DISCUSSION // How to write a book review

Today on the blog, I thought I’d talk about how to write a book review. A few weeks ago, I wrote about my personal reviewing process, which you can check out if you’d like to see a detailed explanation of how I approach reviews. But no two review writers or bloggers or critics are the same, so this is more about tips on review writing – and how to develop your OWN reviewing process (or just get through a homework assignment).

1. Ask yourself questions

Asking yourself questions about the books you’ve read is something you’re probably already doing – now you just need to know how to get them on paper (or keyboard, as the case may be). They can be simple: What did I like about this story? What didn’t I like? Who were the heroes? What were the big themes? Or they can be more complex: What was the writing style like? What were the character arcs? Why was this book written or published at this moment in time?

Try to figure out the difference between subjective (“what did I think of this book”) and objective (“what is actually going on in the pages of this book”) questions and responses. Think about the book from the perspective of the target audience. Maybe you thought the plot of this picture book was too simple, but would the three-year-old who just wants to look at animals?

The answers to these questions and more will form the substance of your review. You may find that certain elements  naturally go together, like linking heroes and character arcs, or big themes and topical relevance. Once you start reading in a way that prompts questions of it and yourself –  bam, that’s critical reading.

326020092. If you’re stuck, make things as straightforward as possible

Whether you’re experienced or just starting out, you’re going to get stuck sometimes. You’ll struggle to put into words why you loved a book so much, or how uncomfortable it made you feel, or struggle to explain the exact vibe a story gave you. You may not capture that feeling entirely – and that’s fine! Reading is an individual experience. But if it’s just a case of writer’s block (critic’s block?), writing a really straightforward sentence is one of the best ways to get started. You might cut it out at the end when you’ve said in more detail what you want to say, but there’s no harm in just explaining to yourself: “I picked this book off the shelf because…” or “I love this series because…”

The opening line of my review of Lisa Lueddecke’s first book is “A Shiver of Snow and Sky is one of those books I’d been intending to read for ages.” Early on in my review of Night Owls by Jenn Bennett is simply the line: “I was surprised by how much I liked this.”  Sometimes the only way to get to expressing more complicated ideas is start with simple ones. It’s also one of the best ways of keeping yourself honest.

3. Be conscious of developing your own style

If you plan to write more than one review, you’ll have the opportunity to develop your own style. This can take a long time, but there are ways you can consciously aid the process. Figure out what kind of reviews you like to read (What kind of language do they use? Is it short and chatty, is it funny and clever, is it serious and sophisticated?). Look back over your own reviews a few weeks or months after you’ve written them and see what you would change. Experiment with new styles and see what you think of them.

9781471406829Everyone has hallmarks. I finish all my reviews with a short in-brief paragraph, string multiple adjectives together at the start or end of sentences, have a terrible propensity for alliteration, and find comp titles (specific ‘for fans of’ descriptions) very useful (“For fans of Sky Chasers by Emma Carroll and The Boy Who Went Magic by A.P. Winter, Vashti Hardy’s Brightstorm is an accessible, Victoriana-lite fantasy adventure”). I like a challenge, so recently I tasked myself with developing a more concise review style. I still occasionally write long reviews (check out this one for Alice Oseman’s I Was Born For This or this one for Flying Tips for Flightless Birds by Kelly McCaughrain). My shorter reviews are still content-heavy (check out this jam-packed review for Morgan Matson’s Save the Date), but you’ll also find me writing reviews like this one for Keris Stainton’s My Heart Goes Bang). 

4. Practice

Again, this is mainly if you’d like to consistently write reviews (if you’re just here trying to figure out how to do your homework, you probably stopped reading at point #2), but there really is only one way to develop a style or a process – practice! You won’t feel perfect at it straight away, but you can have fun getting there!

Do you have any tips on writing book reviews? Are there any reviews you’ve written that you’re particularly proud of?

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DISCUSSION // my reviewing process

Discussions posted, latest book finished, to-be-read pile saved from toppling – you know that this means. It’s TIME TO WRITE A REVIEW. Huzzah!

There are lots of ways of writing blog posts and review features, many of them much easier and less involved than mine (I am enthusiastic and need a constructive outlet for my flailing) but this is roughly how I go about it.

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STEP ONE: reading and annotating the book

I read for enjoyment, so I only take basic notes while reading. I used to take very detailed notes, but found it pulled me out of the story and slowed down the pace of the plot. Sometimes I’ll flick back or re-read specifically for review – I did this with The Next Together by Lauren James because it has four timelines – but otherwise I work from memory as I like to review quite soon after reading if I can.

STEP TWO: whip out the review notebook

I LOVE blogging notebooks. I’ve filled many with drafts of posts (and lots with fangirling).

STEP THREE: pick a review playlist

I love setting books to music. If I’m looking for a way to remind myself of the story, these songs allow me to review while keeping in touch with the essence of the book.

STEP FOUR (very important): planning

This is where I figure out my feelings on a book! I pack this plan with details, from the smallest plot twist to the hook. Somewhere in all of this I’ll cover plot, characters, craftsmanship, surprisingly good things, whether my expectations were met, pacing, my favourite scenes. If I’ve come up with any taglines or a fun way to introduce the review, I’ll make a note of that too.

(This is also usually where I get snacks/fly a dragon/realiSe my foot is asleep.)

Then, I must find order in the chaos. I’ll separate details into related topics and subjective opinion, choose a rating and set the tone for the post. Will it be passionate and full of gifs, or more story-focused and serious? Will it be both? I’ll start to group details together, finding connections and highlighting what I know I’ll definitely want to talk about. I’ll arrange and rearrange, discovering what each paragraph will look like.

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STEP FIVE: WRITING THE THING

Now we get to the hard bit: finding the words to make sense of the review outline. I may decide some paragraphs aren’t necessary or they’ll turn out longer than anticipated.

Review speed at this stage can vary from lightning fast to just about keeping pace with nearby tortoises.

STEP SIX: Edit. Edit some more. Edit again.

My early drafts are very detailed, and for this reason, editing is my best friend. If I’ve only written by hand up to this point, I’ll get an extra round of edits in while typing it up. I’ll sharpen sentences, rewrite criticisms or clunkily-worded phrases, check how many times I’ve repeated the word ‘magnificent’… and I’ll cut words right up until the last second. If there’s a way to say things more concisely, editing is where I’ll find it. I’ll only occasionally add things here.

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STEP SEVEN: INTO THE JUNGLE

Finally a finished, formatted blog post! Now I can hit schedule or publish, do promo, send emails, and sneak glances at my alluring TBR. Bloggers often bemoan the fact that reviews seem to get the least traction for the most amount of work, and maybe that’s true, but I love writing (and reading) them, especially if they’re evolving and improving, so that’s what I aim for: to get better at them, even just a little at a time.

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What’s your reviewing process like? Do you outline in detail or wing it? Let us know on Twitter or in the comments below!

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Most Anticipated Reads of 2018

Today on the blog, I’m talking my most anticipated reads of 2018! There are SO MANY books to choose from I don’t know how I’ve done it. You may notice that it excludes some key titles – like Goodbye, Perfect by the fabulous Sara Barnard or the much talked-about The Fandom by Anna Day – but it’s primarily because I’ve already read them! So these are in (no particular order) the 2018 books I’ve yet to read but am totally intrigued by. You can my corresponding 2017 list here and check-in posts on my progress through that list here. 

The Secret Commonwealth by Philip Pullman

Of course. I can’t wait to read more from Lyra’s world of daemons, alethiometers and strange adventures – and this time, the heroine herself will finally be appearing. The Book of Dust’s opening novel, La Belle Sauvage, was as expected a big hit last year, and it introduced an endearing new protagonist, Malcolm. It’s still Lyra, however, that many readers like myself remember this series for.

Save the Date by Morgan Matson

Charlie Grant’s older sister is getting married, and Charlie can’t wait – for the first time in years, all four of her older siblings will be under one roof. Charlie is desperate for one last perfect weekend – one final chance to fill their house with love and laughter – before her home is sold and everything changes, but will her plans go without a hitch? The regulation contemporary rom-com choice featuring weddings, families, distractingly cute love interests and inevitable chaos, Save the Date meshes the glossy appeal of Sarah Dessen’s Once and For All with the knowledge of how much I liked Morgan Matson’s The Unexpected EverythingReally looking forward to this potential summer delight.

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Theatrical by Maggie Harcourt

Maggie Harcourt created one of the best surprises of my 2017 reading with the fun and fandom-filled Unconventional, so I’ll be keeping an eye out for this next standalone. It tells the story of seventeen-year-old Hope Parker, who has always dreamed about a career in the theatre – not on the stage, but behind it as part of the crew – and the chaos that ensues during a production with a badly-behaved lead actor, fans camped out at stage door, and an usher Hope can’t get out of her head. If Harcourt can make this standard premise shine, it could be a fabulous contemporary read.

Only Love Can Break Your Heart by Katherine Webber

The fabulous Katherine Webber’s YA début Wing Jones was swoony and sporty, big-hearted and bittersweet. Katie’s next book will technically be a collaboration with husband Kevin – the opening book in a series for readers age 6+, Sam Wu Is Not Afraid of Ghosts. Only Love Can Break Your Heart releases in August, and is described as a contemporary “full of desert adventures, late night drives, moonlit discoveries and sunlit magical moments” – and there are slices of prose in Wing Jones that make think Webber has exactly the ability to make these surreal surrounds work in her favour.  I first got all the goss on this book more than TWO YEARS AGO, so I’m particularly intrigued to see how it turned out.

Hero at the Fall by Alwyn Hamilton

I know this is already out but my TBR is long, okay?! I’ve really enjoyed Alwyn Hamilton’s Rebel of the Sands books – these action-packed fantasy adventures have held some great twists, pacy plots and a strong sequel in Traitor to the Throne. It’s always pleasing to find a trilogy you want to see through until the final book, and the stakes are certainly high for Amani Al’Hiza. She must rally her skeleton crew for a rescue mission through the unforgiving desert, watching those she loves lay their lives on the line against mythical ghouls and enemy soldiers, to a place that, according to maps, doesn’t exist – and save the rebellion they began all that time ago when she left her dead-end desert town for the mirage of a better future.

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Throne of Glass #7 by Sarah J. Maas

My most anticipated reads of 2017 included what we believed would be the final Throne of Glass novel, but that book’s release date was pushed back in favour of a spin-off Chaol novella that had somehow become a full-length book marketed as part of the larger series? The twists and revelations of Empire of Storms feel as if they happened decades ago at this point, but as this series has been such a feat in female-led high fantasy in YA – it certainly inspired a renewed cascade of female protagonists in the genre – I’ll definitely be sticking with it to see how it ends.

Bright We Burn by Kiersten White

Another trilogy closer, this historical fiction finale will see the series come far from its genderbent Vlad the Impaler beginnings. White has opened up  rich alternate history world of ruthlessness and power plays stretching from Lada’s iron-willed rule of Wallachia to the luxurious courts of Constantinople. I was surprised by how much I liked And I Darken and particularly by how engaging Radu’s sections were in Now I Rise. This final confrontation between an increasingly powerful lead trio will undoubtedly be dramatic.

Isle of Blood and Stone by Makiia Lucier

Many of my most anticipated reads every year are, naturally, sequels or standalones from authors I know can deliver solid story and enjoyable prose. In the interests of adding a new-to-me author to this list, I’ve chosen the award-winning Makiia Lucier’s début in historical fantasy, Isle of Blood and Stone. Nineteen-year-old Elias is a royal explorer, a skilled mapmaker, and the new king of del Mar’s oldest friend. He’;s about to embark on the adventure of a lifetime with an expedition into uncharted waters, but when the long ago story of del Mar’s lost boy princes re-emerges in the shape of two maps bearing hidden riddles, he finds himself sucked into a world of secrets and danger.

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Floored by Sara Barnard, Holly Bourne, Tanya Byrne, Non Pratt, Melinda Salisbury, Lisa Williamson and Eleanor Wood

I love a good ensemble cast, and seven different writers voicing seven different characters is about as much of an ensemble as you can get in YA! There are some serious YA credentials here – I absolutely love Sara Barnard’s A Quiet Kind of Thunder and Non Pratt’s Remix, found Holly Bourne’s Spinster Club series hilarious and so biting, was surprised by Lisa Williamson’s All About Mia, and can’t wait to see fantasy trilogy alum Melinda Salisbury turn her hand to contemporary. Floored follows seven teenagers thrown together in unexpected ways, and could be one of the most unique UKYA contemporaries of the year.

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Honourable mentions:

A Spoonful of Murder by Robin Stevens: I finally caught up with Robin Stevens’ terrific Murder Most Unladylike books in 2017 – you can read my quick reviews of all of them here! I can’t wait to see where Daisy and Hazel go next in these delightfully written, old-school mystery adventures.

Pages and Co. by Anna James: At last, a début for this list – and children’s fiction, too! I’ve been making more room on the blog for children’s books like Tom Easton’s hilarious Our House, Jessica Townsend’s magical Nevermoor: The Trials of Morrigan Crow and Katherine Rundell’s Costa-winning The Explorer. I’m pretty sure Pages and Co was originally slated for a 2017 release, but then the details all went a bit quiet. If this story of a girl who discovers book characters coming to life in her grandparents’ bookshop does indeed release this year, it could be terrific.

What books are you looking forward to reading in 2018?

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I’m Back + Top Ten Books of 2017

Look! It is I, returned to the world of saying effusive things about fictional escapades after an unexpected sojourn! And I come bearing gifts: my favourite books of 2017!

I read so many amazing books last year, it’s been almost impossible to choose favourites – but I have persevered and whittled it down to a top ten. (Some of the best books I read last year were actually ones I caught up on reading many years after they’d originally been published, but in the interests of not being here for three thousand words of flailing, I’ve kept this list to books published in 2017.)

A Quiet Kind of Thunder by Sara Barnard

I adored this book. I adored it in so many ways I’m just going to point you in the direction of my pre-release review, because it has ALL THE FEELS. “Romantic, expressive, warm and true, A Quiet Kind of Thunder is an irresistible second novel. It is achingly happy. It reminded me what five star books feel like: shiny, sparkling, and memorable.”

The Explorer by Katherine Rundell

While Katherine Rundell’s Rooftoppers remains my personal favourite of her books, The Explorer is a marvellous addition to her repertoire of historical fiction. Vibrant, accomplished and often clever, The Explorer is a good old-fashioned adventure story. Rundell’s prose is terrifically appealing, and it’s little wonder that this book went on to win the children’s Costa. The writing is by turns clever and challenging, tongue-in-cheek and touching (“Love is so terrifying. It is less like rainbows and butterflies and more like jumping on to the back of a moving dragon”).

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Freshers by Tom Ellen and Lucy Ivison

This is Tom Ellen and Lucy Ivison’s best book yet, and hands down the best YA-but-set-at-the-first-months-of-university book out there at the moment. “Told in fast-paced alternate narration, Freshers is a tale of mayhem, mishaps, miscommunication and inexplicable amounts of tea, written with typical Ellen and Ivison aplomb. Messy, outrageous and down-to-earth, it’s full of chaotic charm. A vibrant array of characters populate the pages, and the friendships are particularly brilliant. What’s more, it’s sharp, candid, and outrageously, unashamedly funny.”

Nevermoor: The Trials of Morrigan Crow by Jessica Townsend

Certainly one of the most talked-about books of the year, Nevermoor: The Trials of Morrigan Crow is a dazzling children’s fantasy début. It spills over with inexplicable and varied magic simply because it can. Because it’s fun. There’s a logic and yet an immense expressiveness to it. There are rooms that redecorate themselves for different occupants; carriages built like nimble metallic spiders; shadows that can wander on their own. Violinists who pickpocket entire audiences while playing; a clock with a sky for its face. Fireblossom trees and mesmerists and snowhounds and a gigantic talking cat.  I’m not yet sure if it’s going to nab a place in literary memory the same way that its go-to comparison, Harry Potter, has, but it’s still an enjoyable series opener.

Girls Can’t Hit by T.S. Easton

This is a 2017 book I wish had been talked about more! Girls Can’t Hit was a surprises of last year’s spring reading for me. Satisfying and clever, this is funny, feel-good, affectionately feminist teen fiction featuring great friendships, marvellous tone and a sporting twist. Easton manages to make you want to keep reading even if the sport in question, boxing, isn’t one you like (as in my case) as it follows teenager Fleur go from reluctant new recruit to unexpectedly empowered young person. I picked up several more of Easton’s books after reading this one.

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Now I Rise by Kiersten White

The only sequel on this list, Now I Rise is the second book in Kiersten White’s genderbent Vlad the Impaler retelling. This is compelling, effective and demanding alternate history with a vicious female lead, increasingly developed characterisation and a rich choice of setting. Much of this book follows Lada’s brother Radu at the siege of Constantinople in the mid-fifteenth century, and I was pleased to see this sequel living up, but appearing distinct, to its predecessor And I Darken. 

A Conjuring of Light by V.E. Schwab

This is technically an adult book, but I’ll allow it as Schwab’s Darker Shade of Magic series is a great crossover for fans of young adult fantasy looking to read more adult fiction. Schwab’s practical, vivid prose, well-developed lead characters and strong sense of plot make for some memorable storytelling. A Conjuring of Light was a satisfying trilogy finale, but it’s since been announced that she will return to this fictional world with another trilogy, and I, like many fans, am so excited to read it.

The Names They Gave Us by Emery Lord

The Names They Gave Us is a considered and highly engaging exploration of the summer one confident but somewhat sheltered teenager’s world is turned upside down surprises and endears at every turn. I wasn’t expecting to enjoy it as much as I did, and it’s perhaps not as memorable as some of the other books I read in 2017, but this character-driven contemporary delivers on plot as well as premise. It’s warm and heartfelt, but also serious, thoughtful and, occasionally, heartbreaking.

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Wing Jones by Katherine Webber

Bittersweet yet charming, Wing Jones is big-hearted, cinematic, satisfyingly driven YA. It has a top-notch, surprisingly swoony romance and vivid running scenes as embattled biracial teenager Wing takes to the track in 1990s Atlanta. Rather like a runner finding their form, when the book hits its stride, it simply glides.

Strange the Dreamer by Laini Taylor

A hefty, mesmerising tome of a fantasy novel, Strange the Dreamer is the first in a duology full of things to like: librarians, desert quests, mythical cities, some flashes of wit and description, and… odd blue-skinned alien-demigod beings…? It is perhaps a little unnecessarily long, but it’s the first Laini Taylor book I’ve really enjoyed, and I’ll be reading the sequel.

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BONUS ROUND: La Belle Sauvage by Philip Pullman*

Oh, you knew it was coming. Philip Pullman’s long-awaited return to Lyra’s Oxford via the Book of Dust finally began last year (the rumour mill was such that it had actually been one of my most anticipated books of 2016 before publication was confirmed). This dramatic, often dark tale is balanced by an endearing protagonist in the shape of Macolm Polstead. And of course, The Secret Commonwealth, in which Lyra will go from baby to young adult, is slated for this year, so we get even more daemons and alethiometers and chases and unnecessary literariness and DAEMONS.

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What did you think of these 2017 releases? What were your favourite books of 2017?

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Children’s Lit Round-Up: Historical Fiction Edition

This week on the blog, I’m taking a quick detour away from YA with some marvellous historical fiction children’s books!

17350491Rooftoppers by Katherine Rundell
Publisher: Faber and Faber
Publication date: 7th March 2017
Source:
Purchased
Find on Goodreads and The Book Depository

Found floating in the English Channel in a cello case after a shipwreck when she was a baby and taken in by the kindly Charles, it seems almost impossible that Sophie’s mother is still alive – but that means it is still possible, and you should never ignore a possible.

When the Welfare Agency threatens to send Sophie to an orphanage, she flees to Paris to follow the only clue she has: an address on the inside of the cello case. There she meets Matteo and his network of rooftoppers, who open her eyes to a world above the streets, close to the sky. They must find her mother before Sophie can be caught and sent back to London – and before she loses hope.

I’ve talked about how much I like Rooftoppers before (for instance here, and most recently, here in my review of Katherine Rundell’s latest novel The Explorer) but I think I should just say again how much I adore this book. I don’t even think I have quite the words to describe how much. It is wonderful children’s fiction. It’s wry and funny and self-aware (“Your powers of observation are formidable. You are a credit to your optician”) and atmospheric and clever and just a little magical. It reaps the rewards of an adept writing style but bears traces of an old-fashioned children’s classic.

It’s set in the late nineteenth century, and is very much a book of two halves: its English scenes are warm and bookish while its Parisian scenes are both grimy and starry. The book’s eccentric family focus was perhaps my favourite parts of the novel. Young heroine Sophie is tomboyish, plucky and daring (“It is difficult to believe in extraordinary things. It is a talent you have, Sophie. Don’t lose it”). Her guardian Charles is unconventional but incredibly kind (“He was thirty-six years old, and six foot three. He spoke English to people and French to cats, and Latin to the birds”). The enigmatic Matteo and his ragtag collection of street urchins add notable texture and grounding to the book’s landscape. I only wish the novel’s ending wasn’t quite so rushed. That said, while there are a lot of children’s adventure stories out there (in fact The Explorer is one of the best of 2017) but Rooftoppers remains a masterstroke. 5stars-fw

Rooftoppers is a wonderful work of elegant plot, pacy adventuring and wry humour. Katherine Rundell is fast becoming one of my favourite writers of children’s books.

34045334The Island at the End of Everything by Kiran Millwood Hargrave
Publisher:
Chicken House Books
Publication date:
4th May 2017
Source:
Library
Find on Goodreads and The Book Depository

Ami lives with her mother on an island where the sea is as blue as the sky. It’s all she knows and loves, but the arrival of malicious official Mr Zamora changes their world forever: the island is to be made into a leper colony. Taken from her sick mother and banished across the sea, Ami faces an uncertain future in an orphanage. There she meets a honey-eyed girl named for butterflies, and together they discover a secret that will lead her on an adventure home. Ami must go back to the island of no return, but will she make it in time?

A pattern is emerging in Kiran Millwood Hargrave’s children’s books: both The Girl of Ink and Stars and The Island at The End of Everything have – to name just a few similarities -long titles, young female protagonists, tropical island settings, and officious male villains who use bureaucracy to ruin that tropical island home. However, while The Girl of Ink and Stars is magical realism or light fantasy, her second standalone novel certainly leans toward historical fiction. The Philippine island of the title, Culion, was a real leper colony for over ninety years (though it should be noted that in the book ‘leper’ is seen as a slur and the word ‘Touched’ is use to describe those who have contracted the disease). Set in the early twentieth century, it makes use of such implied isolation to create a microcosm that could seem ghastly (as the reader is aware of the seriousness of the illness) but has the capacity to amaze, particularly as Ami discovers the butterflies of the cover.

The Island at the End of Everything is a very bittersweet book. It echoes with a (perhaps not-unexpected) melancholia that saps some of the potential magic of the prose. I liked the descriptions, the kindness of several of its characters and the interesting twist in perspective that comes just over halfway into the book. I would’ve liked a stronger plot and a more memorable cast, but Millwood Hargrave writes with an effective and descriptive style. If you liked The Girl of Ink and Stars (my review of which can be read here), this one is worth checking out.

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A relatively short and often bittersweet second novel, with an unusual choice of subject and an effective, descriptive writing style. 

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The Mystery of the Clockwork Sparrow by Katherine Woodfine
Publisher: Egmont
Publication date: 4th June 2015
Source: Library
Find on Goodreads and The Book Depository

When a priceless and bejewelled clockwork sparrow is stolen from the glamourous London department store known as Sinclair’s, shop girl Sophie finds herself on the trail of some of the city’s most dastardly criminals. Joined by rookie porter turned aspiring detective Billy and extroverted, beautiful chorus girl Lillian, she must crack codes, devour iced buns and vow to bring the villains to justice…

This is the opener in what looks set to be a marvellous historical mystery saga – there are already several sequels and I can’t wait to read them. Woodfine builds an Edwardian London of great contrast, from the shimmering luxury of the shop to the shady backstreets of the city’s criminals. I loved the choice of time period and the setting, which give the mystery a really distinctive feel, and there are some fabulous panoramic scenes in the store. The plot is engaging and an intriguing mystery brings a quick pace. Its young characters are neatly individualised, particularly heroine Sophie and runaway Joe, and there are some interesting adult secondary characters. There was one over-long exposition scene, but the writing is otherwise strong.

Fans of Robin Stevens’ cracking Murder Most Unladylike Mysteries (I recently reviewed each of the books so far) will find plenty to like here – though the busy Edwardian shop floor contrasts sharply with a 1930s boarding school, and Sophie and Lillian are very much accidental detectives. There’s a sense that a series-long villain is on the cards here, while Stevens’ mysteries are decidedly more self-contained and murderous. Woodfine’s work probably bears more resemblance to glossy period drama Mr Selfridge, as Selfridge’s is clearly the inspiration for Sinclair’s, from its opulent displays to its gregarious American owner. (Of course, these books being aimed at kids aged 9-13, it skips out on the television series’ rampant adultery and, alas, the absurdly beautiful Grégory Fitoussi.)

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An engaging, pacy mystery with a terrific historical setting and fantastic series potential.
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*I’d like to make it clear that the stars are for the book, not just the Grégory Fitoussi gif.

Re-imagining Books As… Podcasts!

Today on The Paper Alchemist, I’m looking at some books (mostly YA) that would make amazing podcasts  (and describing them in detail, because of course. WE NEED THE JUICY DETAILS. Alternatively, feel free to see them as radio plays. I get very into this).

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the_loneliest_girlThe Loneliest Girl In The Universe by Lauren James

Commander Romy Silvers is the loneliest girl in the universe: the only crewmember of the spaceship Infinity, travelling to a distant planet on a mission to establish a new colony, Earth II. Then she learns that a new ship, The Eternity, has been launched and will join her – and on it is a single passenger named J. Their messages take months to transfer across the vast expanse of space, but Romy holds on to the hope that when J arrives, everything will be different. If she can keep her increasingly eerie ship running that long… 

This is such an obvious candidate for a podcast adaptation! A single viewpoint character, an ear-catching premise, a distinct setting, a twisty plot, escalating narrative tension, ominous thriller overtones. It’s a relatively compact book, so a well-planned series of 17-22 minute episodes would keep it short and sharp. It could be in the form of Romy’s captain’s or ship’s log, with sections of her fanfic for the fictional TV show Loch & Ness used to break up segments. Throw in some suitably sci-fi background noises and occasional guest voice actors to vary the sonic landscape, and you’d have a super-cool narrative podcast. It’d probably be totally creepy, but some of the most talked-about podcasts are dark or mysterious (*coughs* Welcome to Night Vale).

Side note: I’ve talked extensively about how much I like The Next Together (time travel! Epistolary additions! “Said the actress to the bishop”! Hot Tom!) and The Last Beginning (More time travel! LGBT lady protagonists! Hot DILF Tom!!). While either could work as a podcast, albeit quite a complex and busy one given the multiple time periods, from a more straightforward stylistic standpoint The Loneliest Girl In The Universe unfortunately fits the medium better. Also I SUPPOSE one can’t put the Finchley-Galloway-Sutcliffes (unless there is a collective noun for an extended family of rule-breaking gay time travellers that will have to be their name okay I don’t make the rules) in every feature. In the meantime though you can read more about them here, or here, or here…

30370281Freshers by Tom Ellen and Lucy Ivison

The messiest choice on this list by far! I reviewed Tom Ellen and Lucy Ivison’s third book Freshers before it released earlier this year (you can read the review here) and it was amazing – clever, vibrant, outrageous, incredibly funny. I’d definitely read a sequel, or in the absence of one, listen to a podcast adaptation.

The Freshers podcast could be framed as a university radio show, ostensibly hosted by one of the more sensible characters like Josh or someone totally outgoing and eclectic like Frankie (ohmygod, imagine her music choices) but actually hijacked by the entire friend group. It would include lots of chat, campus news, a slot for the Quidditch society, and salubrious amounts of gossip. Negin would be the deadpan, sarcastic one, speaking only when it’s effective. Rita would put in disclaimers to stop them being sued for libel, but be an unsurprisingly good contributor. Bowl-Cut Mary would wish she’d thought of it first and try to get on this wildly popular campus radio show (really, the first cool thing they’ve had on in years). 25-minute podcast episodes would cut in and out of the much longer in-world radio show (fading back in after ‘songs’ etc.), with some choice backstage scenes of plot where, most importantly, Josh and Phoebe finally talk about their OBVIOUS feelings!! There’d be lots of tea and laughter and quickfire dialogue and general awesomeness.

17199504The Bone Season by Samantha Shannon

I’d like to see more fantasy podcasts given a chance! I’ve chosen Samantha Shannon’s The Bone Season because it’s alternate timeline SFF, with some recognisable elements – the London setting, the general concept of clairvoyance – rather than high or epic fantasy, which might need more of a leap on the part of listeners. There was supposed to be a movie of this series but I haven’t heard anything about it in ages, so maybe a podcast would be a more successful medium! Episodes would be twenty minutes to half an hour, with that slightly mysterious, unsettling feel and evocative background soundscapes, like crowds or echoing tunnels. It would, of course, feature members of SciLo’s unnatural population, and would be as much about the more interesting elements of its world as about plot. Side characters might take take more prominence – one might even helm it (is there an order of clairvoyant to do purely with sound?) – than they do in the series, which is told almost exclusively from Paige Mahoney’s perspective. Think stories from or about London’s spirits, its different types of clairvoyants, its shadiest corners and ongoing rivalries – and every now and then, a hint at the shifting allegiances and events of the ongoing books.

The idea of a podcast or radio show in SciLo is also quite subversive – it’d be an insight into stories or an underworld the reader or listener knows is forbidden in the world of the books. And, oh wow, I’ve just realised if he thought he could get away with it, Jaxon Hall would absolutely showboat his way into a radio show like this. Like Potterwatch, only completely insufferable. Well, isn’t that delightful.

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The Spinster Club
trilogy by Holly Bourne
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Rather than just a book-to-podcast adaptation taking listeners from reworked versions of Am I Normal Yet? and its sequels, what strikes me as interesting podcast material here is the post-series years. Evie, Amber and Lottie, still frustrated with not seeing each other much several months after the events of And A Happy New Year? decide to make a commitment to record a friendship-and-feminism podcast every month so they have an inescapable excuse to hang out. Plot progression mostly involves behind-the-scenes moments, updates on who’s dating and who’s hating, Lottie’s political ascension and the steady exploration of the girls’ lives as twenty-somethings.

Lottie is the moderator and leader with the schedule and microphones, Evie is the researcher and referee, and Amber is the riotous one who inadvertently gets quoted in all the soundbytes. A shaky start devolves into lots of laughter, cheesy wotsits and Amber yelling about taking down the patriarchy while accidentally snorting her drink out of her nose. There are regular features such as ‘Feminist Ladies We Love’, ‘An American Boyfriend Chips In Where He’s Not Wanted; or, The Token Bloke’ and eventually ‘Agony Aunties (And Other Annoying Relatives)’ in which they attempt to give advice in response to a chosen listener letter, deferring to areas of expertise or experience or, sometimes hilariously, trying to tag-team an answer. Episodes are fifty minutes to an hour depending on how many times someone falls (or gets pushed) off their chair howling.

This is just me describing the perfect podcast now, isn’t it. TL;DR: SOMEONE MAKE THIS PLEASE I NEED MORE SPINSTER CLUB IN MY LIFE.

Would you like to see YA books turned into podcasts? What books would you pick? Do you have any podcast recommendations? Leave a comment down below!

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Seven YA Books I Haven’t Gotten Around To Reading (Oops)

As a book blogger, it can feel like you constantly have to be on top of all the biggest books or constantly harping on about new releases. But there’s only so much time in the day, and inevitably books are going to slip through the net! That’s right, you guys, I’m basically about to name and shame my own TBR pile. I know I’m going to be inundated with recommendations after this, but I’ll get around to them at some point… I think…

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32820770Unconventional by Maggie Harcourt

Lexi Angelo has grown up helping her dad with his events business. She usually stays behind the scenes – until the messy-haired, almost arrogant Aidan Green arrives unannounced at the first event of the year, throwing her life into dissaray.  In a flurry of late-night conversations, mixed messages and butterflies, Lexi discovers that some things can’t be planned. Things like falling in love…

I’ve heard lots of praise for this convention-set contemporary (published by Usborne in spring 2017), particularly for its nerdy characters, cute romance and mentions of fandom. It sounds like just the sort of thing one could use for a light sojourn in contemporary, so it’s definitely high up on my to-be-read list!

20821111The Young Elites by Marie Lu

This entire trilogy – about Adelina, who survived a blood fever that gave her silver hair and a scar instead of a left eye, Teren, the leader of an inquisition which hunts down any ‘malfetto’ it can, and Enzo, a member of a secret society which tries to get there first and reveal survivors’ mysterious gifts – came and went before I realised I hadn’t read more than an extract! Marie Lu’s Legend books constitute probably the only YA dystopian trilogy I’ve ever actually liked, and I’ve come close to picking up The Young Elites as the quality of her writing has the potential to appeal. However, high fantasy is more reliably my cup of tea than dystopia-SFF.

23009402Saint Anything by Sarah Dessen

I really enjoy Sarah Dessen’s books, but Saint Anything, her twelfth, is among the few I haven’t read. The premise is fairly standard American YA fare (it’s about a teenager whose older brother takes the family spotlight until he causes a car accident and is jailed, before protagonist Sydney indulges in some self-discovery and acceptance among a warm, chaotic family called the Chathams who run a pizza parlour and play bluegrass). It’s a little less original than the premise of her 2017 book, Once and For All, but I’ll probably get around to reading more of her back catalogue one day.

27074515The Dark Days Club by Alison Goodman

London, April 1812. On the eve of eighteen-year-old Lady Helen’s presentation to the queen, one of her family’s maids disappears, and Helen is drawn into the shadows of Regency London. There, she meets Lord Carlston, one of the few who can stop the perpetrators: a cabal of demons infiltrating every level of society. Dare she ask for his help, when his reputation is almost as black as his eyes? Will her intelligence and curiosity finally be put to good use, or are they falling into a trap?

Okay, so this one isn’t for want of trying! I’ve started my copy of The Dark Days Club TWICE in full-on-choice-snack-and-nearby-cat reading sessions without success. I read an excerpt before it was released, too, and I really liked the supernatural historical fiction concept. There’s just something about the book as a whole – maybe the dense prose or chunky length – that makes it a little inaccessible. Maybe I’ll have to try an audiobook instead?

15832932What I Thought Was True by Huntley Fitzpatrick

When Gwen’s Biggest Mistake Ever, Cassidy, takes a job as a yard boy on her small island, it’s the last thing she wants. He’s a rich kid from Stony Bay, while she’s from a family of fishermen and cleaners who keep the island guests happy. Just when it looks like she’ll never escape her past – or a future spent cleaning summerhouses – she gets some shocking advice. Sparks fly and histories unspool as she spends a restless summer struggling to resolve everything she thought was true.

When I was researching this post I couldn’t believe What I Thought Was True was published way back in 2014! I loved My Life Next Door, and always assumed I’d get around to reading this standalone eventually. But it looks like the appeal of the Garrett family – who also appear in a companion novel to Fitzpatrick’s début, The Boy Most Likely To, which I have read – wins out for me! I’m still keen to see what Fitzpatrick writes next.

17675462The Raven Boys by Maggie Stiefvater

For as long as she can remember, Blue has been warned that she will cause her true love to die. Even living in a house where clairvoyance is common, she never thought this would be a problem. But as she gets caught up in the strange and sinister world of the private school Raven Boys – Adam, Ronan, Noah and the one whose death seems to have been predicted, Gansey – she’s not so sure anymore…

The Raven Boys is possibly the Most Hyped YA Book of Ever, but that alone is enough to make me less inclined to read it. There’s just so much endless hype, rarely including stylistic critique or detail. I think most series would struggle under so much super-inflated expectation. Also, I can’t read Gansey seriously as a hero because HIS NAME LITERALLY MEANS JUMPER. ‘Gansey’ is the anglicised or slang version of the Irish term ‘geansaí’ (jumper, sweater). I can’t read it without laughing. It’s like trying to tell me a love interest is called ‘Cardigan’ or ‘Dungarees’. Additionally, why is Owain Glyndŵr’s name being mutilated. ARE YOU AFRAID OF OTHER LANGUAGES.

10194157Shadow and Bone by Leigh Bardugo

Okay, this is a big-hitter. As a YA fantasy fan, I’ve tried to get into Leigh Bardugo’s Shadow and Bone. But the Grishaverse just hasn’t clicked for me. I think the genre has moved on from the character types of the trilogy at this point, too. I have read Six of Crows and think its characters and plot (a fantasy heist!) are really striking, but found it too steeped in Grishaverse worldbuilding for it to stand entirely on its own two feet. I know A LOT of readers love these books so I reckon the series will be perfectly fine without another jumping on the bandwagon. Besides, YA is full of great fantasy books – you could probably read it exclusively and never get around to them all!

So there you have it – the blockbuster books this busy reader hasn’t quite gotten around to yet! Are there any YA books you feel everyone has read but that haven’t clicked for you or that you haven’t yet had time for?

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