set by her first book – and her plunge into this wintry landscape is often brilliant.

Mila’s quest to find her brother is one of snowy forests and eerie mountain cities, breakneck chases and perilous encounters, fierce creatures and mesmerising wilderness. As their close-knit sibling group splinters and older sister Sanna concludes that Oskar was desperate to take any opportunity to abandon them – perhaps an expression of her own frustrated longing to see the world beyond the forest – Mila is sure there’s something more to his disappearance. She is joined in her search by mysterious boy-mage Rune, bright-eyed younger sister Pípa, and loyal canine companions Dusha and Danya. Theirs is a world which awaits a far-off spring; one of superstition and stories, like that of Bjorn, bear protector of the forest. I would’ve liked slightly deeper exploration of certain plot threads or secondary characters, but on the whole, simple devices are woven into an effective, engrossing adventure.

It is not unexpected that nature should prove fruitful literary ground here (“Cold hovered like a carrion bird”; “it was the way of the mountains to carry on outdoing each other”), or that there are poetic influences (“A dark fizzing, like a hot coal spitting”). More important is that Millwood Hargrave is hitting her prose stride. The Way Past Winter features a compelling goal, exciting action and well-defined structure. Some of my favourite lines were character-centric (“Oskar had grown up so fast it seemed he had left loving them behind”; “She felt empty, like a hand that is dropped when it is used to being held”), but some came even when the story was at its simplest. When it was speaking of “a pane of ice, thumb thick”, or “watching as the flour and water performed their small alchemy”, or “listening to her breathing, which seemed the best sound ever made.” It is in these moments that The Way Past Winter shines.

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The Way Past Winter is simple, evocative, and captivating. Its pacy adventure and flashes of rich imagination will appeal to fans of Katherine Rundell’s The Wolf Wilder and Abi Elphinstone’s Sky Song. One of Kiran Millwood Hargrave’s best books yet.

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The Skylarks’ War by Hilary McKay // an outstanding historical novel

My run of children’s fiction reviews continues on The Paper Alchemist today – with even more historical fiction!

39903894Author(s): Hilary McKay
Publisher: Macmillan
Publication date: 20th September 2018
Source: I received a NetGalley copy of this book from the publisher in exchange for an honest review. Any quotes taken from this copy may be subject to change in final editions.
Find on Goodreads and The Book Depository

Clarry Penrose and her brother Peter live for their summers in Cornwall. They stay with their grandparents and run wild with their older cousin, Rupert. But normal life resumes each September, with boarding school for Peter and Rupert, and for Clarry, a dull return to an echoing old house and a father who doesn’t want her. 

Even worse, the shadow of a terrible war looms ever closer. When Rupert goes off to fight at the front, Clarry feels their skylark summers start to slip away from them. Can Clarry’s family survive this fearful war? And will any of them be the same when it’s over?

Modern publishing is obsessed with the next big thing; with flash-in-the-pan fads and blockbuster bestsellers and instant Hollywood movie deals. There is such pressure on the make-or-break debut, particularly in YA, that there hardly seems room for thinking about writers as people who may continue to exist beyond that first nerve-wracking publication day. One wonders if the likes of Sir Michael Morpurgo, who wrote seventeen books before War Horse, his most famous title, or Dame Jacqueline Wilson, who wrote dozens of books before The Story of Tracy Beaker, would be given the time to build a long-term career if they were to debut in today’s publishing landscape.

Hilary McKay certainly got out well from the starting blocks – her first novel The Exiles won the 1992 Guardian Children’s Fiction Prize – and has nudged awards from time to time since – in 2002 the first of the brilliant Casson family books, Saffy’s Angel, won the Costa, then known as the Whitbread Children’s Book Award. Her books have meant a great deal to many readers. And, in a testament to writers being allowed to hone their craft, it is in her third decade of writing for children that she has created one of her best books to date.

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The Skylarks’ War is an old-fashioned tale, written in distinctive, almost idiosyncratic prose. It is a coming-of-age story in the truest sense of the word. It follows an extended family of characters for years, from childhood to early adulthood, like Dodie Smith’s I Capture the Castle or Jeanne Birdsall’s The Penderwicks. Cheerful, bright Clarry is at its heart. There’s also bad-tempered, slowly-flourishing brother Pete, grammar school girl turned nurse Vanessa, and loyal, ungainly Simon. And then there’s Clarry’s favourite, her charismatic, reckless cousin Rupert (“Having endured the desertion of his parents, a Cornish winter when a gale was so strong it blew him off the cliff, a Christmas of scarlet fever and innumerable years in compulsory education, he was assumed to be indestructible and allowed to do what he liked”).

As historical fiction, The Skylarks’ War straddles a complex era in which the Edwardian period gave way to the First World War, and in which the young were faced with changes and horrors once unimaginable to their firmly Victorian parents and grandparents. It grapples with ideas of education, ambition, patriotism, trauma, and vibrant hope. I particularly liked the intense exploration of family dynamics and the use of letters. There are a few inelegant touches – an instance of (a heavily implied) ‘bury your gays’ trope, some Irish stereotypes – but on the whole it is a vivid, detailed, unputdownable novel. The book’s most astonishing achievement is its multifariousness: it has moments of appalling devastation and breathless high spirits, no-nonsense practicality and emerging aspiration, frosty distance and, finally, joyful warmth.

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Hilary McKay’s The Skylarks’ War is multi-faceted, vivid and gut-wrenching. A historical novel reminiscent of Vera Brittain’s Testament of Youth, Michael Morpurgo’s War Horse and Katherine Rundell’s Rooftoppers. 

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Into The Jungle: Stories for Mowgli by Katherine Rundell // an immersive re-imagining

Spoiler: this almost-reboot wins over a cynic (though to be fair it is written by one of my favourite children’s writers of all).

38812918Author(s): Katherine Rundell
Publisher: Macmillan
Publication date: 20th September 2018
Source: I received a NetGalley copy of this book from the publisher in exchange for an honest review. Any quotes taken from this copy may be subject to change in final editions.
Find on Goodreads and The Book Depository

Everyone knows the story of Mowgli, the wild boy who leaps from the pages of Rudyard Kipling’s 1894 classic The Jungle Book. But what about the stories of those around him?

What of the mother-wolf who raised Mowgli as her own? What of Bagheera, the elegant and mysterious black panther, or Baloo, the good-natured bear with a fondness for honey? What of the elephants and the shrewmice and all the creatures in between?

Mowgli is hungry for their stories, but as he listens, he learns that there has, perhaps, only been one constant in the life of the jungle: danger. There have always been animals like Shere Khan, and the great ape with red eyes who lives on the mountain…

Katherine Rundell is no stranger to the wild. She braved the Amazon rainforest to rapturous applause with Costa-winning 2017 children’s novel The Explorer. Here Rundell turns her attention to another vivid and intrepid adventure, this time set in India among some very familiar names indeed. It’s certainly a handy commission between original creations, a useful siphon for a little excess exuberance. It seems Rundell wasn’t quite done with the jungle after finishing The Explorer. 

Or perhaps the jungle simply wasn’t done with Rundell.

For the world of Into The Jungle is intoxicating and fiercely alive. In its stretch of wonder you can almost hear the rustling undergrowth, the bristling insects, the argumentative birds. There are landscapes conjured here from the rough Seoni hills to the open plains where the snake stream meets the elephant pool.

The book is framed as a series of stories being told to Mowgli. We hear that before she was wolf-mother, Raksha was a courageous pup. We meet a young Bagheera and a young Baloo. Kaa gets a human-centric escapade and even a jerboa named Jolt makes the overmighty aware of the creatures at their feet. Rather cleverly, these stories are then tied up in an overarching adventure which gives the novel a little more punch.

Into The Jungle has more time for female characters than its forebear, though it leaves any explicit criticism or acknowledgement of Kipling’s complex post-colonial reputation firmly in the author’s note. After all, this is a project set to coincide with further pop cultural versions of the 1894 original, including Disney’s live-action Jungle Book sequel and Netflix’s Mowgli. This is not a radical reinterpretation of a Victorian monument, but it is not saccharine, and it is very well-written. I am continually astonished by Rundell’s ability to immerse the reader. Her prose is expressive (“his spine rose and fell like a mountain range”; “the jungle at night shone gold and silver and deep-water blue”), and effective even in moments where you barely notice it. It’s a rare writer who can make you forget you’re only reading.

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Acclaimed children’s writer Katherine Rundell squares up to Rudyard Kipling in the vivid, immersive and energetic Into The Jungle. 

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The Lost Magician by Piers Torday // genre-hopping storytelling with some subversive twists

Today on the blog, it’s time for more children’s lit!

40126361Author(s): Piers Torday
Publisher: Quercus Children’s Books
Publication date: 6th September 2018
Category:
children’s
Source: I received a Netgalley copy of this book from the publisher in exchange for an honest review. Any quotes taken from this copy may be subject to change in final editions.
Find on Goodreads and The Book Depository

They may have survived the Blitz, but when Simon, Patricia, Evelyn and Larry step through a mysterious library door, it is the beginning of their most dangerous adventure yet.

There they discover the magical world of Folio, where an enchanted kingdom of fairy knights, bears and tree gods is under threat from a sinister robot army. The many stories of the Library are locked in war, and the children’s only hope is to find their creator – a magician who has been lost for centuries… 

Piers Torday’s The Lost Magician emerges from the same school of fiction that recently produced Patrick Ness’ Release and Katherine Rundell’s Into The Jungle. It is a writing back to a classic, even canonical, work in the form of a novel aimed at a young audience. While Ness took on Virginia Woolf’s Mrs Dalloway and Rundell squares up to Rudyard Kipling, Torday tackles C.S. Lewis’ The Lion, The Witch and the Wardrobe. 

In terms of critical acclaim, Torday certainly has clout. His first novel for children was shortlisted for the Waterstones Children’s Book Award and nominated for the Carnegie Medal, while its sequel won the Guardian Children’s Fiction Prize. Not content with merely interrogating one of the most beloved children’s books of all time, Torday also takes the opportunity here to explore themes of war, knowledge and the power of the written word.

There are nods to Narnia everywhere. Four children go to an old house, the home to a professor, to escape the effects of the Second World War. The youngest child stumbles into a magical world, which seems a bit choosy about when it can be accessed, and is not believed by their older siblings. Smaller allusions are scattered throughout the book. Larry, Evelyn, Patricia and Simon even share the same initials as the Pevensie siblings.

But it is not a retelling. Rather than a landscape of perpetual winter full of talking animals and Turkish delight, the reader is greeted with a subversive and surprising note which casts a niggle of doubt over the entirety of the magical proceedings which follow. The world of Folio is a sprawl of larger-than-life fairytale figures (ironically in the case of Tom Thumb) and vaudeville villains. Torday’s bold, brash approach draws on a wild variety of characters and styles, allowing the Three Bears to appear in the same chapter as a War of the Worlds-esque amassing of the forces known as Unreads. The core, rather unsubtle conflict is between sides known as Reads (who represent a rich tradition of human storytelling), Unreads (robots who prefer the concrete and abhor imagination) and Never Reads (the most dreaded of all).

For me, The Lost Magician was a little didactic and the genre-jumping occasionally jarring, but it’s a book many will extol. I liked the book most when it was rooting itself in historical fiction. It teases out familial relationships and acknowledges details sometimes not seen elsewhere, like dyslexia not being a barrier to love of storytelling. For all its outlandish technicolour, the prose was perhaps at its best when at its simplest and most grounded: “It was a kind of manor house, of which there were many in that part of the world, and to the children it just looked very old and very smart. The stone was honey coloured, blazing in the afternoon sun, and there were roses clambering up the side…”

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Piers Torday’s interrogation of a children’s classic combines magic and adventure with subversion and a swirl of historical fiction. It’s not the most subtle of books, but will find fans among children and adults alike (and have more clued-up readers wondering, “Which one is supposed to be Jesus?”). 

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Save The Date by Morgan Matson // Matson delivers with multifaceted rom-com YA

Today on the blog, it’s my time for my now-biennial Morgan Matson contemporary YA review…

34839193Author(s): Morgan Matson
Publisher: Simon & Schuster
Publication date: 14th June 2018
Source: I received a copy of this book from the publisher in exchange for an honest review.
Find on Goodreads and The Book Depository

Charlie Grant’s older sister is getting married this weekend at their family home. For the first time in years, all four of her older siblings will be under one roof, and Charlie is desperate for one last perfect weekend, before the house is sold and everything changes. Making decisions about things like what college to attend and reuniting with longstanding crush – all that can wait. 

The only problem? The weekend is shaping up to be an absolute disaster.

There’s a dog with a penchant for howling, a house alarm that won’t stop going off, and a papergirl with a grudge. A storm seems bent on drenching everything. The justice of the peace is missing. The band will only play covers. The guests are all crazy. And the wedding planner’s nephew is surprisingly, distractingly cute.

Over the course of three ridiculously chaotic days, Charlie will learn more than she ever expected about the family she thought she knew by heart.

Morgan Matson is one of the most consistent names in that particular style of big-hearted, aspirational contemporary USYA which includes the likes of Sarah Dessen’s Lock and Key and Stephanie Perkins’ Lola and the Boy Next Door. Big houses, chunky sunglasses, handy hobbies, memorable grand gestures – it is the subgenre in which YA is at its glossy, irresistible peak. I liked Matson’s The Unexpected Everything – about a teenager whose summer plans are derailed by her politician father’s career, complete with dog-walking, scavenger hunts and a fictional fantasy book-within-a-book – but when I heard about Save The Date, it immediately became one of my most anticipated reads of 2018. I’ve been waiting for a romantic comedy premise like this in YA.

Charlie Grant is the youngest of five siblings, and as the only one still living at home, she can’t wait to finally have her brothers and sister back under one roof, even if only for a weekend. I loved that the most prominent relationships in the book were those of Charlie and her siblings. Danny, the oldest, has always been Charlie’s favourite brother; he can do no wrong in her eyes. Linnie, with whom Charlie once shared so much of her life, is about to get married in the backyard (though her fiancé, Rodney, has been around so long he’s already an honourary member of the household). JJ, the irresponsible middle brother. And then there’s Mike, closest in age to Charlie, who hasn’t spoken to her for almost a year.

Charlie was collateral damage in Mike’s colossal fall-out with their parents (a college professor and a comic strip creator respectively), and when he unexpectedly turns up for the wedding, she is forced to confront the rupture of her beloved family head-on. There are other disasters plaguing the wedding preparations, too. To name just a few: the power’s out, the groom’s tuxedo is missing, the wrong band has turned up, and the wedding planner has done a runner. The only upside: her last-minute replacement has brought along his teenage nephew, the cute but ever-so-slightly awkward Bill (when was the last time you heard of a YA love interest named Bill?!).

In between all this, there’s the frankly inspired inclusion of illustrated extracts from Grant Central Station, the comic strip Charlie’s mother loosely bases on the family’s life. There are a few missteps – the narrative can by turns feel slow, repetitive and overly long, the themes can get a bit clouded amidst some increasingly eyebrow-raising chaos, and I would’ve liked a little more cathartic payoff – but what sets Save The Date apart is its lived-in feel. From the family home for which Charlie has tangible affection to the bouncy, back-and-forth dialogue, Save The Date offers a satisfying taste of what the thinking teen’s romantic comedy-drama can do.

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Sarah Dessen’s Once and For All meets Huntley Fitzpatrick’s My Life Next Door in Morgan Matson’s warm, intelligent contemporary standalone about a chaotic wedding and a complicated, close-knit family. 

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My Heart Goes Bang by Keris Stainton // confident, chaotic contemporary UKYA

Today on the blog, it’s time for more summer contemporary…

9781471406829Author(s): Keris Stainton
Publisher: Hot Key Books
Publication date: 28th June 2018
Category:
YA
Source: Purchased
Find on Goodreads and The Book Depository

Lou, Issey, Liane, Ella and Paige are determined to make the most of their second year at uni. They want to have fun, but will have to focus on work. They have no time for relationships. Except with each other. And even then, there’s tension between Issey and Liane, and none of them know Paige that well.

When they find a magazine article with a list of men they should date before they’re 21 (Someone who’s been on telly? Check. Someone who’s got tattoos? Check) they vow to complete the list by the end of the year. In fact, some of them set about it with a lot more enthusiasm than they do their studies … but will any of them end up with a full house? And as secrets spiral out of control, will their friendship survive intact?

If you’ve ever asked for more female friendship in YA, or more YA with multiple LGBT characters, or more frank treatment of sex in YA, or more YA set during university, then Keris Stainton (professional 1D fan by day, fiction author by night) may be writing the books for you. In fact, she may have written the book for you, since My Heart Goes Bang contains all of those things – and more. I picked up my copy at YALC this year (in fact it was the first book I bought at the entire convention) and read it within days (it became my go-to reading on the tube).

My Heart Goes Bang is the busy, messy story of five close-knit housemates, including overworked Paige (who’s trying to hide the fact that she’s behind on her bills), straight-laced Ella (who’s trying to hide that her beloved brother is in a world-famous band), and middle-class Liane (who’s trying to hide from her overbearing gallery-owning mother). Theirs is a year of intense friendship and casual flings, but among the more memorable moments are a sweet romance between Ella and Nick and the characters’ exploration of orientation (the girls open up the magazine list to include LGBTQ+ relationships). The writing style, meanwhile, is lightning fast and often laugh-out-loud funny.

Stainton’s prolific backlist stretches from teen fiction (like Emma Hearts LA) to adult women’s fiction (like If You Could See Me Now), with My Heart Goes Bang slotting, in terms of content and style, between last year’s upper YA One Italian Summer (you can read my review here) and 2015’s new adult contemporary Counting Stars. There’s plenty of sex, swearing and drinking, very much drawing on stereotypes of the uni experience. With all the drama Stainton throws at them, it’s little wonder lectures are the last of these girls’ worries. The book isn’t perfect and with so many characters I find I remember more of what happened than who it happened to, but other elements, like the group chats and nods to boyband lit, help make this exuberant contemporary UKYA.

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For fans of Non Pratt’s Truth or Dare, Sarah Mlynowski’s Ten Things We Did (And Probably Shouldn’t Have) and Tom Ellen and Lucy Ivison’s Freshers, Keris Stainton’s My Heart Goes Bang is messy, character-driven UKYA. Short, sharp and fizzy with female friendship. 

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