Children’s Lit Round-Up: Historical Fiction Edition

This week on the blog, I’m taking a quick detour away from YA with some marvellous historical fiction children’s books!

17350491Rooftoppers by Katherine Rundell
Publisher: Faber and Faber
Publication date: 7th March 2017
Source:
Purchased
Find on Goodreads and The Book Depository

Found floating in the English Channel in a cello case after a shipwreck when she was a baby and taken in by the kindly Charles, it seems almost impossible that Sophie’s mother is still alive – but that means it is still possible, and you should never ignore a possible.

When the Welfare Agency threatens to send Sophie to an orphanage, she flees to Paris to follow the only clue she has: an address on the inside of the cello case. There she meets Matteo and his network of rooftoppers, who open her eyes to a world above the streets, close to the sky. They must find her mother before Sophie can be caught and sent back to London – and before she loses hope.

I’ve talked about how much I like Rooftoppers before (for instance here, and most recently, here in my review of Katherine Rundell’s latest novel The Explorer) but I think I should just say again how much I adore this book. I don’t even think I have quite the words to describe how much. It is wonderful children’s fiction. It’s wry and funny and self-aware (“Your powers of observation are formidable. You are a credit to your optician”) and atmospheric and clever and just a little magical. It reaps the rewards of an adept writing style but bears traces of an old-fashioned children’s classic.

It’s set in the late nineteenth century, and is very much a book of two halves: its English scenes are warm and bookish while its Parisian scenes are both grimy and starry. The book’s eccentric family focus was perhaps my favourite parts of the novel. Young heroine Sophie is tomboyish, plucky and daring (“It is difficult to believe in extraordinary things. It is a talent you have, Sophie. Don’t lose it”). Her guardian Charles is unconventional but incredibly kind (“He was thirty-six years old, and six foot three. He spoke English to people and French to cats, and Latin to the birds”). The enigmatic Matteo and his ragtag collection of street urchins add notable texture and grounding to the book’s landscape. I only wish the novel’s ending wasn’t quite so rushed. That said, while there are a lot of children’s adventure stories out there (in fact The Explorer is one of the best of 2017) but Rooftoppers remains a masterstroke. 5stars-fw

Rooftoppers is a wonderful work of elegant plot, pacy adventuring and wry humour. Katherine Rundell is fast becoming one of my favourite writers of children’s books.

34045334The Island at the End of Everything by Kiran Millwood Hargrave
Publisher:
Chicken House Books
Publication date:
4th May 2017
Source:
Library
Find on Goodreads and The Book Depository

Ami lives with her mother on an island where the sea is as blue as the sky. It’s all she knows and loves, but the arrival of malicious official Mr Zamora changes their world forever: the island is to be made into a leper colony. Taken from her sick mother and banished across the sea, Ami faces an uncertain future in an orphanage. There she meets a honey-eyed girl named for butterflies, and together they discover a secret that will lead her on an adventure home. Ami must go back to the island of no return, but will she make it in time?

A pattern is emerging in Kiran Millwood Hargrave’s children’s books: both The Girl of Ink and Stars and The Island at The End of Everything have – to name just a few similarities -long titles, young female protagonists, tropical island settings, and officious male villains who use bureaucracy to ruin that tropical island home. However, while The Girl of Ink and Stars is magical realism or light fantasy, her second standalone novel certainly leans toward historical fiction. The Philippine island of the title, Culion, was a real leper colony for over ninety years (though it should be noted that in the book ‘leper’ is seen as a slur and the word ‘Touched’ is use to describe those who have contracted the disease). Set in the early twentieth century, it makes use of such implied isolation to create a microcosm that could seem ghastly (as the reader is aware of the seriousness of the illness) but has the capacity to amaze, particularly as Ami discovers the butterflies of the cover.

The Island at the End of Everything is a very bittersweet book. It echoes with a (perhaps not-unexpected) melancholia that saps some of the potential magic of the prose. I liked the descriptions, the kindness of several of its characters and the interesting twist in perspective that comes just over halfway into the book. I would’ve liked a stronger plot and a more memorable cast, but Millwood Hargrave writes with an effective and descriptive style. If you liked The Girl of Ink and Stars (my review of which can be read here), this one is worth checking out.

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A relatively short and often bittersweet second novel, with an unusual choice of subject and an effective, descriptive writing style. 

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The Mystery of the Clockwork Sparrow by Katherine Woodfine
Publisher: Egmont
Publication date: 4th June 2015
Source: Library
Find on Goodreads and The Book Depository

When a priceless and bejewelled clockwork sparrow is stolen from the glamourous London department store known as Sinclair’s, shop girl Sophie finds herself on the trail of some of the city’s most dastardly criminals. Joined by rookie porter turned aspiring detective Billy and extroverted, beautiful chorus girl Lillian, she must crack codes, devour iced buns and vow to bring the villains to justice…

This is the opener in what looks set to be a marvellous historical mystery saga – there are already several sequels and I can’t wait to read them. Woodfine builds an Edwardian London of great contrast, from the shimmering luxury of the shop to the shady backstreets of the city’s criminals. I loved the choice of time period and the setting, which give the mystery a really distinctive feel, and there are some fabulous panoramic scenes in the store. The plot is engaging and an intriguing mystery brings a quick pace. Its young characters are neatly individualised, particularly heroine Sophie and runaway Joe, and there are some interesting adult secondary characters. There was one over-long exposition scene, but the writing is otherwise strong.

Fans of Robin Stevens’ cracking Murder Most Unladylike Mysteries (I recently reviewed each of the books so far) will find plenty to like here – though the busy Edwardian shop floor contrasts sharply with a 1930s boarding school, and Sophie and Lillian are very much accidental detectives. There’s a sense that a series-long villain is on the cards here, while Stevens’ mysteries are decidedly more self-contained and murderous. Woodfine’s work probably bears more resemblance to glossy period drama Mr Selfridge, as Selfridge’s is clearly the inspiration for Sinclair’s, from its opulent displays to its gregarious American owner. (Of course, these books being aimed at kids aged 9-13, it skips out on the television series’ rampant adultery and, alas, the absurdly beautiful Grégory Fitoussi.)

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An engaging, pacy mystery with a terrific historical setting and fantastic series potential.
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*I’d like to make it clear that the stars are for the book, not just the Grégory Fitoussi gif.

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Seven YA Books I Haven’t Gotten Around To Reading (Oops)

As a book blogger, it can feel like you constantly have to be on top of all the biggest books or constantly harping on about new releases. But there’s only so much time in the day, and inevitably books are going to slip through the net! That’s right, you guys, I’m basically about to name and shame my own TBR pile. I know I’m going to be inundated with recommendations after this, but I’ll get around to them at some point… I think…

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32820770Unconventional by Maggie Harcourt

Lexi Angelo has grown up helping her dad with his events business. She usually stays behind the scenes – until the messy-haired, almost arrogant Aidan Green arrives unannounced at the first event of the year, throwing her life into dissaray.  In a flurry of late-night conversations, mixed messages and butterflies, Lexi discovers that some things can’t be planned. Things like falling in love…

I’ve heard lots of praise for this convention-set contemporary (published by Usborne in spring 2017), particularly for its nerdy characters, cute romance and mentions of fandom. It sounds like just the sort of thing one could use for a light sojourn in contemporary, so it’s definitely high up on my to-be-read list!

20821111The Young Elites by Marie Lu

This entire trilogy – about Adelina, who survived a blood fever that gave her silver hair and a scar instead of a left eye, Teren, the leader of an inquisition which hunts down any ‘malfetto’ it can, and Enzo, a member of a secret society which tries to get there first and reveal survivors’ mysterious gifts – came and went before I realised I hadn’t read more than an extract! Marie Lu’s Legend books constitute probably the only YA dystopian trilogy I’ve ever actually liked, and I’ve come close to picking up The Young Elites as the quality of her writing has the potential to appeal. However, high fantasy is more reliably my cup of tea than dystopia-SFF.

23009402Saint Anything by Sarah Dessen

I really enjoy Sarah Dessen’s books, but Saint Anything, her twelfth, is among the few I haven’t read. The premise is fairly standard American YA fare (it’s about a teenager whose older brother takes the family spotlight until he causes a car accident and is jailed, before protagonist Sydney indulges in some self-discovery and acceptance among a warm, chaotic family called the Chathams who run a pizza parlour and play bluegrass). It’s a little less original than the premise of her 2017 book, Once and For All, but I’ll probably get around to reading more of her back catalogue one day.

27074515The Dark Days Club by Alison Goodman

London, April 1812. On the eve of eighteen-year-old Lady Helen’s presentation to the queen, one of her family’s maids disappears, and Helen is drawn into the shadows of Regency London. There, she meets Lord Carlston, one of the few who can stop the perpetrators: a cabal of demons infiltrating every level of society. Dare she ask for his help, when his reputation is almost as black as his eyes? Will her intelligence and curiosity finally be put to good use, or are they falling into a trap?

Okay, so this one isn’t for want of trying! I’ve started my copy of The Dark Days Club TWICE in full-on-choice-snack-and-nearby-cat reading sessions without success. I read an excerpt before it was released, too, and I really liked the supernatural historical fiction concept. There’s just something about the book as a whole – maybe the dense prose or chunky length – that makes it a little inaccessible. Maybe I’ll have to try an audiobook instead?

15832932What I Thought Was True by Huntley Fitzpatrick

When Gwen’s Biggest Mistake Ever, Cassidy, takes a job as a yard boy on her small island, it’s the last thing she wants. He’s a rich kid from Stony Bay, while she’s from a family of fishermen and cleaners who keep the island guests happy. Just when it looks like she’ll never escape her past – or a future spent cleaning summerhouses – she gets some shocking advice. Sparks fly and histories unspool as she spends a restless summer struggling to resolve everything she thought was true.

When I was researching this post I couldn’t believe What I Thought Was True was published way back in 2014! I loved My Life Next Door, and always assumed I’d get around to reading this standalone eventually. But it looks like the appeal of the Garrett family – who also appear in a companion novel to Fitzpatrick’s début, The Boy Most Likely To, which I have read – wins out for me! I’m still keen to see what Fitzpatrick writes next.

17675462The Raven Boys by Maggie Stiefvater

For as long as she can remember, Blue has been warned that she will cause her true love to die. Even living in a house where clairvoyance is common, she never thought this would be a problem. But as she gets caught up in the strange and sinister world of the private school Raven Boys – Adam, Ronan, Noah and the one whose death seems to have been predicted, Gansey – she’s not so sure anymore…

The Raven Boys is possibly the Most Hyped YA Book of Ever, but that alone is enough to make me less inclined to read it. There’s just so much endless hype, rarely including stylistic critique or detail. I think most series would struggle under so much super-inflated expectation. Also, I can’t read Gansey seriously as a hero because HIS NAME LITERALLY MEANS JUMPER. ‘Gansey’ is the anglicised or slang version of the Irish term ‘geansaí’ (jumper, sweater). I can’t read it without laughing. It’s like trying to tell me a love interest is called ‘Cardigan’ or ‘Dungarees’. Additionally, why is Owain Glyndŵr’s name being mutilated. ARE YOU AFRAID OF OTHER LANGUAGES.

10194157Shadow and Bone by Leigh Bardugo

Okay, this is a big-hitter. As a YA fantasy fan, I’ve tried to get into Leigh Bardugo’s Shadow and Bone. But the Grishaverse just hasn’t clicked for me. I think the genre has moved on from the character types of the trilogy at this point, too. I have read Six of Crows and think its characters and plot (a fantasy heist!) are really striking, but found it too steeped in Grishaverse worldbuilding for it to stand entirely on its own two feet. I know A LOT of readers love these books so I reckon the series will be perfectly fine without another jumping on the bandwagon. Besides, YA is full of great fantasy books – you could probably read it exclusively and never get around to them all!

So there you have it – the blockbuster books this busy reader hasn’t quite gotten around to yet! Are there any YA books you feel everyone has read but that haven’t clicked for you or that you haven’t yet had time for?

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Books To Read In Autumn

We’re well and truly on the way to autumn, so today on the blog, I thought I’d look at some of my favourite books to recommend in autumn! Rather than going for a theme like 2017 autumn/winter books or curriculum-assigned reading, I’ve chosen books that feel autumnal to me, whether through style or content (eerie fantasy, say, rather than beachside contemporary) or simply being a sensory reader (it’s definitely a thing!).

27281393The Sleeping Prince by Melinda Salisbury

So maybe it’s a little unorthodox to start a recommendation list with the second book in a trilogy, but hear me out. The Sin Eater trilogy is solid UKYA, but for me the eerie, folk-tale touches to The Sleeping Prince marked the point where Salisbury really began to flex what she could do in terms of voice, villains and style. The titular Sleeping Prince is a chilling, semi-undead creation, a kind of Pied-Piper-meets-Sleeping-Beauty mash-up, and probably one of the best (or should that be worst?) villains I’ve read of late (there’s lots more about the books in my reviews here). There’s also a strain of the book that includes what seems suspiciously like lycanthropy. Moreover, this  is a book which just feels autumnal to me: like cold stone, crunched leaves, ginger biscuits (don’t ask), air with just a little drizzle in it, discovering the art of alchemy isn’t lost after all, etc.

23592175The Lie Tree by Frances Hardinge

This one isn’t so much for the book’s weather as its spooky, surprisingly dark feel. I’d heard a lot of praise for The Lie Tree before I read it, but somehow didn’t expect it to be such a distinct historical thriller – it’s smart, thematic and has splashes of the otherworldly (not least in the much-lauded quality of the writing), but it’s most certainly a historical mystery. Set in Victorian England, it follows fourteen-year-old Faith Sanderly in a complex mix of problem-solving, gothic twists and frustration at gender roles (there’s even a rebuke of the ‘not like other girls’ trope: “Faith had always told herself that she was not like other ladies. But neither, it seemed, were other ladies”). Of course, everyone else has already hyped it enough before me!, but it’s a top recommendations out there for that border between upper children’s and young adult fiction.

35688988Tangleweed and Brine by Deirdre Sullivan

This collection of (bear with me) twelve feminist fairytale retelling short stories was released just a few weeks ago from Little Island Books and is ideal autumnal reading. Witchy, subversive and lyrical, it’s fairly dark but is another top-notch addition to the fabulous Deirdre Sullivan’s back catalogue, and a particularly unique addition to this year’s Irish YA. If you liked Amanda Lovelace’s The Princess Saves Herself In This One or are intrigued by Louise O’Neill’s upcoming Little Mermaid retelling The Surfaces Breaks, this should tide you over (additionally, the cover looks fabulous surrounded by ivy and potion ingredients flowers). You can read more about Sullivan’s books, and others like it, here. 

16068905Fangirl by Rainbow Rowell

All my recommendation so far have been a bit on the dark or at least slightly fantastical side, so I’ve gone for something a little lighter and more down-to-earth here. Rainbow Rowell’s Fangirl is a gorgeous, unhurried, almost cosy contemporary, which begins during protagonist Cath’s first semester (think falling leaves, darkening weather, cute sweaters) at college. It’s warm as a well-worn scarf and sharp as a pair of six-inch stilettos, and though it’s been out for a couple of years, it’s still one of the best portrayals of fandom I’ve seen in YA. If you haven’t made time for Cath, Reagan and Levi (oh, Levi) in your contemporary reading, this is one you need to add to your list.

29080992Murder Most Unladylike by Robin Stevens

The Murder Most Unladylike Mysteries are one of those series you know is relatively recent but which seems like it’s been around for ages. It has that classic but accessible touch which makes it appealing to kids and brings something older readers or adults can appreciate, too. The quintessential English boarding school setting – where pupils call teachers ‘mistresses’ and ‘masters’, learn Latin and get up to hijinks – fits autumn, but added adventures, mysteries and a historical time period make it stand out. The storytelling style plays on the Sherlock Holmes and John Watson dichotomy, with narrator Hazel relaying events in her notebook while partner-in-crime (solving) runs headfirst into trouble. Cacklingly funny as well as cleverly written (who doesn’t want an excuse to use words like ‘dashing’ and ‘canoodling’ more often?!) the first book in the series, which opens in October 1934, is worth opening up if you haven’t tried it yet.

23346358The Accident Season by Moïra Fowley-Doyle

If there’s any recent YA book that’s ideal for reading and re-reading every autumn, it’s Moïra Fowley-Doyle’s The Accident Season. Come October, seventeen-year-old Cara and her family – including her mother, older sister and ex-stepbrother – board up the windows and hide the sharp implements in preparation for the Accident Season, a month in which mysterious and dangerous things seem to constantly befall them. A spellbinding magical realism standalone, it’s full of tarot cards, masquerade balls, fortune-telling, dreams, hallucinations and hazy, stylish prose. If you’re looking for an atmospheric autumnal read, this is absolutely the book to go for. Fowley-Doyle’s other book, Spellbook of the Lost and Found, is set during summer, but it does have a bonfire, and is totally worth picking up too – it’s definitely one of my go-to book-pushing reads of the year!

What will you be reading this autumn? Have you read any of the books on this list? Chat below or on Twitter!

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YA I’d Like To See: Irish YA Edition (with bonus gifs!)

Today on the blog, I talk the kind of books I’d like to see from Irish YA! If you’re looking for recommendations from the existing selection, I have just the post from earlier this year. You may also have seen my ‘YA I’d  Like To See: Historical Fiction’ post last autumn, but if not, you can check it out here.

If Ireland has a YA ‘scene’ (that is, consistent new releases and a recognisable sense of community among readers) it’s relatively new – some estimates might even frame it as a twenty-first century phenomenon, though teen fiction for Irish teenagers has been around longer. Either way Irish YA is still in its early years: there are milestones it hasn’t reached, genres it hasn’t mastered, breakthroughs it hasn’t awoken to yet. This can be frustrating when you’re faced with a shelf full of books you’ve already thumbed through (seriously, I pity anyone who’s reading schedule depends on Irish YA alone, ’cause it would be SPARSE), but it does leave room for potential. So what would I like to see from Irish YA? Well…

First up: badass teen girl characters. Badass female characters are a high priority in all of my books-I-want-to-see posts. YA is a medium where teen girl characters, like real teen girls, can be as complex, active, flawed, fully-rounded people. As the same can’t be said for other types of media, the least YA can do is strive to provide a space where the interests of enthusiastic, smart, varied teen girls are valued and celebrated.

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More inclusive contemporaries. Contemporary is one of Irish YA’s go-to genres, but it would be cool  to see it include more diversity of perspective and experience! This could be incidental – where a character happens to be black, for example, because black people exist too, to paraphrase Amandla Stenberg – or more central to the plot – as with Peadar O’Guilín’s The Call, which is a horror novel but whose protagonist Nessa is both kickass and a disabled survivor of polio. Books like The Hate U Give by Angie Thomas, The Sun Is Also a Star by Nicola Yoon and When Dimple Met Rishi by Sandhya Menon have rocketed through the blogosphere (and the NYT bestseller list). Books by UKYA BAME authors (try saying that ten times fast) have been all over awards like the YA Book Prize, the Costa and the Guardian Children’s Fiction Prize. Irish publishers might be missing a trick here.

Slick, cinematic genre additions. I’m talking out-there, eye-catching concepts. Catherine Doyle’s dark, action packed Mafia trilogy, full of feuds, fisticuffs and forbidden love is a memorable example, and it even busts some of the stereotypes it embraces. Eoin Colfer’s Artemis Fowl remains a brilliant, wise-cracking sci-fi fantasy. Bombastic, confident genre pieces are a mainstay of MG – why not YA, too?

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Contemporary travel. YA where teens travel, explore, live abroad or look for a summer fling has had enduring appeal, not least in Stephanie Perkins’ near-perfect Anna and the French Kiss. It can be totally cheesy, but even Irish YA taking on a more international vibe – including challenges, obstacles, homesickness – would be awesome.

Books with a stylistic twist. Verse novels, non-linear narration, interesting typography, mixed epistolary formats with texts and emails and postcards and illustrations. Meg Grehan’s verse novel The Space Between is a good example of this in recent Irish YA, while Deirdre Sullivan’s collection of dark feminist fairytales Tangleweed and Brine is also one to keep an eye on. I WANT MORE OF THEM.

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Magic. Okay, so this has been done before. But there are so many possibilities with magical realism, mythology, portal fantasy, fairies, witchiness – whether that’s Irish-set or with expanded horizons. It’s a difficult genre to pull off, but when it’s good it’s fabul- oh, screw it, this is just me asking for more Moïra Fowley-Doyle books, isn’t it?

More complicated, fandom-worthy high fantasy. Fantasy is one of YA’s shining achievements. So many recent fantasy titles have been huge hits – Throne of Glass by Sarah J. Maas, The Wrath and the Dawn by Reneé Ahdieh, Strange the Dreamer by Laini Taylor, Three Dark Crowns by Kendare Blake, I could go on – and I’d love to see a fresh Irish-penned series up there with the best of them. I want to fangirl over plot twists and eagerly await new installments! I want to overuse capslock in reviews and get invested in fandom theories! I want to be this gif of Joey from FRIENDS about it, basically.

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Less… I’m usually hesitant to include ‘less of’ in posts like this, because I’m a firm believer in trying to expand, rather than narrow, the vocal range of YA. But I will say that less historical fiction and less dystopia would be great, as Irish historical fiction is quite oversaturated (and dare I say it, predictable) while dystopia as a trend just doesn’t appeal to teens anymore. If you want readers to sit up and take notice, you have to be bringing something brilliant or new to the table.

Better covers. I struggle to think of an Irish teen fiction cover that’s really blown me away of late. The Space Between comes close, or maybe Sarah Crossan’s books, but still. Covers make or break a book, you guys, and there’s nothing worse than an underwhelming one. Bright colours, polished graphic design, striking typography, illustrations that make you do a double take – they’re SO important, I actually wrote an entire post about it. Irish YA needs to step up its game here.

MORE HAPPINESS. As much as I do my best to support and talk about it, the tone of Irish YA can be a bit of a miseryfest? I think it’s because seriousness sells – it’s literary, it’s what publishers are familiar with, it’s award-worthy, it comes with a handy list of default adjectives like ‘shocking’ and ‘important’. But it does a disservice to teens and readers, because we also deserve books that are optimistic and relevant and complicated. The teenagers I know are – hold onto your hats – complex, funny, messy, capable, proactive, ridiculous, even, dare I say it, occasionally happy. What’s more, it’s really tricky to write books which are warm or hopeful and heartbreaking and thematic (see Jandy Nelson, Sara Barnard, Clare Furniss, David Levithan, Emery Lord, Lisa Williamson), and perhaps even harder to write books which are laugh-out-loud funny. I’d like to see Irish YA challenging itself to bringing a little more light to teenage books.

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What about you? What are your favourite books by Irish authors? What would you like to see more of in YA?

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IN THE RED(ISH) CORNER: recent cover favourites!

Today on the blog, I talk some of my favourite recent YA cover designs (and try not to tear my hair out trying to figure out who actually designed them). I’ll be doing a follow-up post on my favourite cool-tone (navy, blue, green, etc) covers soon, too!

29740718What’s A Girl Gotta Do? by Holly Bourne
cover design by Hannah Cobley

The Spinster Club books are funny, entertaining, fierce and, of course, have unmistakable covers. Quite unusually for contemporary YA, they rely on solid, almost clashing colour combinations: yellow and black, pink and black, and here, in the final book of the trilogy, red and black. I was impressed by how loud this one is and how much force it gives to Lottie’s empowering, feminist mission. The illustration is energetic and unique. Also I hear the proof came with lipstick and those red-lip jelly sweets you can buy (A+ work, Usborne).

29979535Mistletoe and Murder by Robin Stevens
cover design by Nina Tara

I really like the Murder Most Unladylike series covers, you guys. They have such a classic feel. The title placement, the silhouettes, the series banner… ugh, they’re just too good. Striking, fitting and easy to recognise, I’m a big fan how much they match and how bold they are, particularly this latest installment. This red (a happy red, not like, a Scorsese red) merges the series design with the Christmas theme and totally suits Daisy and Hazel. They’re usually shelved in children’s or middle grade books, but they have huge multi-age appeal.

30197201A Quiet Kind of Thunder by Sara Barnard
cover design by Pan Mac Art Dept 

This eye-catching cover is fabulous. It’s both simple and complicated, and there’s gold foil. GOLD FOIL! (Gold foil, as you will see, is a bit of theme for me when it comes to book covers). I love that it’s just close enough to Barnard’s Beautiful Broken Things to be familiar but different enough that it establishes the individuality of Rhys and Steffi’s story (which I adored, as you can read here). I like the typography, too, and white is the perfect choice. My own copy of this fell victim to the Bookshop Sticker Monster (*sob*) but I rescued it and now it is SHINY.

25756328Love & Gelato by Jenna Evans Welch
cover design by Simon & Schuster

I haven’t read this one yet, but just can’t help liking its design: if we’re talking judging a book by its cover, then Love & Gelato has absolutely rocketed up my to-be-read list because of its gorgeously simple design. It’s elegant, pretty and it has ICE CREAM. I’m not always a fan of beige but the soft pink hues to the pale background give it an almost earthy feel which is oddly satisfying. I would’ve liked to see multiple flavours or colours on the cover but then that’s just because I really enjoy gelato.

25909375Wing Jones by Katherine Webber
cover design by Marie Soler (art direction) and Luke Lucas (illustration)

Katherine Webber’s début novel has two fabulous UK and US covers, but while I love the watercolour effect of The Heartbeats of Wing Jones, I’ve chosen the UK cover as it’s the one I own! I like the colourscheme, the bounce of the trainer (or sneakers, or runners, depending where you’re from) being depicted mid-movement, and the effect of the laces as the title is obviously clever. I’m not sure about the tagline placement (CENTRE IT, CENTRE IT) but what you can’t see from this angle are the ombre pink-purple sprayed edges, which are awesome.

29852514The Sun Is Also A Star by Nicola Yoon
cover design by Dominique Falla 

I think everyone found this cover breath-taking when it was first revealed. It bursts off the page, a riot of colour. If anything, I liked it even more when I discovered the process and inventiveness behind it (you can see how the tactile, three-dimensional cover was created here). It’s a great example of a really slick, ultra-modern cover that does a lot of work in making the book stand out, and while it focuses more on impact than content, the bright and explosive feel is  evocative of its insta-love story. 

And to conclude, some observations:

  • BRIGHT COLOURS FOR THE WIN, YES? I love, love, love bright colours.
  • If you’re going to have a pattern, you better make it classy or I will run for the hills.
  • I don’t mind pink in covers at all! EMBRACE THE PINK, PEOPLE.
  • I really, really like illustrated covers. I kind of had a feeling about this before I started researching, but it became incredibly clear once I began collecting favourites. For me, illustrated or graphic design-based covers are so much more versatile and appealing.
  • Related: I loathe YA book covers with models ontumblr_mqakvcc0cV1qmn5ngo5_250 them, especially if they have anything to do with the Gothic-girls-in-big-dresses or pastel-teenager-caught-in-sunrays-muses-about-life tropes. BLECH.
  • Make the title the most important thing on the cover! Big, eye-catching typography is your friend.
  • Simple and elegant, everyone. Simple and elegant.

What about you?  Do you judge books by their covers? What are some of your recent favourites?

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Reviewing the YA Book Prize Shortlist (Part 2)

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photo courtesy of @yabookprize

Today on the blog, following in the footsteps of many a YA movie of the last ten years, we come to the second part of a what should’ve been one post as I attempt to review every book shortlisted for this year’s YA Book Prize (let’s hope it’s more Harry Potter and the Deathly Hallows than Twilight: Breaking Dawn). You can read the first set of reviews – for Beautiful Broken Things, Chasing the Stars, The Graces, How Not to Disappear and Paper Butterflies – here.

25699515Orangeboy by Patrice Lawrence

Marlon never wanted anything to do with his brother Andre’s world of gangs and drug running, but when he’s implicated in the death of fellow teenager Sonya, it seems like he has no choice. Orangeboy’s set-up is quite similar to Crongton Knights (crime, family strain, a protagonist with only one parent living and an older brother who is too close to those aforementioned gangs for comfort) but differs in execution: pacy, tense and with a slightly older lead, it’s contemporary with a thriller edge. I didn’t realise it was a thriller until I’d already started reading it, as it’s not usually my cup of tea, but it’s designed to be gripping. Lawrence continually plays with the reader’s expectations as Marlon is sucked into a breakneck downward spiral, thrust from being a nerdy kid who keeps to himself into a life of knives, drugs and violence. He makes terrible decisions while trying to protect his family and absolve himself; his essentially good nature won’t stop readers from yelling in frustration at the page. Undoubtedly one of the most talked-about titles on the list, this début’s trajectory has been studded with award nominations: longlisted for the Jhalak Prize and shortlisted for the Costa as well as the YA Book Prize, if I were a betting woman I’d consider this one of the most likely choices for overall winner.

31567282The Call by Peadar O’Guilín

This fantasy-horror-dystopian by Irish author Peadar O’Guilín (pronounced padder oh gill-een) was mentioned by approximately 93% of the blogosphere in the weeks surrounding its release, but as horror is probably my least favourite genre, it was one of the books I was most wary of on this list. I met Peadar after a pun-tastic panel at a event last year (you can read more about the convention here) but even then got my sampler signed for a friend as I knew the book would be too horrific for my tastes. However, I decided that if I was going to review the shortlist, I was going to review it in its entirety. And while I still don’t intend to add more of the genre to my reading, I will say that its elements of fantasy and mythology are fascinating, heroine Nessa is gritty and gutsy, and the pace is practically relentless, making for a fast read. I would’ve liked it to be more mysterious or eerie instead of gruesome and gory, but fans of Victoria Schwab’s This Savage Song and Sarah Maria Griffin’s Spare and Found Parts may find it’s more their kind of thing. It’s not a book I enjoyed, but a win for O’Guilín would mean an Irish author has won every YA Book Prize to date, which would be brilliant – and perhaps make more people sit up and take notice of the recent outpouring of awesome Irish YA!

30133870The Monstrous Child by Francesca Simon

First of all: can we talk about this book’s cover? Continuing the trend of blue and dark-tone covers being up for this award, the sketchy, sweeping scope of its design is absolutely eye-catching, and is a little reminiscent of Patrick Ness’s Jim Kay-illustrated A Monster Calls. Unfortunately, the cover turned out to be one of only a few highlights of the book for me, as we just didn’t get on. I was expecting a kind of Rick Riordan meets Debi Gliori take on Norse mythology, perhaps both dark and tongue-in-cheek, and in some respects, that’s what the book is – but in others, it failed to spark. There’s potential in taking on a goddess of the underworld as a protagonist, but Simon’s attempt at turning YA led her to undermine the possibilities of Hel’s character. Rather than letting her own this weird and wicked predicament, Simon makes her petulant and whiny, which would be fine if there was any well-structured character development, but there really isn’t. I think this one was more critically acclaimed than reader acclaimed – it received a fair amount of print coverage and was up for the Costa – so of course it may still claim the prize, but such a bumpy transition to YA writing didn’t work for me.

25883016Riverkeep
by Martin Stewart

Finally, an outright fantasy on the shortlist! Another one with a vividly-painted cover, I’d heard a lot of praise for Riverkeep before I read it. Named for the tough but unenviable position of those who tend a treacherous river by fishing out its dead, this is the story of Wulliam, who will one day take his place among them. Of course, like any good fantasy hero, he longs for anything but becoming the next Riverkeep. Unluckily for him, his inheritance is accelerated somewhat by his father’s apparent possession by a dark spirit. A quest to find the sea monster who can free his father, save Wull from his Riverkeep fate for a little while longer, and generally secure happy endings all round ensues. Also like any good fantasy, however, things don’t quite go to plan. Populated by characters with names like Tillinghast, Mix and Remedie, a whole host of eccentric and sometimes morally ambiguous figures turn up in this adventure, though I would’ve liked more female characters. The pacing is a little uneven and the writing style never quite endears, but there’s some terrific world-building, from the darkly conjured depths of the Danék to the harsh industrial edging of the world around them, from the smallest details of clothing and food to the overarching mythology of its mythical beasts.

29767084Crongton Knights by Alex Wheatle

This contemporary contender is the second YA title from prolific multi-genre author Alex Wheatle and has already scooped the Guardian Children’s Fiction prize. Fans of Wheatle’s Liccle Bit will recognise characters and a distinctive style in this technically-a-sequel, but it stands fairly well on its own. Set on the fictional South Crongton estate, young teenager McKay takes up the story as he battles the tensions of his family’s heavy debt, the dangers of gang culture, and the disastrous consequences of a well-intentioned, if misguided, mission to help a friend. Wheatle juggles serious, tough subjects and a surprisingly funny narrative voice which is slowed only by the intense and persistent use of invented slang – which a) has the effect of making you realise how ridiculous slang must sometimes sound and b) ultimately gives rise to prose you’ll either love or hate. Peppered with the risk of violence and sexism, Wheatle has the skill to explore his themes to an extent, but much of the book is taken up with the heart-pounding escalation of McKay’s madcap, perilous adventure.

So there you have it – the lowdown on this year’s YA Book Prize shortlist! What do you think of the books on the list? Which ones have you read? Are there any others you would’ve liked to have seen nominated?

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Reviewing The YA Book Prize Shortlist

yabookprize

phoro courtesy of @yabookprize

Today on the blog, I review the first half of the YA Book Prize 2017 shortlist! I set myself the challenge of reading the entire list – whether through new purchases, the library or my review pile – a little because I think that’s what shortlists are partly for and because it’s helped me work on short reviews, but also to give you all the details! First, some thoughts…

  • The shortlist features a mix of genres, but contemporary has, not unexpectedly, come out on top with five titles (Beautiful Broken Things, How Not To Disappear, Paper Butterflies, Orangeboy and Crongton Knights).
  • Adventure and mythology make their usual appearances, but I was surprised to see no historical fiction. The closest is probably How Not To Disappear, which delves into some of the letters and recollections of heroine Hattie’s great-aunt Gloria.
  • I was also surprised to see two technically-dystopian books shortlisted, but significantly both have major elements of other genres (The Call is fantasy-horror and Chasing the Stars is science fiction), perhaps reflecting the fact that pure dystopia really isn’t what teen readers are going in for anymore.
  • There are three débuts on the list: Beautiful Broken ThingsOrangeboy and Riverkeep. That’s compared with four in 2015 (Trouble, LobstersOnly Ever Yours, and Half Bad) and just two (The Art of Being Normal and The Sin Eater’s Daughter) in 2016.
  • This is a first-time nomination for all of the authors on the list. Louise O’Neill, winner of the inaugural YA Book Prize, remains the only author shortlisted twice.
  • Irish YA also gets a look-in this year! It’s so pleasing to see the recent outpouring of (much-improved and engaging) Irish children’s and teen fiction rewarded. I wrote more about Irish YA you might like here. 
  • The shortlist is diverse (five books feature protagonists of colour, three of them by BAME writers, two have disabled protagonists, and several deal in some way with mental health and sexuality). More so in terms of authorship than the recent Carnegie shortlist (which you can read more about, from people who know more about it, here and here) but less so than the Jhalak Prize (which was created specifically to recognise writing by authors of colour and saw the wonderful Girl of Ink and Stars on its inaugural shortlist).
  • For publishing nerds like me: with three shortlistings each, publishers Penguin Random House and David Fickling Books are tied for most all-time nominations.
  • Most strikingly, dark and blue-toned covers seem to be the key to being shortlisted this year! Only Orangeboy’s cream-and-colour concoction defies the trend.

25437747Beautiful Broken Things by Sara Barnard

Beautiful Broken Things is, in many ways, a love story – it’s just not the love story you’d expect. Quiet, clever Caddy longs for a Significant Life Event to make her teenage years more interesting, but she is about to find that sometimes, the most significant thing in life can be a friend, and those courageous – or foolish – enough to love her. Authentic, heart-shattering and disarming, this is a book which takes pleasure in the little details: in small joys, in sunflowers, in baking, in hilarious (realistic, and occasionally drunken) texts. Barnard’s second novel A Quiet Kind of Thunder is perhaps even more brilliant (it’s my forerunner for next year’s YA Book Prize) but I’d love to see this one win, if not because I’m quoted in it (you can read my reviews here and here), then for the prominence it gives to one of the most powerful and underrated of all loves: heartfelt female friendship.

28693621Chasing the Stars by Malorie Blackman

OTHELLO! IN SPACE! So reads every press release for the brilliant Malorie Blackman’s latest, and it joins a plethora of YA retellings that claim descent from Shakespeare. Having read Othello, I was intrigued to see how Blackman would handle a retelling when I picked this up in the library. Chasing the Stars’ alternate narration follows siblings Aidan and Olivia, known as Vee, who are travelling back to Earth after surviving an epidemic onboard their spaceship, and Nathan, rescued while travelling in the other direction. Unfortunately, it’s overly long and what Blackman takes from Shakespeare’s original play – fanatical jealousy, raging suspicion, misogyny, and a severe case of insta-love – turn out to be pretty much the worst things to put in the book for me. I found the melodramatic, unhealthy relationship at the centre of the novel undermined its twisty sci-fi mystery-dystopia set-up. Fans of Katie Khan’s Hold Back the Stars or Amie Kaufman and Meagan Spooner’s These Broken Stars (I’m sensing a bit of a theme…) might be more suited to this.

25365584The Graces by Laure Eve

Laure Eve was a terrific panellist at DeptCon last year (I wrote about the panel and Laure’s amazingly cool hair here), so her stylish approach to The Graces comes as no surprise. Definitely in the running for UKYA’s most hyped book of 2016, for a time The Graces, and its eye-catching cover, was all anyone in the blogosphere could talk about. Mysterious and richly written, this is a contemporary-pseudo-thriller wrapped in prose like incense. Unreliable narrator River introduces the reader to the beautiful and enigmatic Grace siblings, Summer, Thalia and Fenrin, who are rumoured to be witches by her small town. It’s River who becomes the most obsessed of all, ingratiating herself into their lives with dramatic consequences. However, among others things this novel’s dragging pace, unrealistic and unwieldy dialogue and sizeable dose of the “I’m not like other girls therefore I hate other girls” trope made it a less enjoyable read for me.

28383390How Not to Disappear
by Clare
Furniss

For fans of Juno Dawson’s Margot and Me and Jenny Downham’s Unbecoming, this tale of mouthy teenagers, ardent friendship, hard truths, family strife and unreliable exes is classic contemporary UKYA from start to finish. Teen pregnancy is a fairly well-travelled YA road – Non Pratt’s Trouble was nominated for the first YA Book Prize – but clever, hapless, sometimes overly loyal Hattie is more Holly Smale’s geeky Harriet than Pratt’s gobby Hannah, and it’s the weaving of her modern story with that of her elderly great aunt Gloria which makes How Not to Disappear really stand out. It’s quite a serious book but there are some brilliant dashes of warmth and humour and I loved Hattie’s chatty, sharp, charming emails. I spent most of the book wanting to punch her charismatic, self-centred friend-turned-love-interest Reuben in the face. He’s a scene-stealing character, but he’s a terrible human being. Hattie deserves better – way better. After a strong début with The Year of the Rat, Furniss’ second book was also longlisted for this year’s Carnegie Medal. 

34031732Paper Butterflies by Lisa Heathfield

In Electric Monkey’s first YA Book Prize shortlisting, one of the more difficult reads on this year’s shortlist, Paper Butterflies, is unflinching, harrowing and harsh, flecked rather than brimming with hope. Split into two intertwining timelines – ‘Before’ and ‘After’ – it tells the story of June, who finds an escape from her suffering at the hands of her vindictive stepmother and stepsister through her friendship with Jacob, also known as Blister, and his family. June’s relationship with Blister is reminiscent of Holly Bourne’s short story in the UKYA anthology I’ll Be Home for Christmas, but its new, bright colourful cover is thematically deceptive. A trigger warning for themes of horrific abuse means this isn’t one I’d recommend on the basis of its shortlisting alone; it isn’t exactly a book to enjoy, but may be your kind of thing if you have the stomach for writers like Louise O’Neill and Tanya Byrne, or indeed Heathfield’s début novel Seed. Paper Butterflies works best when it’s building extraordinary and immediate empathy not just for but with June, showcasing her voice and agency both within and beyond struggle.

What do you think of (the first half of) this year’s YA Book Prize shortlist? Are there any other books you’d like to have seen included?

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