IN THE RED(ISH) CORNER: recent cover favourites!

Today on the blog, I talk some of my favourite recent YA cover designs (and try not to tear my hair out trying to figure out who actually designed them). I’ll be doing a follow-up post on my favourite cool-tone (navy, blue, green, etc) covers soon, too!

29740718What’s A Girl Gotta Do? by Holly Bourne
cover design by Hannah Cobley

The Spinster Club books are funny, entertaining, fierce and, of course, have unmistakable covers. Quite unusually for contemporary YA, they rely on solid, almost clashing colour combinations: yellow and black, pink and black, and here, in the final book of the trilogy, red and black. I was impressed by how loud this one is and how much force it gives to Lottie’s empowering, feminist mission. The illustration is energetic and unique. Also I hear the proof came with lipstick and those red-lip jelly sweets you can buy (A+ work, Usborne).

29979535Mistletoe and Murder by Robin Stevens
cover design by Nina Tara

I really like the Murder Most Unladylike series covers, you guys. They have such a classic feel. The title placement, the silhouettes, the series banner… ugh, they’re just too good. Striking, fitting and easy to recognise, I’m a big fan how much they match and how bold they are, particularly this latest installment. This red (a happy red, not like, a Scorsese red) merges the series design with the Christmas theme and totally suits Daisy and Hazel. They’re usually shelved in children’s or middle grade books, but they have huge multi-age appeal.

30197201A Quiet Kind of Thunder by Sara Barnard
cover design by Pan Mac Art Dept 

This eye-catching cover is fabulous. It’s both simple and complicated, and there’s gold foil. GOLD FOIL! (Gold foil, as you will see, is a bit of theme for me when it comes to book covers). I love that it’s just close enough to Barnard’s Beautiful Broken Things to be familiar but different enough that it establishes the individuality of Rhys and Steffi’s story (which I adored, as you can read here). I like the typography, too, and white is the perfect choice. My own copy of this fell victim to the Bookshop Sticker Monster (*sob*) but I rescued it and now it is SHINY.

25756328Love & Gelato by Jenna Evans Welch
cover design by Simon & Schuster

I haven’t read this one yet, but just can’t help liking its design: if we’re talking judging a book by its cover, then Love & Gelato has absolutely rocketed up my to-be-read list because of its gorgeously simple design. It’s elegant, pretty and it has ICE CREAM. I’m not always a fan of beige but the soft pink hues to the pale background give it an almost earthy feel which is oddly satisfying. I would’ve liked to see multiple flavours or colours on the cover but then that’s just because I really enjoy gelato.

25909375Wing Jones by Katherine Webber
cover design by Marie Soler (art direction) and Luke Lucas (illustration)

Katherine Webber’s début novel has two fabulous UK and US covers, but while I love the watercolour effect of The Heartbeats of Wing Jones, I’ve chosen the UK cover as it’s the one I own! I like the colourscheme, the bounce of the trainer (or sneakers, or runners, depending where you’re from) being depicted mid-movement, and the effect of the laces as the title is obviously clever. I’m not sure about the tagline placement (CENTRE IT, CENTRE IT) but what you can’t see from this angle are the ombre pink-purple sprayed edges, which are awesome.

29852514The Sun Is Also A Star by Nicola Yoon
cover design by Dominique Falla 

I think everyone found this cover breath-taking when it was first revealed. It bursts off the page, a riot of colour. If anything, I liked it even more when I discovered the process and inventiveness behind it (you can see how the tactile, three-dimensional cover was created here). It’s a great example of a really slick, ultra-modern cover that does a lot of work in making the book stand out, and while it focuses more on impact than content, the bright and explosive feel is  evocative of its insta-love story. 

And to conclude, some observations:

  • BRIGHT COLOURS FOR THE WIN, YES? I love, love, love bright colours.
  • If you’re going to have a pattern, you better make it classy or I will run for the hills.
  • I don’t mind pink in covers at all! EMBRACE THE PINK, PEOPLE.
  • I really, really like illustrated covers. I kind of had a feeling about this before I started researching, but it became incredibly clear once I began collecting favourites. For me, illustrated or graphic design-based covers are so much more versatile and appealing.
  • Related: I loathe YA book covers with models ontumblr_mqakvcc0cV1qmn5ngo5_250 them, especially if they have anything to do with the Gothic-girls-in-big-dresses or pastel-teenager-caught-in-sunrays-muses-about-life tropes. BLECH.
  • Make the title the most important thing on the cover! Big, eye-catching typography is your friend.
  • Simple and elegant, everyone. Simple and elegant.

What about you?  Do you judge books by their covers? What are some of your recent favourites?

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Reviewing the YA Book Prize Shortlist (Part 2)

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photo courtesy of @yabookprize

Today on the blog, following in the footsteps of many a YA movie of the last ten years, we come to the second part of a what should’ve been one post as I attempt to review every book shortlisted for this year’s YA Book Prize (let’s hope it’s more Harry Potter and the Deathly Hallows than Twilight: Breaking Dawn). You can read the first set of reviews – for Beautiful Broken Things, Chasing the Stars, The Graces, How Not to Disappear and Paper Butterflies – here.

25699515Orangeboy by Patrice Lawrence

Marlon never wanted anything to do with his brother Andre’s world of gangs and drug running, but when he’s implicated in the death of fellow teenager Sonya, it seems like he has no choice. Orangeboy’s set-up is quite similar to Crongton Knights (crime, family strain, a protagonist with only one parent living and an older brother who is too close to those aforementioned gangs for comfort) but differs in execution: pacy, tense and with a slightly older lead, it’s contemporary with a thriller edge. I didn’t realise it was a thriller until I’d already started reading it, as it’s not usually my cup of tea, but it’s designed to be gripping. Lawrence continually plays with the reader’s expectations as Marlon is sucked into a breakneck downward spiral, thrust from being a nerdy kid who keeps to himself into a life of knives, drugs and violence. He makes terrible decisions while trying to protect his family and absolve himself; his essentially good nature won’t stop readers from yelling in frustration at the page. Undoubtedly one of the most talked-about titles on the list, this début’s trajectory has been studded with award nominations: longlisted for the Jhalak Prize and shortlisted for the Costa as well as the YA Book Prize, if I were a betting woman I’d consider this one of the most likely choices for overall winner.

31567282The Call by Peadar O’Guilín

This fantasy-horror-dystopian by Irish author Peadar O’Guilín (pronounced padder oh gill-een) was mentioned by approximately 93% of the blogosphere in the weeks surrounding its release, but as horror is probably my least favourite genre, it was one of the books I was most wary of on this list. I met Peadar after a pun-tastic panel at a event last year (you can read more about the convention here) but even then got my sampler signed for a friend as I knew the book would be too horrific for my tastes. However, I decided that if I was going to review the shortlist, I was going to review it in its entirety. And while I still don’t intend to add more of the genre to my reading, I will say that its elements of fantasy and mythology are fascinating, heroine Nessa is gritty and gutsy, and the pace is practically relentless, making for a fast read. I would’ve liked it to be more mysterious or eerie instead of gruesome and gory, but fans of Victoria Schwab’s This Savage Song and Sarah Maria Griffin’s Spare and Found Parts may find it’s more their kind of thing. It’s not a book I enjoyed, but a win for O’Guilín would mean an Irish author has won every YA Book Prize to date, which would be brilliant – and perhaps make more people sit up and take notice of the recent outpouring of awesome Irish YA!

30133870The Monstrous Child by Francesca Simon

First of all: can we talk about this book’s cover? Continuing the trend of blue and dark-tone covers being up for this award, the sketchy, sweeping scope of its design is absolutely eye-catching, and is a little reminiscent of Patrick Ness’s Jim Kay-illustrated A Monster Calls. Unfortunately, the cover turned out to be one of only a few highlights of the book for me, as we just didn’t get on. I was expecting a kind of Rick Riordan meets Debi Gliori take on Norse mythology, perhaps both dark and tongue-in-cheek, and in some respects, that’s what the book is – but in others, it failed to spark. There’s potential in taking on a goddess of the underworld as a protagonist, but Simon’s attempt at turning YA led her to undermine the possibilities of Hel’s character. Rather than letting her own this weird and wicked predicament, Simon makes her petulant and whiny, which would be fine if there was any well-structured character development, but there really isn’t. I think this one was more critically acclaimed than reader acclaimed – it received a fair amount of print coverage and was up for the Costa – so of course it may still claim the prize, but such a bumpy transition to YA writing didn’t work for me.

25883016Riverkeep
by Martin Stewart

Finally, an outright fantasy on the shortlist! Another one with a vividly-painted cover, I’d heard a lot of praise for Riverkeep before I read it. Named for the tough but unenviable position of those who tend a treacherous river by fishing out its dead, this is the story of Wulliam, who will one day take his place among them. Of course, like any good fantasy hero, he longs for anything but becoming the next Riverkeep. Unluckily for him, his inheritance is accelerated somewhat by his father’s apparent possession by a dark spirit. A quest to find the sea monster who can free his father, save Wull from his Riverkeep fate for a little while longer, and generally secure happy endings all round ensues. Also like any good fantasy, however, things don’t quite go to plan. Populated by characters with names like Tillinghast, Mix and Remedie, a whole host of eccentric and sometimes morally ambiguous figures turn up in this adventure, though I would’ve liked more female characters. The pacing is a little uneven and the writing style never quite endears, but there’s some terrific world-building, from the darkly conjured depths of the Danék to the harsh industrial edging of the world around them, from the smallest details of clothing and food to the overarching mythology of its mythical beasts.

29767084Crongton Knights by Alex Wheatle

This contemporary contender is the second YA title from prolific multi-genre author Alex Wheatle and has already scooped the Guardian Children’s Fiction prize. Fans of Wheatle’s Liccle Bit will recognise characters and a distinctive style in this technically-a-sequel, but it stands fairly well on its own. Set on the fictional South Crongton estate, young teenager McKay takes up the story as he battles the tensions of his family’s heavy debt, the dangers of gang culture, and the disastrous consequences of a well-intentioned, if misguided, mission to help a friend. Wheatle juggles serious, tough subjects and a surprisingly funny narrative voice which is slowed only by the intense and persistent use of invented slang – which a) has the effect of making you realise how ridiculous slang must sometimes sound and b) ultimately gives rise to prose you’ll either love or hate. Peppered with the risk of violence and sexism, Wheatle has the skill to explore his themes to an extent, but much of the book is taken up with the heart-pounding escalation of McKay’s madcap, perilous adventure.

So there you have it – the lowdown on this year’s YA Book Prize shortlist! What do you think of the books on the list? Which ones have you read? Are there any others you would’ve liked to have seen nominated?

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Reviewing The YA Book Prize Shortlist

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phoro courtesy of @yabookprize

Today on the blog, I review the first half of the YA Book Prize 2017 shortlist! I set myself the challenge of reading the entire list – whether through new purchases, the library or my review pile – a little because I think that’s what shortlists are partly for and because it’s helped me work on short reviews, but also to give you all the details! First, some thoughts…

  • The shortlist features a mix of genres, but contemporary has, not unexpectedly, come out on top with five titles (Beautiful Broken Things, How Not To Disappear, Paper Butterflies, Orangeboy and Crongton Knights).
  • Adventure and mythology make their usual appearances, but I was surprised to see no historical fiction. The closest is probably How Not To Disappear, which delves into some of the letters and recollections of heroine Hattie’s great-aunt Gloria.
  • I was also surprised to see two technically-dystopian books shortlisted, but significantly both have major elements of other genres (The Call is fantasy-horror and Chasing the Stars is science fiction), perhaps reflecting the fact that pure dystopia really isn’t what teen readers are going in for anymore.
  • There are three débuts on the list: Beautiful Broken ThingsOrangeboy and Riverkeep. That’s compared with four in 2015 (Trouble, LobstersOnly Ever Yours, and Half Bad) and just two (The Art of Being Normal and The Sin Eater’s Daughter) in 2016.
  • This is a first-time nomination for all of the authors on the list. Louise O’Neill, winner of the inaugural YA Book Prize, remains the only author shortlisted twice.
  • Irish YA also gets a look-in this year! It’s so pleasing to see the recent outpouring of (much-improved and engaging) Irish children’s and teen fiction rewarded. I wrote more about Irish YA you might like here. 
  • The shortlist is diverse (five books feature protagonists of colour, three of them by BAME writers, two have disabled protagonists, and several deal in some way with mental health and sexuality). More so in terms of authorship than the recent Carnegie shortlist (which you can read more about, from people who know more about it, here and here) but less so than the Jhalak Prize (which was created specifically to recognise writing by authors of colour and saw the wonderful Girl of Ink and Stars on its inaugural shortlist).
  • For publishing nerds like me: with three shortlistings each, publishers Penguin Random House and David Fickling Books are tied for most all-time nominations.
  • Most strikingly, dark and blue-toned covers seem to be the key to being shortlisted this year! Only Orangeboy’s cream-and-colour concoction defies the trend.

25437747Beautiful Broken Things by Sara Barnard

Beautiful Broken Things is, in many ways, a love story – it’s just not the love story you’d expect. Quiet, clever Caddy longs for a Significant Life Event to make her teenage years more interesting, but she is about to find that sometimes, the most significant thing in life can be a friend, and those courageous – or foolish – enough to love her. Authentic, heart-shattering and disarming, this is a book which takes pleasure in the little details: in small joys, in sunflowers, in baking, in hilarious (realistic, and occasionally drunken) texts. Barnard’s second novel A Quiet Kind of Thunder is perhaps even more brilliant (it’s my forerunner for next year’s YA Book Prize) but I’d love to see this one win, if not because I’m quoted in it (you can read my reviews here and here), then for the prominence it gives to one of the most powerful and underrated of all loves: heartfelt female friendship.

28693621Chasing the Stars by Malorie Blackman

OTHELLO! IN SPACE! So reads every press release for the brilliant Malorie Blackman’s latest, and it joins a plethora of YA retellings that claim descent from Shakespeare. Having read Othello, I was intrigued to see how Blackman would handle a retelling when I picked this up in the library. Chasing the Stars’ alternate narration follows siblings Aidan and Olivia, known as Vee, who are travelling back to Earth after surviving an epidemic onboard their spaceship, and Nathan, rescued while travelling in the other direction. Unfortunately, it’s overly long and what Blackman takes from Shakespeare’s original play – fanatical jealousy, raging suspicion, misogyny, and a severe case of insta-love – turn out to be pretty much the worst things to put in the book for me. I found the melodramatic, unhealthy relationship at the centre of the novel undermined its twisty sci-fi mystery-dystopia set-up. Fans of Katie Khan’s Hold Back the Stars or Amie Kaufman and Meagan Spooner’s These Broken Stars (I’m sensing a bit of a theme…) might be more suited to this.

25365584The Graces by Laure Eve

Laure Eve was a terrific panellist at DeptCon last year (I wrote about the panel and Laure’s amazingly cool hair here), so her stylish approach to The Graces comes as no surprise. Definitely in the running for UKYA’s most hyped book of 2016, for a time The Graces, and its eye-catching cover, was all anyone in the blogosphere could talk about. Mysterious and richly written, this is a contemporary-pseudo-thriller wrapped in prose like incense. Unreliable narrator River introduces the reader to the beautiful and enigmatic Grace siblings, Summer, Thalia and Fenrin, who are rumoured to be witches by her small town. It’s River who becomes the most obsessed of all, ingratiating herself into their lives with dramatic consequences. However, among others things this novel’s dragging pace, unrealistic and unwieldy dialogue and sizeable dose of the “I’m not like other girls therefore I hate other girls” trope made it a less enjoyable read for me.

28383390How Not to Disappear
by Clare
Furniss

For fans of Juno Dawson’s Margot and Me and Jenny Downham’s Unbecoming, this tale of mouthy teenagers, ardent friendship, hard truths, family strife and unreliable exes is classic contemporary UKYA from start to finish. Teen pregnancy is a fairly well-travelled YA road – Non Pratt’s Trouble was nominated for the first YA Book Prize – but clever, hapless, sometimes overly loyal Hattie is more Holly Smale’s geeky Harriet than Pratt’s gobby Hannah, and it’s the weaving of her modern story with that of her elderly great aunt Gloria which makes How Not to Disappear really stand out. It’s quite a serious book but there are some brilliant dashes of warmth and humour and I loved Hattie’s chatty, sharp, charming emails. I spent most of the book wanting to punch her charismatic, self-centred friend-turned-love-interest Reuben in the face. He’s a scene-stealing character, but he’s a terrible human being. Hattie deserves better – way better. After a strong début with The Year of the Rat, Furniss’ second book was also longlisted for this year’s Carnegie Medal. 

34031732Paper Butterflies by Lisa Heathfield

In Electric Monkey’s first YA Book Prize shortlisting, one of the more difficult reads on this year’s shortlist, Paper Butterflies, is unflinching, harrowing and harsh, flecked rather than brimming with hope. Split into two intertwining timelines – ‘Before’ and ‘After’ – it tells the story of June, who finds an escape from her suffering at the hands of her vindictive stepmother and stepsister through her friendship with Jacob, also known as Blister, and his family. June’s relationship with Blister is reminiscent of Holly Bourne’s short story in the UKYA anthology I’ll Be Home for Christmas, but its new, bright colourful cover is thematically deceptive. A trigger warning for themes of horrific abuse means this isn’t one I’d recommend on the basis of its shortlisting alone; it isn’t exactly a book to enjoy, but may be your kind of thing if you have the stomach for writers like Louise O’Neill and Tanya Byrne, or indeed Heathfield’s début novel Seed. Paper Butterflies works best when it’s building extraordinary and immediate empathy not just for but with June, showcasing her voice and agency both within and beyond struggle.

What do you think of (the first half of) this year’s YA Book Prize shortlist? Are there any other books you’d like to have seen included?

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CELTIC REVIVAL: recommending (recent-ish) Irish YA

So you’ve heard all about Irish authors bursting onto the YA stage of late, with their award wins and their YALC appearances. You’ve read books by Eoin Colfer, Louise O’Neill and Moïra Fowley-Doyle. But what to read next? Where’s the rest of it? And did Irish YA even exist before 2015?

In answer: it did! As for what to read next and finding the rest of it, we’ve got you covered. I’ve chosen fairly recent (read: 21st century) releases here, but I may do another post with older reads or upcoming releases. If you’re new to Irish YA: welcome! No, no need to take off your shoes. Cup of tea? 

(And yes, Irish YA has pretty much always been this bleak. Irish children’s and early teen fiction is madcap stuff. Then YA is all like BAM. Hormones. Adolescence. Darkness. Eyeliner.)

25613853If you liked Knights of the Borrowed Dark by Dave Rudden (a tale of orphans, an ancient order of knights who keep comic-book style monsters at bay, and a boy with the unlikely name of Denizen Hardwick – reviewed in more detail here), you’ll like…

Death and Co. by D.J. McCune

If this was American YA, Death and Co. would be a high-concept, big budget action adventure in the style of Rick Riordan or Maggie Stiefvater. Instead, this Northern writer’s début takes a more down-to-earth approach.

17313512For generations, Adam’s family have been tasked with guiding the newly deceased into the afterlife. It’s a role his brothers are happy to fulfill. They, like their father Nathaniel, feel a sense of responsibility in bringing peace to the departed. Adam, on the other hand, would rather be at school with his friends than upholding a supernatural duty and has trouble even keeping his breakfast down when faced with the prospect of coaxing souls into the light. But the Lumen rules are clear: follow in the family footsteps, or consider yourself no longer a part of the family at all. A page-turning urban fantasy from Hot Key Books.

6609851If you liked Louise O’Neill’s Asking For It or Only Ever Yours (two hard-hitting, headline-grabbing titles which tackle tough topics and have female leads), you’ll like…

Solace of the Road by Siobhan Dowd

Holly is sick of being in care – of social workers and too-nice foster families, of her nagging school and being stared at – but as far as she knows, she’s stuck there. Until she finds the wig. Long, flowing blonde locks transform her, and Holly becomes Solace: a girl so mouthy, daring and fearless she’ll run away from care and hitch-hike h7509075er way back to Ireland, where she hopes her mother will be.

Siobhan Dowd’s novels remain striking and sharp long after you’ve read them. Holly is an unreliable narrator, refusing to acknowledge the false hopes she’s woven into her memories of her mother and her life before social services stepped inbut her story is her own. A Swift Pure Cry is probably closer to O’Neill’s stark examination of social and cultural conditions which litter Ireland’s recent history, but it’s also one of Dowd’s more famous books, and while Solace is gut-wrenching and gritty, it’s perhaps a little more accessible.

23346358If you liked Moïra Fowley-Doyle’s The Accident Season (a spellbinding, shimmering story full of strange magic, evocative prose and characters who keep secrets even from themselves – I’ve also reviewed this one and already want to know more about Fowley-Doyle’s next book), you’ll like…

The New Policeman by Kate Thompson

Who knows where the time goes? There never seems to be enough time in Kinvara, or anywhere else in Ireland for that matter. When J.J.’s mother says that what she really wants for her birthday is more time, he decides to find her some. But where to look for more time in a world which seems to have less and less of it to spare? A talented musician with a mystery to solve and a penchant for stumbling into places of ancient magic, J.J. soon finds himself tangled up in a tale as old as time – in a place where time stands still. 

1500903A welcome exception to the usual so-bleak-you’ll-need-ice-cream-and-a-Netflix-binge-to-recover rule. The New Policeman (which isn’t really about a policeman) is a gorgeous, intricate piece of storytelling. It embraces lore and magic with generosity and wit. It’s interspersed with traditional music and it’s one of the best depictions of Irish myth and folk tales I’ve seen in young adult fiction. This book’s mischievous trickster god Aengus is probably my definitive Aengus, to be honest, and Thompson’s portrayal of The Dagda (he’s like, the boss god of Irish mythology’s godly cohort, the Tuatha Dé Danann) is pretty spot on, too. There are two compelling sequels: The Last of the High Kings and The White Horse Trick. One of my favourite books on this list.

27861590If you liked Needlework by Deirdre Sullivan (a searingly written, visceral take on a tough subject narrated by sharp-tongued, angry teenager Ces, who longs to be a tattoo artist), you’ll like…

Flick by Geraldine Meade

A fast-paced contemporary which focuses on a teenager who, like her friends, is caught up in school, family, and boys – except not boys, because protagonist Felicity, 9489814known as Flicklikes girls. It’s not quite as dark as Needlework (which, while a well-told relatively short read, definitely warrants a trigger warning) but it has the same boundary-pushing intent. Fans of Emma Donoghue and David Levithan may find this book is up their alley. It’s been a while since I read this one, but on a sparsely-populated shelf, this exploration of identity and sexuality is a title worth noting.

29908200If you liked One by Sarah Crossan (a heartbreaking, bittersweet, award-laden verse novel about sisterhood, friendship and loss from one of the most elegant voices in YA verse fiction), you’ll like…

Illuminate by Kerrie O’Brien

While not strictly YA, this collection from one of the most lauded young poets on Ireland’s contemporary poetry scene echoes some of the themes of loss, grief, love, separation and self-expression found in One. It’s more abstract and intransigent than plot-focused books like coverThe Weight of Water or her more recent collaboration We Come Apart, and embraces more traditional forms than Amanda Lovelace’s The Princess Saves Herself In This One. Written in spare, sometimes haunting verse, if you’re looking to expand your poetic repertoire beyond teen fiction or assigned reading lists, Illuminate may be the book for you. And besides, look at that cover! SO PRETTY.

And there you have it: your guide to exploring more Irish YA (and MG, and poetry). Have you read any of the books on the list? Have you added any to your TBR?

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Event Round Up: DeptCon Day 2 (+ Giveaway!)

MORE bookish event reporting? Why yes, I did take enough notes at DeptCon to justify two blog posts. You can check out the first one here!

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Laini Taylor in Conversation (moderated by David O’Callaghan)

Opening day two was a very cool guest. Taylor’s resonance and good humour stood out as she spoke about books, struggling with perfectionism (“even when I hate writing I love it”), and feeling like a fish out of water in 1980s California (“the music was the only good about the ‘80s”). Asked about recent articles disparaging YA, she gave a fantastic, forthright answer about how the media always mocks things teenage girls love and how you can tell when someone hasn’t read the YA they’re condemning. Discussion on ignoring outrage articles, focusing on your art and “maybe the media should look at what people are getting out of YA that we’re not getting out of other literature” as well as revelations about her new book (Strange the Dreamer releases next year and it sounds AMAZING. It’s about a city which has lost its name and a newcomer who is intrigued by fairytales, pitched as a love letter to the fantasy genre) made Laini’s appearance one of the most “YAAAS QUEEN” moments of the weekend.

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Estelle Maskame, EilÍs Barrett and Lucy Sutcliffe (moderated by Claire Hennessy)

Another merging-of-genres line-up. Estelle Maskame (author of contemporary YA trilogy Did I Mention I Love You?), Eilís Barrett (dystopia, Oasis) and Lucy Sutcliffe (contemporary memoir, Girl Hearts Girl) talked what they like most/least about YA, editors as bungee cords and their paths to publication at a relatively young age. It was interesting to hear Estelle speak about writing her first book in frequently uploaded Wattpad chapters but writing her latest book in a more traditional writer-editor process. I would’ve liked to hear Estelle speak more, actually – this was one of the only panels over the weekend where the chemistry seemed a bit off, with quite an obvious disparity in who got to speak and lack of focus on solid questions. It ran over time, too, so the signing was a bit of a rush!

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Lisa Williamson + Susin Nielsen (credit to @dept51)

Lisa Williamson and Susin Nielsen (moderated by David O’Callaghan)

Ah, the panel in which we discovered Lisa and Susin were separated at birth. These two had such a great, natural rapport. Lisa Williamson is a fantastic panellist – professional, funny and down-to-earth – and Nielsen (We Are All Made of Molecules) seemed to embrace being over for the convention as well as regaling everyone with tales of writing for TV before her first novel. Both kept teen diaries and neither think about the reader while drafting. The audience Q&A included questions on approaches to writing (do your research, have fun with it, remember that you’re only writing one experience, not all), whether being involved with the screen helps their process (Susin works well to deadlines but had to improve description, Lisa acts out dialogue), and who they’d invite to a dream dinner party. I recommend Lisa’s The Art of Being Normal all the time so naturally I forgot my hardback, but picked up samplers from All About Mia.

Catherine Doyle, Laure Eve and L.A. Weatherly (moderated by Elaina Ryan)

I’m running out of adjectives to describe how much I liked these panels but this may have been one of the coolest: Laure Eve’s The Graces has been a big blogosphere hit, Cat Doyle writes about hot Mafia brothers, and L.A. Weatherly went flying to research her latest book. They talked influences, planning, reviews and if being a part of multiple cultures and countries has changed their writing. Elaina Ryan was a great moderator, relaxed and friendly while keeping the conversation on track (though she had less luck trying to guess her panellists’ contributions to the infamous DeptCon2 Playlist). AND this was the panel where I asked a question (it was supposed to be about how fan interaction or reaction changes a writer’s perspective but ended up being about shirtless Luca)…!

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Alex Scarrow, Peadar Ó Guilín and Dave Rudden (moderated by David Stevens)

My unbroken streak of attending ALL THE THINGS ended when I had to get food during the first half of this panel (if the convention happens again they’ll really need to schedule a lunch break). I got back for the second half, however, and it seems I missed some laugh-out-loud moments, including Dave Rudden’s now-notorious “Labels are for jam-makers!” which I’m having printed on a t-shirt as we speak, and some great back-and-forth punning between the panellists. With another great moderator in Scholastic’s David Stevens (neé Maybury), it was lively and entertaining to the last, and I met all three authors at the signing (I enjoyed TimeRiders – but left the copies I read in the library where they belong)!

Deirdre Sullivan, Kim Hood and Claire Hennessy (moderated by Elaina Ryan)

Colloquially known as the ‘Ladies of Darkness’ panel (even though they are very nice), this ragtag group of Irish (and a bit Canadian) YA authors talked feminism, juggling multiple careers, their recent releases, books with tough subjects and what they love most/least about YA. Kim Hood came up with possibly one of the best answers of the entire event when she pointed out how many people – individuals, movements, organisations, gatekeepers – talk about what teens ‘want’ or ‘need’ from YA but never actually ask teenagers themselves. There was plenty of fascinating discussion over the weekend but that really struck a chord with me. She was lovely to chat to during the signing, too! Each hinted at new projects (Sullivan has a collection of dark feminist fairytales out next year, for those interested in short story happenings) and when talk turned to collaboration, Deirdre and Claire were ADORABLE.

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Sarah Crossan and Brian Conaghan (moderated by Sarah Bannan)

IT’S THE FINAL PANEEEEEEELLLL! And they saved one of the best ‘til last: Sarah and Brian were fabulous. They were funny, smart, candid, had terrific chemistry and really made the panel worthwhile, even when it was their first event for We Come Apart – the initial draft of which was written over WhatsApp, exchanging chapters and poems in a game of literary tennis due to busy schedules. They talked the hard graft of writing (“people say you have to have the language but maybe you have to have the heart first”), thinking they couldn’t be writers, the appeal of verse, how “young people are the best critics – they scrutinise in a way adults don’t” and how their collaboration came about before READING FROM THEIR NEW BOOK AHHHHH. I loved the extract. We Come Apart – which Sarah described as “freeing” and Brian classed as “the best writing experience [he’d] had” – is an alternate-narration novel-in-verse about two teenagers, Jess and Nicu, from very different backgrounds. And oh, Nicu is such a good egg. Last stop of the day was the signing queue, where I got my ARC of One signed and BRIAN CONAGHAN ASKED ABOUT MY BLOG which made me beam.

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Sarah Crossan, Brian Conaghan, Sarah Bannan (I don’t even know what to caption this) credit to @dept51

So there you have it: all the highs, lows, twists, turns, and book love from one of the biggest YA events of the year. And to top it off I even have a giveaway! Enter to win a tote bag signed by SEVENTEEN DeptCon authors including Sarah Crossan, Laure Eve, L.A. Weatherly, Estelle Maskame, Peadar O’Guilin, Lisa Williamson and Catherine Doyle – plus plenty of signed swag!

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‘Snakes. Why’d it have to be snakes?’ (or Historical YA Fiction I’d Love to Read)

Today on the blog we’re talking two of my favourite things: history and YA! Historical fiction can be a love-hate affair, conjuring up images of dense prose and dreary detail, but when it’s done well it can be fantastic. And it has so much potential. It has all of history at its disposal!

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So what would I like to see more of? Well…

First up: actual medieval fantasy/historical fiction. ‘Medieval’ has become a catch-all or default term for any historical fiction-meets-fantasy world, but really good Middle Ages-set (roughly between years 500-1500 JUST DON’T ASK A MEDIEVALIST ABOUT IT for the love of god) teen fiction is quite rare. And okay, it was 99% terrible for everyone, but there were still many interesting events and people that haven’t been written about yet! That is a long time. Centuries’ worth of stories. Peasants and princes and dramatic storytelling possibilities.

A classy spy drama with a capable, complex female lead (and great outfits). Me? Still bitter over the cancellation of Agent Carter?

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Fancy high-society discovering-secrets YA set in Edinburgh. Or anywhere that isn’t London, really. I know, I know, London was where people paraded around in their finery and where eligible heiresses were presented to the royal family so they could become even fancier and more eligible or whatever but there were surely interesting things happening somewhere outside it…

An Indiana Jones-style archaeologist-explorer adventure with a courageous heroine. Look, I know he’s not great at preserving Sites of Importance, but Indiana Jones is the big name in action adventure. Movies tend to objectify (yes, Lara Croft, I’m looking at you) but a female-led archaeo-adventure in YA would be A+.

ARTHURIAN ROMANCE. Epic quests, the Round Table, castles, magic, dragons, Middle English no one can read… WHAT DO YOU MEAN YOU DON’T THINK HE WAS REAL

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YA set in the free-spirited 1960s. Or 1900s France. (…I have very specific tastes in historical eras.)

Historical fiction set in the Byzantine empire. I’ve never seen any young adult fiction set in the heyday of the Byzantine empire, but it was SO INTERESTING. There’s art and a whole different culture and my faves Justinian and Theodora *heart eyes emoji*

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More historical YA about badass ladies. This is bit of a theme when it comes to book requests from me, to be honest, but there are SO MANY AMAZING WOMEN in history. Warriors and daughters and musicians and teen heroines doing things. Badass covers a multitude: intelligent, hard-working, brave, skilled, honourable, flawed – or maybe ALL ALL OF THE ABOVE IN THE SAME PERSON?! *collective gasp*

Robin Hood. I’ve yet to read a young adult take on Robin Hood that I’d give five stars! I know there are movies and the BBC’s version is a strong television adaptation, but- WHAT DO YOU MEAN YOU DON’T THINK HE WAS REAL EITHER

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And of course: historical fiction set in unusual time periods and places. I’d just like to see more exciting, different stories about teenagers in history. There’s so much to choose from, and what I’ve mentioned here barely scratches the surface. An amazing  book could be about a person you’ve never heard of or a place you know very little about (…except that they probably had badass ladies doing awesome things there at some point).

What about you? Historical fiction: love it or loathe it? What would you like to see more of in YA?

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GOOD VIBRATIONS: fans, music and boyband lit in YA fiction

YA has had its fair share of phases and trends in recent years, from ones we can’t wait to see more of (books focused on friendship, books exploring different kinds of relationships) to ones we’d like to see less of (paranormal romance, dystopia, cover models in giant dresses…). One trend I’ve seen crop up frequently of late (due to an increase in new releases under the label, including Songs About a Girl by Chris Russell, my review of which inspired this post, Eleanor Wood’s My Secret Rockstar Boyfriend, and Sophia Bennett’s brilliant Love Song, and to readers like Sally at The Dark Dictator who champion the genre) is boyband lit.

It’s a phenomenon which has both its delights and its drawbacks. For the uninitiated, boyband lit seeks to capitalise on the popularity of boybands by merging the ever-so-slightly-out-of-reach daydreams of fandom with the audiences of YA and the skill of the professional pen. It often sees a heroine – almost always ordinary, often not an ardent fan (it’s cooler for when she has to form coherent non-starstruck sentences later on) – run into the most famous band on the planet in a way which distinguishes her from the screaming masses – by tripping over nearby, by seeing them as people etc etc. – before discovering that one of them is the love of her life (alas it seems it’s too soon for polyamory to have kicked in as a solution to everyone’s problems). For added drama there may be a love triangle, or the bandmates will reveal their deepest secrets. This formula is commonplace in heteronormative fanfiction, but good boyband lit must seek to do more – to tell not only a polished story, but a surprising one, too.

27396059In fiction, story must come first. Teenagers aren’t the only members of fandom – fans come all walks of life and age groups – but they are often the target audience when it comes to marketing. It’s what every boyband for the last sixty years has depended on, whether we’re talking old-school music mania or the terrible haircuts of NSYNC. Music careers sink or sail on this stuff. This genre may be an attempt to tap into a lucrative financial opportunity, but at least in books, authors can draw from an already-established pool of themes and storylines, from friendship drama, social issues and family ties to school pressures and relationships. Twists, turns, and the skill of professional writers can create plot-focused, thought-provoking YA with the occasional pop quartet thrown in. It’s not written to start fandoms for or launch the careers of semi-believable fictional bands. If anything, it’s as much about giving readers a taste of music fandom as it is about bringing music fans to YA.

On the surface it might be easy to dismiss this trend as light-headed, inconsequential stuff. Except that while boyband lit may be new, boyband culture isn’t, and fandom being powered by teenage girls isn’t new, either. Many of the most passionate, talented, knowledgeable people in every fandom are women, and teenage girls are among the most powerful fans of all. Who do you think made most of music history’s best-known names so famous? Who bought their records and listened to songs over and over until they knew every lyric? Who makes their tangible pay-the-rent-and-make-another-album success possible? Because it’s not the limited circle of people who write for Rolling Stone.

Of course, shop-floor real-reader response to these books may be very different from that of forever-chasing-the-next-big-thing publishing and its trusty sidekick book blogging. (And there has been boyband lit which does an injustice to the very real readers who should be able to find solace, not mockery, in YA). But so as long as boy band lit respects readers, teens and young women, I’m fine with it.

21472663I can’t wait to see more YA featuring music, musicians, bands and the perils of balancing passion and fame. There’s such potential for exploring the way music is not only the soundtrack to but a real influence teenage life, as in Non Pratt’s fantastic Remix. And I’d absolutely love to see more YA where the heroine is a musician, or there’s a girlband (think Sarra Manning’s fictional  creation Duckie) at the heart of the book.

For now, this trend is on the up and up. Because, after all, it tells readers that it’s okay to enjoy things like pop music and wish fulfillment. It may even examine or improve damaging tropes which permeate fanfic, Most of all, it says that it’s okay to be a fan, to take an interest, to be enthusiastic.

What about you? What do you think of #boybandlit? Love it or loathe it? What would you like to see these books do next?

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