Children’s Lit Round-Up: Historical Fiction Edition

This week on the blog, I’m taking a quick detour away from YA with some marvellous historical fiction children’s books!

17350491Rooftoppers by Katherine Rundell
Publisher: Faber and Faber
Publication date: 7th March 2017
Source:
Purchased
Find on Goodreads and The Book Depository

Found floating in the English Channel in a cello case after a shipwreck when she was a baby and taken in by the kindly Charles, it seems almost impossible that Sophie’s mother is still alive – but that means it is still possible, and you should never ignore a possible.

When the Welfare Agency threatens to send Sophie to an orphanage, she flees to Paris to follow the only clue she has: an address on the inside of the cello case. There she meets Matteo and his network of rooftoppers, who open her eyes to a world above the streets, close to the sky. They must find her mother before Sophie can be caught and sent back to London – and before she loses hope.

I’ve talked about how much I like Rooftoppers before (for instance here, and most recently, here in my review of Katherine Rundell’s latest novel The Explorer) but I think I should just say again how much I adore this book. I don’t even think I have quite the words to describe how much. It is wonderful children’s fiction. It’s wry and funny and self-aware (“Your powers of observation are formidable. You are a credit to your optician”) and atmospheric and clever and just a little magical. It reaps the rewards of an adept writing style but bears traces of an old-fashioned children’s classic.

It’s set in the late nineteenth century, and is very much a book of two halves: its English scenes are warm and bookish while its Parisian scenes are both grimy and starry. The book’s eccentric family focus was perhaps my favourite parts of the novel. Young heroine Sophie is tomboyish, plucky and daring (“It is difficult to believe in extraordinary things. It is a talent you have, Sophie. Don’t lose it”). Her guardian Charles is unconventional but incredibly kind (“He was thirty-six years old, and six foot three. He spoke English to people and French to cats, and Latin to the birds”). The enigmatic Matteo and his ragtag collection of street urchins add notable texture and grounding to the book’s landscape. I only wish the novel’s ending wasn’t quite so rushed. That said, while there are a lot of children’s adventure stories out there (in fact The Explorer is one of the best of 2017) but Rooftoppers remains a masterstroke. 5stars-fw

Rooftoppers is a wonderful work of elegant plot, pacy adventuring and wry humour. Katherine Rundell is fast becoming one of my favourite writers of children’s books.

34045334The Island at the End of Everything by Kiran Millwood Hargrave
Publisher:
Chicken House Books
Publication date:
4th May 2017
Source:
Library
Find on Goodreads and The Book Depository

Ami lives with her mother on an island where the sea is as blue as the sky. It’s all she knows and loves, but the arrival of malicious official Mr Zamora changes their world forever: the island is to be made into a leper colony. Taken from her sick mother and banished across the sea, Ami faces an uncertain future in an orphanage. There she meets a honey-eyed girl named for butterflies, and together they discover a secret that will lead her on an adventure home. Ami must go back to the island of no return, but will she make it in time?

A pattern is emerging in Kiran Millwood Hargrave’s children’s books: both The Girl of Ink and Stars and The Island at The End of Everything have – to name just a few similarities -long titles, young female protagonists, tropical island settings, and officious male villains who use bureaucracy to ruin that tropical island home. However, while The Girl of Ink and Stars is magical realism or light fantasy, her second standalone novel certainly leans toward historical fiction. The Philippine island of the title, Culion, was a real leper colony for over ninety years (though it should be noted that in the book ‘leper’ is seen as a slur and the word ‘Touched’ is use to describe those who have contracted the disease). Set in the early twentieth century, it makes use of such implied isolation to create a microcosm that could seem ghastly (as the reader is aware of the seriousness of the illness) but has the capacity to amaze, particularly as Ami discovers the butterflies of the cover.

The Island at the End of Everything is a very bittersweet book. It echoes with a (perhaps not-unexpected) melancholia that saps some of the potential magic of the prose. I liked the descriptions, the kindness of several of its characters and the interesting twist in perspective that comes just over halfway into the book. I would’ve liked a stronger plot and a more memorable cast, but Millwood Hargrave writes with an effective and descriptive style. If you liked The Girl of Ink and Stars (my review of which can be read here), this one is worth checking out.

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A relatively short and often bittersweet second novel, with an unusual choice of subject and an effective, descriptive writing style. 

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The Mystery of the Clockwork Sparrow by Katherine Woodfine
Publisher: Egmont
Publication date: 4th June 2015
Source: Library
Find on Goodreads and The Book Depository

When a priceless and bejewelled clockwork sparrow is stolen from the glamourous London department store known as Sinclair’s, shop girl Sophie finds herself on the trail of some of the city’s most dastardly criminals. Joined by rookie porter turned aspiring detective Billy and extroverted, beautiful chorus girl Lillian, she must crack codes, devour iced buns and vow to bring the villains to justice…

This is the opener in what looks set to be a marvellous historical mystery saga – there are already several sequels and I can’t wait to read them. Woodfine builds an Edwardian London of great contrast, from the shimmering luxury of the shop to the shady backstreets of the city’s criminals. I loved the choice of time period and the setting, which give the mystery a really distinctive feel, and there are some fabulous panoramic scenes in the store. The plot is engaging and an intriguing mystery brings a quick pace. Its young characters are neatly individualised, particularly heroine Sophie and runaway Joe, and there are some interesting adult secondary characters. There was one over-long exposition scene, but the writing is otherwise strong.

Fans of Robin Stevens’ cracking Murder Most Unladylike Mysteries (I recently reviewed each of the books so far) will find plenty to like here – though the busy Edwardian shop floor contrasts sharply with a 1930s boarding school, and Sophie and Lillian are very much accidental detectives. There’s a sense that a series-long villain is on the cards here, while Stevens’ mysteries are decidedly more self-contained and murderous. Woodfine’s work probably bears more resemblance to glossy period drama Mr Selfridge, as Selfridge’s is clearly the inspiration for Sinclair’s, from its opulent displays to its gregarious American owner. (Of course, these books being aimed at kids aged 9-13, it skips out on the television series’ rampant adultery and, alas, the absurdly beautiful Grégory Fitoussi.)

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An engaging, pacy mystery with a terrific historical setting and fantastic series potential.
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*I’d like to make it clear that the stars are for the book, not just the Grégory Fitoussi gif.

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Re-imagining Books As… Podcasts!

Today on The Paper Alchemist, I’m looking at some books (mostly YA) that would make amazing podcasts  (and describing them in detail, because of course. WE NEED THE JUICY DETAILS. Alternatively, feel free to see them as radio plays. I get very into this).

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the_loneliest_girlThe Loneliest Girl In The Universe by Lauren James

Commander Romy Silvers is the loneliest girl in the universe: the only crewmember of the spaceship Infinity, travelling to a distant planet on a mission to establish a new colony, Earth II. Then she learns that a new ship, The Eternity, has been launched and will join her – and on it is a single passenger named J. Their messages take months to transfer across the vast expanse of space, but Romy holds on to the hope that when J arrives, everything will be different. If she can keep her increasingly eerie ship running that long… 

This is such an obvious candidate for a podcast adaptation! A single viewpoint character, an ear-catching premise, a distinct setting, a twisty plot, escalating narrative tension, ominous thriller overtones. It’s a relatively compact book, so a well-planned series of 17-22 minute episodes would keep it short and sharp. It could be in the form of Romy’s captain’s or ship’s log, with sections of her fanfic for the fictional TV show Loch & Ness used to break up segments. Throw in some suitably sci-fi background noises and occasional guest voice actors to vary the sonic landscape, and you’d have a super-cool narrative podcast. It’d probably be totally creepy, but some of the most talked-about podcasts are dark or mysterious (*coughs* Welcome to Night Vale).

Side note: I’ve talked extensively about how much I like The Next Together (time travel! Epistolary additions! “Said the actress to the bishop”! Hot Tom!) and The Last Beginning (More time travel! LGBT lady protagonists! Hot DILF Tom!!). While either could work as a podcast, albeit quite a complex and busy one given the multiple time periods, from a more straightforward stylistic standpoint The Loneliest Girl In The Universe unfortunately fits the medium better. Also I SUPPOSE one can’t put the Finchley-Galloway-Sutcliffes (unless there is a collective noun for an extended family of rule-breaking gay time travellers that will have to be their name okay I don’t make the rules) in every feature. In the meantime though you can read more about them here, or here, or here…

30370281Freshers by Tom Ellen and Lucy Ivison

The messiest choice on this list by far! I reviewed Tom Ellen and Lucy Ivison’s third book Freshers before it released earlier this year (you can read the review here) and it was amazing – clever, vibrant, outrageous, incredibly funny. I’d definitely read a sequel, or in the absence of one, listen to a podcast adaptation.

The Freshers podcast could be framed as a university radio show, ostensibly hosted by one of the more sensible characters like Josh or someone totally outgoing and eclectic like Frankie (ohmygod, imagine her music choices) but actually hijacked by the entire friend group. It would include lots of chat, campus news, a slot for the Quidditch society, and salubrious amounts of gossip. Negin would be the deadpan, sarcastic one, speaking only when it’s effective. Rita would put in disclaimers to stop them being sued for libel, but be an unsurprisingly good contributor. Bowl-Cut Mary would wish she’d thought of it first and try to get on this wildly popular campus radio show (really, the first cool thing they’ve had on in years). 25-minute podcast episodes would cut in and out of the much longer in-world radio show (fading back in after ‘songs’ etc.), with some choice backstage scenes of plot where, most importantly, Josh and Phoebe finally talk about their OBVIOUS feelings!! There’d be lots of tea and laughter and quickfire dialogue and general awesomeness.

17199504The Bone Season by Samantha Shannon

I’d like to see more fantasy podcasts given a chance! I’ve chosen Samantha Shannon’s The Bone Season because it’s alternate timeline SFF, with some recognisable elements – the London setting, the general concept of clairvoyance – rather than high or epic fantasy, which might need more of a leap on the part of listeners. There was supposed to be a movie of this series but I haven’t heard anything about it in ages, so maybe a podcast would be a more successful medium! Episodes would be twenty minutes to half an hour, with that slightly mysterious, unsettling feel and evocative background soundscapes, like crowds or echoing tunnels. It would, of course, feature members of SciLo’s unnatural population, and would be as much about the more interesting elements of its world as about plot. Side characters might take take more prominence – one might even helm it (is there an order of clairvoyant to do purely with sound?) – than they do in the series, which is told almost exclusively from Paige Mahoney’s perspective. Think stories from or about London’s spirits, its different types of clairvoyants, its shadiest corners and ongoing rivalries – and every now and then, a hint at the shifting allegiances and events of the ongoing books.

The idea of a podcast or radio show in SciLo is also quite subversive – it’d be an insight into stories or an underworld the reader or listener knows is forbidden in the world of the books. And, oh wow, I’ve just realised if he thought he could get away with it, Jaxon Hall would absolutely showboat his way into a radio show like this. Like Potterwatch, only completely insufferable. Well, isn’t that delightful.

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The Spinster Club
trilogy by Holly Bourne
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Rather than just a book-to-podcast adaptation taking listeners from reworked versions of Am I Normal Yet? and its sequels, what strikes me as interesting podcast material here is the post-series years. Evie, Amber and Lottie, still frustrated with not seeing each other much several months after the events of And A Happy New Year? decide to make a commitment to record a friendship-and-feminism podcast every month so they have an inescapable excuse to hang out. Plot progression mostly involves behind-the-scenes moments, updates on who’s dating and who’s hating, Lottie’s political ascension and the steady exploration of the girls’ lives as twenty-somethings.

Lottie is the moderator and leader with the schedule and microphones, Evie is the researcher and referee, and Amber is the riotous one who inadvertently gets quoted in all the soundbytes. A shaky start devolves into lots of laughter, cheesy wotsits and Amber yelling about taking down the patriarchy while accidentally snorting her drink out of her nose. There are regular features such as ‘Feminist Ladies We Love’, ‘An American Boyfriend Chips In Where He’s Not Wanted; or, The Token Bloke’ and eventually ‘Agony Aunties (And Other Annoying Relatives)’ in which they attempt to give advice in response to a chosen listener letter, deferring to areas of expertise or experience or, sometimes hilariously, trying to tag-team an answer. Episodes are fifty minutes to an hour depending on how many times someone falls (or gets pushed) off their chair howling.

This is just me describing the perfect podcast now, isn’t it. TL;DR: SOMEONE MAKE THIS PLEASE I NEED MORE SPINSTER CLUB IN MY LIFE.

Would you like to see YA books turned into podcasts? What books would you pick? Do you have any podcast recommendations? Leave a comment down below!

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Seven YA Books I Haven’t Gotten Around To Reading (Oops)

As a book blogger, it can feel like you constantly have to be on top of all the biggest books or constantly harping on about new releases. But there’s only so much time in the day, and inevitably books are going to slip through the net! That’s right, you guys, I’m basically about to name and shame my own TBR pile. I know I’m going to be inundated with recommendations after this, but I’ll get around to them at some point… I think…

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32820770Unconventional by Maggie Harcourt

Lexi Angelo has grown up helping her dad with his events business. She usually stays behind the scenes – until the messy-haired, almost arrogant Aidan Green arrives unannounced at the first event of the year, throwing her life into dissaray.  In a flurry of late-night conversations, mixed messages and butterflies, Lexi discovers that some things can’t be planned. Things like falling in love…

I’ve heard lots of praise for this convention-set contemporary (published by Usborne in spring 2017), particularly for its nerdy characters, cute romance and mentions of fandom. It sounds like just the sort of thing one could use for a light sojourn in contemporary, so it’s definitely high up on my to-be-read list!

20821111The Young Elites by Marie Lu

This entire trilogy – about Adelina, who survived a blood fever that gave her silver hair and a scar instead of a left eye, Teren, the leader of an inquisition which hunts down any ‘malfetto’ it can, and Enzo, a member of a secret society which tries to get there first and reveal survivors’ mysterious gifts – came and went before I realised I hadn’t read more than an extract! Marie Lu’s Legend books constitute probably the only YA dystopian trilogy I’ve ever actually liked, and I’ve come close to picking up The Young Elites as the quality of her writing has the potential to appeal. However, high fantasy is more reliably my cup of tea than dystopia-SFF.

23009402Saint Anything by Sarah Dessen

I really enjoy Sarah Dessen’s books, but Saint Anything, her twelfth, is among the few I haven’t read. The premise is fairly standard American YA fare (it’s about a teenager whose older brother takes the family spotlight until he causes a car accident and is jailed, before protagonist Sydney indulges in some self-discovery and acceptance among a warm, chaotic family called the Chathams who run a pizza parlour and play bluegrass). It’s a little less original than the premise of her 2017 book, Once and For All, but I’ll probably get around to reading more of her back catalogue one day.

27074515The Dark Days Club by Alison Goodman

London, April 1812. On the eve of eighteen-year-old Lady Helen’s presentation to the queen, one of her family’s maids disappears, and Helen is drawn into the shadows of Regency London. There, she meets Lord Carlston, one of the few who can stop the perpetrators: a cabal of demons infiltrating every level of society. Dare she ask for his help, when his reputation is almost as black as his eyes? Will her intelligence and curiosity finally be put to good use, or are they falling into a trap?

Okay, so this one isn’t for want of trying! I’ve started my copy of The Dark Days Club TWICE in full-on-choice-snack-and-nearby-cat reading sessions without success. I read an excerpt before it was released, too, and I really liked the supernatural historical fiction concept. There’s just something about the book as a whole – maybe the dense prose or chunky length – that makes it a little inaccessible. Maybe I’ll have to try an audiobook instead?

15832932What I Thought Was True by Huntley Fitzpatrick

When Gwen’s Biggest Mistake Ever, Cassidy, takes a job as a yard boy on her small island, it’s the last thing she wants. He’s a rich kid from Stony Bay, while she’s from a family of fishermen and cleaners who keep the island guests happy. Just when it looks like she’ll never escape her past – or a future spent cleaning summerhouses – she gets some shocking advice. Sparks fly and histories unspool as she spends a restless summer struggling to resolve everything she thought was true.

When I was researching this post I couldn’t believe What I Thought Was True was published way back in 2014! I loved My Life Next Door, and always assumed I’d get around to reading this standalone eventually. But it looks like the appeal of the Garrett family – who also appear in a companion novel to Fitzpatrick’s début, The Boy Most Likely To, which I have read – wins out for me! I’m still keen to see what Fitzpatrick writes next.

17675462The Raven Boys by Maggie Stiefvater

For as long as she can remember, Blue has been warned that she will cause her true love to die. Even living in a house where clairvoyance is common, she never thought this would be a problem. But as she gets caught up in the strange and sinister world of the private school Raven Boys – Adam, Ronan, Noah and the one whose death seems to have been predicted, Gansey – she’s not so sure anymore…

The Raven Boys is possibly the Most Hyped YA Book of Ever, but that alone is enough to make me less inclined to read it. There’s just so much endless hype, rarely including stylistic critique or detail. I think most series would struggle under so much super-inflated expectation. Also, I can’t read Gansey seriously as a hero because HIS NAME LITERALLY MEANS JUMPER. ‘Gansey’ is the anglicised or slang version of the Irish term ‘geansaí’ (jumper, sweater). I can’t read it without laughing. It’s like trying to tell me a love interest is called ‘Cardigan’ or ‘Dungarees’. Additionally, why is Owain Glyndŵr’s name being mutilated. ARE YOU AFRAID OF OTHER LANGUAGES.

10194157Shadow and Bone by Leigh Bardugo

Okay, this is a big-hitter. As a YA fantasy fan, I’ve tried to get into Leigh Bardugo’s Shadow and Bone. But the Grishaverse just hasn’t clicked for me. I think the genre has moved on from the character types of the trilogy at this point, too. I have read Six of Crows and think its characters and plot (a fantasy heist!) are really striking, but found it too steeped in Grishaverse worldbuilding for it to stand entirely on its own two feet. I know A LOT of readers love these books so I reckon the series will be perfectly fine without another jumping on the bandwagon. Besides, YA is full of great fantasy books – you could probably read it exclusively and never get around to them all!

So there you have it – the blockbuster books this busy reader hasn’t quite gotten around to yet! Are there any YA books you feel everyone has read but that haven’t clicked for you or that you haven’t yet had time for?

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YA I’d Like To See: Irish YA Edition (with bonus gifs!)

Today on the blog, I talk the kind of books I’d like to see from Irish YA! If you’re looking for recommendations from the existing selection, I have just the post from earlier this year. You may also have seen my ‘YA I’d  Like To See: Historical Fiction’ post last autumn, but if not, you can check it out here.

If Ireland has a YA ‘scene’ (that is, consistent new releases and a recognisable sense of community among readers) it’s relatively new – some estimates might even frame it as a twenty-first century phenomenon, though teen fiction for Irish teenagers has been around longer. Either way Irish YA is still in its early years: there are milestones it hasn’t reached, genres it hasn’t mastered, breakthroughs it hasn’t awoken to yet. This can be frustrating when you’re faced with a shelf full of books you’ve already thumbed through (seriously, I pity anyone who’s reading schedule depends on Irish YA alone, ’cause it would be SPARSE), but it does leave room for potential. So what would I like to see from Irish YA? Well…

First up: badass teen girl characters. Badass female characters are a high priority in all of my books-I-want-to-see posts. YA is a medium where teen girl characters, like real teen girls, can be as complex, active, flawed, fully-rounded people. As the same can’t be said for other types of media, the least YA can do is strive to provide a space where the interests of enthusiastic, smart, varied teen girls are valued and celebrated.

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More inclusive contemporaries. Contemporary is one of Irish YA’s go-to genres, but it would be cool  to see it include more diversity of perspective and experience! This could be incidental – where a character happens to be black, for example, because black people exist too, to paraphrase Amandla Stenberg – or more central to the plot – as with Peadar O’Guilín’s The Call, which is a horror novel but whose protagonist Nessa is both kickass and a disabled survivor of polio. Books like The Hate U Give by Angie Thomas, The Sun Is Also a Star by Nicola Yoon and When Dimple Met Rishi by Sandhya Menon have rocketed through the blogosphere (and the NYT bestseller list). Books by UKYA BAME authors (try saying that ten times fast) have been all over awards like the YA Book Prize, the Costa and the Guardian Children’s Fiction Prize. Irish publishers might be missing a trick here.

Slick, cinematic genre additions. I’m talking out-there, eye-catching concepts. Catherine Doyle’s dark, action packed Mafia trilogy, full of feuds, fisticuffs and forbidden love is a memorable example, and it even busts some of the stereotypes it embraces. Eoin Colfer’s Artemis Fowl remains a brilliant, wise-cracking sci-fi fantasy. Bombastic, confident genre pieces are a mainstay of MG – why not YA, too?

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Contemporary travel. YA where teens travel, explore, live abroad or look for a summer fling has had enduring appeal, not least in Stephanie Perkins’ near-perfect Anna and the French Kiss. It can be totally cheesy, but even Irish YA taking on a more international vibe – including challenges, obstacles, homesickness – would be awesome.

Books with a stylistic twist. Verse novels, non-linear narration, interesting typography, mixed epistolary formats with texts and emails and postcards and illustrations. Meg Grehan’s verse novel The Space Between is a good example of this in recent Irish YA, while Deirdre Sullivan’s collection of dark feminist fairytales Tangleweed and Brine is also one to keep an eye on. I WANT MORE OF THEM.

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Magic. Okay, so this has been done before. But there are so many possibilities with magical realism, mythology, portal fantasy, fairies, witchiness – whether that’s Irish-set or with expanded horizons. It’s a difficult genre to pull off, but when it’s good it’s fabul- oh, screw it, this is just me asking for more Moïra Fowley-Doyle books, isn’t it?

More complicated, fandom-worthy high fantasy. Fantasy is one of YA’s shining achievements. So many recent fantasy titles have been huge hits – Throne of Glass by Sarah J. Maas, The Wrath and the Dawn by Reneé Ahdieh, Strange the Dreamer by Laini Taylor, Three Dark Crowns by Kendare Blake, I could go on – and I’d love to see a fresh Irish-penned series up there with the best of them. I want to fangirl over plot twists and eagerly await new installments! I want to overuse capslock in reviews and get invested in fandom theories! I want to be this gif of Joey from FRIENDS about it, basically.

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Less… I’m usually hesitant to include ‘less of’ in posts like this, because I’m a firm believer in trying to expand, rather than narrow, the vocal range of YA. But I will say that less historical fiction and less dystopia would be great, as Irish historical fiction is quite oversaturated (and dare I say it, predictable) while dystopia as a trend just doesn’t appeal to teens anymore. If you want readers to sit up and take notice, you have to be bringing something brilliant or new to the table.

Better covers. I struggle to think of an Irish teen fiction cover that’s really blown me away of late. The Space Between comes close, or maybe Sarah Crossan’s books, but still. Covers make or break a book, you guys, and there’s nothing worse than an underwhelming one. Bright colours, polished graphic design, striking typography, illustrations that make you do a double take – they’re SO important, I actually wrote an entire post about it. Irish YA needs to step up its game here.

MORE HAPPINESS. As much as I do my best to support and talk about it, the tone of Irish YA can be a bit of a miseryfest? I think it’s because seriousness sells – it’s literary, it’s what publishers are familiar with, it’s award-worthy, it comes with a handy list of default adjectives like ‘shocking’ and ‘important’. But it does a disservice to teens and readers, because we also deserve books that are optimistic and relevant and complicated. The teenagers I know are – hold onto your hats – complex, funny, messy, capable, proactive, ridiculous, even, dare I say it, occasionally happy. What’s more, it’s really tricky to write books which are warm or hopeful and heartbreaking and thematic (see Jandy Nelson, Sara Barnard, Clare Furniss, David Levithan, Emery Lord, Lisa Williamson), and perhaps even harder to write books which are laugh-out-loud funny. I’d like to see Irish YA challenging itself to bringing a little more light to teenage books.

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What about you? What are your favourite books by Irish authors? What would you like to see more of in YA?

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Most Anticipated Reads of 2017 – July Check In!

Every year, the blogosphere is flooded with most anticipated lists, and before you know it, you’re knee-deep in releases which are five or six or seven months away while your current TBR stares accusingly at you from across the bookshelf. But sooner or later these posts vanish – often never to be given any kind of conclusion or follow through. This year, I wanted to check in with my most anticipated books of the year  and see whether they’ve made it off the list and onto my shelf!

Throne of Glass #6 by Sarah J. Maas

Originally slated for publication in autumn 2017, the final installment in Sarah J. Maas’ Throne of Glass series has now been pushed back to May 2018. SIGH. There’s no other term for it: this SUCKS. I was so excited for this book – Throne of Glass remains an epic and extraordinary feat of female-led high fantasy in YA – and can’t wait to find out where it goes next. Instead of an autumn conclusion for the assassin once known as Celaena Sardothien, we’re getting a spin-off Chaol novel called Tower of Dawn and more sequels to her (ugh) A Court of Thorns and Roses books. It seems Maas has joined the likes of George R. R. Martin, Diana Gabaldon, Megan Whalen Turner and Samantha Shannon in making readers wait years for the next legit book in a fantasy series.

Once and for All by Sarah Dessen

I was so delighted when I heard the premise for Sarah Dessen’s new project, and it’s out this June! The concept reads like such a burst of joy.  Weddings, family, a healthy dose of cynicism, happily-ever-afters and Dessen’s penchant for including past characters make this sound like a glossy romantic comedy to adore, and I’ll be picking it up as soon as I see it in a bookshop. Oh, I have been WAITING for a book like this in YA.

Strange the Dreamer by Laini Taylor

Another one whose publication date was pushed back, Strange the Dreamer was one of the most talked-about fantasy releases of spring, and when I read it earlier this month, I enjoyed it. It’s rich, immersive stuff, centred on a scholar who loves fairytales, a city bereft of its name, and a quest to get it back. It’s quite long (perhaps even a little too long) and moves at a frustratingly even pace, but Taylor’s inventive streak is unquestionable and the world-building is top-notch. The characters are clearly designed to contrast with the cast of Daughter of Smoke and Bone, but Taylor retains her distinctive, descriptive writing style and I’ll be picking up the sequel in this duology.

A Conjuring of Light by V.E. Schwab

I read the final book in the Shades of Magic trilogy – or as Schwab rather mysteriously puts it, the final book in the first arc of the Shades of Magic series – earlier this year and it was awesome. It’s a rich, chunky fantasy to get your teeth into. Full of allegiance, betrayal, bloodlust, romance, sacrifice, pirates, magical Londons and stylish coats, it’s a strong conclusion to the trio. However, I did find that after the first book, the series came to rely on plot devices and types of magic we’ve seen before. A Conjuring of Light leaves a veritable cadre of unanswered questions, so I’d definitely read more about Kell, Lila, Alucard and co!

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We Come Apart by Sarah Crossan and Brian Conaghan

I read We Come Apart quite early, and reviewed it on the blog in February! “Crossan and Conaghan, already at the top of their game as individual writers, prove once again why they are critically acclaimed Carnegie and Costa winners respectively… collaboration has indeed sparked something new in their repertoire. With a keen sense of story and an eye for detail, this dynamic dual narrative is a back-and-forth of fearless proportions. It is unflinching, engaging, sharp and occasionally, totally heartbreaking.”

All About Mia by Lisa Williamson

This is a book that had me at ‘Mother Teresa in a blazer’, to be honest. I reviewed it on the blog in March and really enjoyed it. “Messy, outrageous, vivid and engaging, All About Mia boasts a brilliant premise and some great flashes of humour. A solid cast and a satisfying style are marred only by a few duff or unnecessary turns of plot. A blistering and lively contemporary standalone ideal for fans of Trouble by Non Pratt, All of the Above by Juno Dawson or Lobsters by Tom Ellen and Lucy Ivison.”

Freshers by Tom Ellen and Lucy Ivison

Freshers didn’t even have a cover when I added it to my most anticipated list in December, but Tom Ellen and Lucy Ivison are a force to be reckoned with when it comes to laugh-out-loud humour and realistic UKYA, and I’m still intrigued to see what they come up with here. It will be published by Chicken House in August.

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Traitor to the Throne by Alwyn Hamilton

Another notch in my ‘actually following up on debuts by reading sequels’ belt, I read Traitor to the Throne before publication but reviewed it in April. “Rich, exciting and enthralling, Traitor to the Throne – the second book in what is rapidly becoming one of current UKYA’s most dramatic and action-packed fantasy series – is a commendable follow-up to last year’s Rebel of the Sands. This brisk but immersive foray into the world of Miraji – where rough wild west meets mysterious desert sands and long-hidden magic abounds – sees heroine Amani once again elbow-deep in fighting for her freedom and that of her people.  Hectic, pacy and bursting with plot, it’s driven by sparky bravery, simmering revolution, outrageous treachery, daring rescues, thrilling escapes, and surprise re-appearances.”

A Crown of Wishes by Roshani Chokshi

This companion to the New York Times bestselling The Star-Touched Queen picks up with a warrior princess, an unlikely ally, and a fight for survival in battle-scarred kingdom. Readers will recognise heroes Gauri and Vikram as secondary characters from Chokshi’s début. While this book published in March, it looks like it doesn’t yet have a UK publisher, which is disappointing as I was hoping it could improve where The Star-Touched Queen had lagged a bit. For the one-day-I’ll-get-around-to-it pile.

Long May She Reign by Rhiannon Thomas

My interest was piqued by the sound of this book when it was announced: a royal tale of conspiracy and inheritance, it’s pitched as an apparent edgy semi-fantasy mystery of sorts. Unfortunately, this is another one that doesn’t seem to be lined up for publication this side of the Atlantic. I’m not particularly bothered about missing out on reading it, but it reminds me how much I wanted to see more fantasy in Irish and UKYA. Publishers here really need to work on publishing more solid YA fantasy!!

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Honourable mentions (because okay, I have to keep the wordcount down but who can leave any most-anticipated list at just ten?!):

Wing Jones by Katherine Webber: you guys, I’d been waiting for this book for SO LONG. I did a lot of work talking about it and supporting it, and seemed like EVERYONE in the entire blogosphere got a review copy, but although I requested one, mine never arrived, and I was kind of too shy to say anything about it?? (Don’t worry, I’ve gotten better about that kind of thing now.) My purchased copy has been in my TBR for ages because review books often have to come first, but SOON, my pretty, SOON.

The Spellbook of the Lost and Found by Moira Fowley-Doyle: the second standalone from one of the best – if not the best – Irish writers of current YA is absolutely one to get your hands on, particularly if you liked the eerie, magical style of The Accident Season. “Dark, strange and littered with magic, Spellbook of the Lost and Found is a stylishly written and pleasingly clever second novel. As beguiling as it is befuddling, it’s a sometimes imperfect but frankly unputdownable addition to recent YA magical realism. I’m intrigued to see what Fowley-Doyle writes next.”

A Quiet Kind of Thunder by Sara Barnard: this book is glorious. It was my first (and so far only one of two) five star review of the year. I adored it. “This is a novel which finds in the ordinary the extraordinary: which has taken a humble premise, straightforward prose and a handful of characters and created a love story which may already be one of my favourite books of the year. (And perhaps even a possible awards contender, too).”

Spindle Fire by Lexa Hillyer: this high fantasy Sleeping Beauty retelling caught my eye last year, though it’s not really been a priority since. But again, where is the UK release date?! PUBLISH. MORE. FANTASY. YOU. GUYS.

Now I Rise by Kiersten White: A ruthless fifteenth century-set saga about a genderbent Vlad the Impaler may be an unlikely choice of subject for YA, but this sequel to the dramatic and NYT-bestselling And I Darken is just as ferocious as the trilogy opener. Set against a backdrop of empires and betrayal, it’s demanding, action-packed historical fiction. I finished it last week and will be reviewing it soon!

So far I’ve managed to read eight of fifteen most anticipated reads of the year, which I’m totally pleased with! Do you keep track of highly anticipated books in your TBR? Which of these 2017 releases have been your favourites?

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6 LGBTQ+ YA reads you may have missed

Today on the blog, I talk some seriously underrated YA featuring LGBTQ+ teens (mostly as an excuse to bookpush titles I’ve really enjoyed of late). We’ve all heard of David Levithan, Patrick Ness, Benjamin Alire Sáenz, Becky Albertalli et al, but what about the YA books you may not know have LGBTQ+ characters?

24550848The Last Beginning by Lauren James 

You guys, I keep recommending this book. Funny, chaotic and full of adventure, The Last Beginning displays much of Lauren James’ characteristic writing style: a multitude of timelines, epistolary additions, and of course, more pieces of the puzzle in the story of Matthew Galloway and Katherine Finchley. Technically a companion novel to her début The Next Together, it picks up with a new heroine. A passionate knitter and whiz-kid programmer, Clove is smart, hot-headed and prone to making slightly disastrous and immature decisions, but her heart’s (usually) in the right place. Clove’s relationship with girlfriend Ella (which from the outset steers clear of bury-your-gays tropes) is threaded throughout and makes for a light-hearted sci-fi twist on typical star-crossed romance.

32200595A Conjuring of Light by V.E. Schwab

The final book in V.E. Schwab’s Shades of Magic trilogy – or as she rather cryptically puts it, the final book in the first arc of the Shades of Magic series – is one you’ll need to read after finishing the previous books A Darker Shade of Magic and A Gathering of Shadows, but it’s totally worth catching up on. It’s absorbing, memorable fantasy with real classic punch. A Conjuring of Light is almost as long as the first two books put together, and a good deal of that is spent on Rhy, prince of the magic-drenched but in peril Red London, and Alucard, a nobleman turned pirate who gets dragged (only a little reluctantly) into the battle to save the city. As it’s packaged as traditional run-of-the-mill portal fantasy, it may be obvious that it features gay or bi characters, but Rhy and Alucard’s relationship proved a hit with fans. Rich, engaging and highly recommended.

33972290The Space Between by Meg Grehan

The Space Between is delicate, elegant, sorrowful, sweet, and all told in verse. I reviewed it earlier this month and it’s exactly the kind of thing many readers of YA have been calling for, so it’s frustrating to see it get so little traction! Little Island, its Irish-based publisher, also brought you Needlework by the award-winning, YALC-attending Deirdre Sullivan. It ticks all the boxes: mental health themes, two girls who fall in love, solid writing, a pretty cover. If you like books by Louise Gornall (you can read my review of Under Rose-Tainted Skies here) and Nina LaCour, or ‘Instagram poets’ like Amanda Lovelace, this one is well worth reading. 

25648276Unboxed by Non Pratt 

Published by Barrington Stoke last year, Non Pratt’s Unboxed is filled with complex, mature themes and awesome characters – and it’s accessible, specialist fiction for teens with dyslexia and other difficulties with reading. There’s a tendency to think of dyslexia-friendly fiction as going ‘back to basics’, but frankly, assuming that any reader should be satisfied with simple plots or subjects is incredibly condescending. Pratt brings the bolshiness and brilliance of longer novels like Trouble and Remix to this character-focused, entertaining YA novella, and – not to give too many spoilers – one of the major characters is a girl who likes girls and is in a relationship. Also, the character Dean was inspired by Wolfgang from Sense8, which gets an A+ from me. Non Pratt’s latest full-length novel Truth or Dare features an asexual character, if that’s more your cup of tea.

Spellbook of the Lost and Found by Moïra Fowley-Doyle30079403

Moïra Fowley-Doyle’s penchant for messy magical realism weaves YA which is beguiling, dark, mysterious and just a little peculiar. Spellbook of the Lost and Found is full of interesting and bewitching things: a town bonfire, missing shoes, a wishing tree, charm bracelets, sprawling tattoos, illicit alcohol, flawed friendships and, of course, several dogs named after types of cereal. Just as in her début The Accident Season, this one is chock full of LGBTQ+ teenagers, with a lyrical emphasis on adventure and adventure. Loyal, quick Olive is bisexual, as is her best friend Rose who strikes up (or rather falls in to) a relationship with tough newcomer Hazel. Fowley-Doyle is one of the best writers of Irish YA out there at the moment – I’d recommend her work for cleverness and flashes of fantastic prose alone.

alloftheaboveAll of the Above by Juno Dawson 

All of the Above is practically bursting with character: between artistic newcomer Toria, fierce but secretive Daisy, bolshy pack leader Polly, awkward Beasley, book-mad Freya, uber-cool Nico, permanently-entwined Alex and Alice, and of course, Geoff the cross-dressing squirrel, readers are from the off confronted with a colourful cast of teenagers. Among them are gay, bisexual, asexual and queer characters with varying experiences of sexuality and relationships. Chatty, frank, funny and littered with pop culture references, the narration keeps you reading and packs a punch. Toria’s experiences as a biracial British-Punjabi teenager only occasionally influence the plot but inform her forthright (“Brompton-on-Sea isn’t exactly a cultural melting pot”) and warmly wry (“Worst. Hindu. Ever”) voice. Juno Dawson is a relatively well-known UKYA figure, but All of the Above is one of her most underrated books.

23454354Bonus: Tumbling by Susie Day (short fiction) 

Tumbling is one of five pieces of original fiction commissioned for the Malorie Blackman-curated anthology Love Hurts in 2015. It is far and away the best part of the collection – the only one worth remembering, really. It’s ostensibly about Shirin and Candy (otherwise known as eye_brows and vaticancameltoes), but it’s about much more, too: first love, teen friendship, fangirls, Sherlock, illness, self-doubt and honesty. It’s engaging, chatty, sleek and well-written. If you like books by Nina LaCour or Sarra Manning, this is the short story for you. It NEEEEEEDS a full-length adaptation IMMEDIATELY.

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So there you have it! Have you read any of the books on this list? Are there any you’re planning to read? 

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IN THE RED(ISH) CORNER: recent cover favourites!

Today on the blog, I talk some of my favourite recent YA cover designs (and try not to tear my hair out trying to figure out who actually designed them). I’ll be doing a follow-up post on my favourite cool-tone (navy, blue, green, etc) covers soon, too!

29740718What’s A Girl Gotta Do? by Holly Bourne
cover design by Hannah Cobley

The Spinster Club books are funny, entertaining, fierce and, of course, have unmistakable covers. Quite unusually for contemporary YA, they rely on solid, almost clashing colour combinations: yellow and black, pink and black, and here, in the final book of the trilogy, red and black. I was impressed by how loud this one is and how much force it gives to Lottie’s empowering, feminist mission. The illustration is energetic and unique. Also I hear the proof came with lipstick and those red-lip jelly sweets you can buy (A+ work, Usborne).

29979535Mistletoe and Murder by Robin Stevens
cover design by Nina Tara

I really like the Murder Most Unladylike series covers, you guys. They have such a classic feel. The title placement, the silhouettes, the series banner… ugh, they’re just too good. Striking, fitting and easy to recognise, I’m a big fan how much they match and how bold they are, particularly this latest installment. This red (a happy red, not like, a Scorsese red) merges the series design with the Christmas theme and totally suits Daisy and Hazel. They’re usually shelved in children’s or middle grade books, but they have huge multi-age appeal.

30197201A Quiet Kind of Thunder by Sara Barnard
cover design by Pan Mac Art Dept 

This eye-catching cover is fabulous. It’s both simple and complicated, and there’s gold foil. GOLD FOIL! (Gold foil, as you will see, is a bit of theme for me when it comes to book covers). I love that it’s just close enough to Barnard’s Beautiful Broken Things to be familiar but different enough that it establishes the individuality of Rhys and Steffi’s story (which I adored, as you can read here). I like the typography, too, and white is the perfect choice. My own copy of this fell victim to the Bookshop Sticker Monster (*sob*) but I rescued it and now it is SHINY.

25756328Love & Gelato by Jenna Evans Welch
cover design by Simon & Schuster

I haven’t read this one yet, but just can’t help liking its design: if we’re talking judging a book by its cover, then Love & Gelato has absolutely rocketed up my to-be-read list because of its gorgeously simple design. It’s elegant, pretty and it has ICE CREAM. I’m not always a fan of beige but the soft pink hues to the pale background give it an almost earthy feel which is oddly satisfying. I would’ve liked to see multiple flavours or colours on the cover but then that’s just because I really enjoy gelato.

25909375Wing Jones by Katherine Webber
cover design by Marie Soler (art direction) and Luke Lucas (illustration)

Katherine Webber’s début novel has two fabulous UK and US covers, but while I love the watercolour effect of The Heartbeats of Wing Jones, I’ve chosen the UK cover as it’s the one I own! I like the colourscheme, the bounce of the trainer (or sneakers, or runners, depending where you’re from) being depicted mid-movement, and the effect of the laces as the title is obviously clever. I’m not sure about the tagline placement (CENTRE IT, CENTRE IT) but what you can’t see from this angle are the ombre pink-purple sprayed edges, which are awesome.

29852514The Sun Is Also A Star by Nicola Yoon
cover design by Dominique Falla 

I think everyone found this cover breath-taking when it was first revealed. It bursts off the page, a riot of colour. If anything, I liked it even more when I discovered the process and inventiveness behind it (you can see how the tactile, three-dimensional cover was created here). It’s a great example of a really slick, ultra-modern cover that does a lot of work in making the book stand out, and while it focuses more on impact than content, the bright and explosive feel is  evocative of its insta-love story. 

And to conclude, some observations:

  • BRIGHT COLOURS FOR THE WIN, YES? I love, love, love bright colours.
  • If you’re going to have a pattern, you better make it classy or I will run for the hills.
  • I don’t mind pink in covers at all! EMBRACE THE PINK, PEOPLE.
  • I really, really like illustrated covers. I kind of had a feeling about this before I started researching, but it became incredibly clear once I began collecting favourites. For me, illustrated or graphic design-based covers are so much more versatile and appealing.
  • Related: I loathe YA book covers with models ontumblr_mqakvcc0cV1qmn5ngo5_250 them, especially if they have anything to do with the Gothic-girls-in-big-dresses or pastel-teenager-caught-in-sunrays-muses-about-life tropes. BLECH.
  • Make the title the most important thing on the cover! Big, eye-catching typography is your friend.
  • Simple and elegant, everyone. Simple and elegant.

What about you?  Do you judge books by their covers? What are some of your recent favourites?

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