Moonrise by Sarah Crossan // Crossan dives back into solo verse fiction

33837404Author(s): Sarah Crossan
Publisher: Bloomsbury
Publication date: 7th September 2017
Category: YA
Genre(s): contemporary, verse
Series or standalone?: standalone
Source: I received a NetGalley copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Joseph Moon hasn’t seen his brother for ten years, and it’s for the most brutal of reasons. Ed is on death row.

But now Ed’s execution date has been set, and Joe is determined to spend time with him, no matter what other people think. 

From one-time winner and two-time Carnegie Medal shortlisted author Sarah Crossan, Moonrise asks big questions. Does it cost to hope? What can you forgive? And when someone else’s past overshadows you, what does it take to find the light?

Moonrise opens with three pages of praise for Sarah Crossan’s heart-shattering, elegant verse story of sisterhood, One. And, given One’s track record – it was undoubtedly one of the most critically lauded YA novels of its release year, with extensive press coverage and collecting the Carnegie Medal, the YA Book Prize, and the CBI Book of the Year Award among others – why wouldn’t you take the opportunity to show it off? Even I gave it five stars back when I first read the advance copy in 2015 (at the time of writing, I’ve only given three so far this year). You get the feeling, then, that it could be a tough act to follow. In fact, Crossan probably could’ve pulled a John Green, waited five years to publish again and still have been given a lot of leeway by the book world. But fresh off a top-notch collaboration with fellow Carnegie and Costa alum Brian Conaghan (you can read my review of We Come Apart here), it seems she’s thrown herself into a new solo novel which tackles some seriously challenging subjects.

Joe’s older brother Ed, arrested at eighteen, has been in jail since Joe was seven. An already tenuous family life crumbled with Ed gone. Abandoned by an alcoholic mother who never showed she wanted them anyway, Joe and his sister Angela were left to fend for themselves or be taken in by their religious Aunt Karen. Ed’s kept in touch through letters from Texas, but now that he’s been given a date of execution, Joe feels one of them must answer his request for a visit. At first, the person behind the glass seems like a stranger: ten years older, tattooed, hardened and bruised by his time in the prison system. Piece by piece, Joe finds that his brother is still his brother: he talks, he cares, he hopes. But his fate rests on a final series of appeals, and Joe can’t yet bear to think beyond each visit.

Punchy, audacious and carefully constructed, Crossan’s choice of characters – many flawed, others unlikeable – in this book aligns with her established narrative interest in outsiders. The fallout of Ed’s sentence has created invisible casualties Joe and Angela, but the loyalty between them is persistent. She emphasises tremendous humanity while anticipating, and asking, questions of her audience. The minor characters are forgettable and it’s not exactly an enjoyable read, but it’s almost impossible not to get swept into Crossan’s writing. For fans of particularly stunning poetry or twisty, complex plots, her unflashy verse (‘like a rock into a river / she fell’) may be a little too close to functional here, but there is a whole story packed into its pages. There are hints of books like Ketchup Clouds by Annabel Pitcher and The Hate U Give by Angie Thomas to the subjects of Moonrise, but it’s unmistakably Crossan’s work. Confronting themes like social disintegration, family breakdown, corruption, injustice and capital punishment, if it is nominated for next year’s Carnegie – and it will surely be a potential nominee – expect to see it up for the Amnesty CILIP Honour.

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From one of the most accomplished verse specialists working in YA today comes a hard-hitting, effective, and thought-provoking novel which tackles challenging subjects through a now-familiar style. 

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The Scarecrow Queen by Melinda Salisbury // fighters and folktales face off in this fantasy finale

Today on the blog, I review The Scarecrow Queen by Melinda Salisbury (and crack out the alliteration again. Oops). You can read my review of The Sin Eater’s Daughter here; my review of The Sleeping Prince here (go on, I’m quite proud of that one); and my warning that this post may contain mild spoilers for the series, well, here!

31627294Author(s): Melinda Salisbury
Publisher: Scholastic
Publication date: 2nd March 2017
Category: YA
Genre(s): fantasy
Series or standalone?: series (The Sin Eater’s Daughter #3)
Source: purchased
Find on Goodreads and The Book Depository

As the villainous Sleeping Prince tightens his hold on Lormere and Tregellan, the net closes in on the ragged band of rebels trying desperately to defeat him. Twylla, queen’s executioner turned rabble rouser. Errin, scrappy apothecary turned prisoner. And what of Merek, prince turned runaway rebel?

But Twylla and Errin are separated, isolated, and running out of time. A final battle is coming, and Aurek will stop at nothing to keep the throne forever…

If you’ve ever read a Melinda Salisbury book – and chances are you have, what with this being the conclusion to a trilogy and The Sin Eater’s Daughter being one of the blogosphere’s most talked-about additions to recent UKYA fantasy fiction – then in many ways you’ll know what to expect from The Scarecrow Queen: high stakes, lots of twists, rebellion, betrayal, a now familiar style full characterised by pacy, businesslike prose and descriptive Scandi minimalism, more betrayal. Salisbury certainly delivers a novel that will satisfy long-time readers, including by ensuring her characters are put through the ringer seven or eight times as the pages fly by. Fans of Naomi Novik’s Uprooted and Leigh Bardugo’s Grishaverse should find this stark, eerie series is up their alley.

Banking on the existence of its established world of austere castles, shady villages, impoverished peoples, hidden enclaves and shifting priorities, readers are thrown straight into an action-packed plot. Alchemy remains central, but the emphasis is on the building of a rebellion. Twylla takes on the role of recruitment officer and unlikely symbol (there are definite echoes of Katniss in The Hunger Games to her singing tactics). Errin battles to escape Aurek’s clutches in order to rejoin the fight against him. Merek, a favourite with fans early on, also returns, as do side characters like Nia and The Sleeping Prince’s standout newcomer, Silas. I would’ve liked more of the romance between Silas and Errin, but it’s not unexpected that it often takes a backseat to tension and atmosphere. Lief – Errin’s brother and Twylla’s former love interest – turned tail at the end of The Sin Eater’s Daughter and has been doing a swandive into increasing treachery ever since, though even with this book’s twists, the character’s motivations are still a little unclear, or at least not entirely compelling.

Not so in the case of the series’ big bad, the Sleeping Prince. Sinister and steeped in folktales – a treacherous semi-mythos which undoubtedly entails one of the most interesting parts of the saga – Salisbury has written a bone-chilling villain. It may be the finest feature of the book, if not the crowning achievement of the trilogy. Aurek is utterly despicable and reeks of the creeps, yet it’s undeniably effective. Its prose is more accessible than extravagant (“Scarecrow queen. Nothing but a dupe, alone in a field, hoping to keep the crows at bay”), but this finale is at its most gripping when the looming machinations of the Sleeping Prince abound.

Both major characters helm different sections of the first-person narration, though Errin only gets about one-third to Twylla’s two-thirds. Errin proved the more active and resourceful protagonist on her arrival, but it was always evident that Twylla would return as the series’ focus. Looking at the trilogy as the whole, Twylla’s arc is very clear – from passivity as the evil queen’s executioner, to awakening as a runaway, to activity as a rebel leader (“I am tired of running away from everything. I want to be like Errin. Like Nia. Like Sister Hope. I want to be the girl who fought a golem, the girl who slammed her hands on a table and told a room full of powerful women that I was going to fight”).

Frustratingly, the relative shortness of this series as a whole somewhat compromises the true potential for character development and subplots, particularly if you delight in the sprawling richness of writers like Laini Taylor or Rae Carson. Some minor characters fall flat and there’s a touch of the ‘miracle cure’ trope to Silas’ fate. The world-building is strong in many ways, but one can’t help feeling that the books would benefit from simply having more room for it. Perhaps this tightly-paced style is just a UKYA thing, but I’ve found I definitely like my high fantasy a little more complex, a little more time-consuming, a little more luxuriating.

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An action-packed, twisty conclusion with a bone-chilling villain from a writer who has established herself as a notable voice in recent UKYA fantasy fiction. This series as a whole feels relatively short and tightly paced, particularly if you prefer your high fantasy long and immersive, but it is perhaps a form of praise in itself to say that one of the only things that could’ve improved a trilogy was having more of it!

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The Explorer by Katherine Rundell // “You should always dress as if you might be going to the jungle”

34992381Author(s): Katherine Rundell
Publisher:
 Bloomsbury
Publication date: 10th August 2017
Category: children’s
Genre(s): adventure, historical fiction
Series or standalone?: standalone
Source: I received an e-copy of this book in exchange for an honest review. Quotes from this copy may be subject to final changes.
Find on Goodreads and The Book Depository

From his seat in a tiny aeroplane, Fred can see the vast Amazon jungle below him. He has always dreamed of becoming an explorer, of making history and reading his name on lists of great discoveries.

But when the plane crashes through the canopy, Fred suddenly finds himself in the jungle far sooner than he expected, along with three other children he’s only just met: Con, Lila and Max. With little hope of rescue, their chances of getting home feel impossibly small. Except, it seems, that someone has been there before them…

I love YA, but when you spend a lot of time reading and reviewing it (and its seemingly never-ending swamp of contemporary fiction), it can be a real breather to jump back into the exuberant capers and imaginative gymnastics of children’s fiction. There is a touch of that vibrancy to the work of Katherine Rundell, whose books include Rooftoppers (“A soaring story of adventure, friendship and hope set on the rooftops of Paris,” to use the fabulous Jenny’s words) and The Wolf Wilder, one of the most reviewed children’s titles of 2015. Set in the untamed wilds of the Amazon rainforest and following four children who must work together to find their way back home, there’s no other term for it: The Explorer is a good old-fashioned adventure story. 

Fred has read everything he can get his hands on about explorers, adventurers and the great expeditions which have taken them into the unknown. But with his father far too busy working and being respectable to notice (“his father always insisted so unswervingly on clean shoes and unrebellious eyebrows”), Fred’s dreams have always been a secret. That is, until a trip to Brazil sees him crashlanded in the jungle with three other children – siblings Lila and Max, and haughty Con (actually Constantia but use it at your peril). While their time in the jungle is dangerous (and involves eating spiders), it opens up something more in each of them. Fred gets braver. Con learns to climb trees and run. Lila’s love for animals, though she’s never been allowed a pet, leads her to adopt a sloth named Baca who likes to hang out in her hair. Five-year-old Max mostly wanders off into nearby trees/beehives/ant nests, but you get the idea. There’s lots of teamwork, arguing, and new friendship.

As with all good kids’ books, adult characters are a secondary consideration. There is one exception in the titular and nameless explorer, a mysterious and gruff jungle-dweller who lives in some ancient ruins and can catch fish with his bare hands (think Indiana Jones if he was more concerned with leaving things intact than putting them in a museum). Rundell makes sure to give each of her characters moments of complexity or backstory, the explorer included. The period setting isn’t entirely specific, but a little digging puts it somewhere in the mid-to-late 1920s. There were no illustrations in my early copy, which is a shame as they have the potential to really change or cement one’s experience of the book. It takes time to invest in the plot and a rushed ending is precipitated by just a little too much dialogue, but the book runs at an otherwise jolly pace. It’s packed with incident, from hair-raising river rides to tricky rock climbs.

Rundell’s prose is fairly straightforward, but also expressive (“his accent, Fred thought, belonged among good tailoring and fast motor cars”) and memorable (“I liked that it might be all right to believe in large and wild things”). The rainforest – “it was a thousand different colours; lime and emerald and moss and jade and a deep dark almost black green that made him think of sunken ships” – ultimately becomes a place more for savouring than escaping from. Rundell takes the opportunity to invoke the host of extraordinary creatures who call it home, too. Sloths, snakes, spiders, monkeys, Amazon river dolphins, whispers of big cats (“something with strong jaws and sharp manners”) all get a look in.

The writing style will appeal to readers across the 7-12 age group, and could make a great family/parent-child choice for reading aloud or together – particularly as the writing is by turns clever, challenging, touching (“Love is so terrifying. It is less like rainbows and butterflies and more like jumping on to the back of a moving dragon”) and tongue-in-cheek (“I did not admire our prime minister. He is very well-dressed, but despite his many protestations to the contrary, I am not one hundred percent sure he can read”). Of course it requires a little suspension of disbelief, a little strategic pacing, but young readers employ logic where it suits them and it is not going to detract too much from the story here. The Explorer is about adventures, and wildlife, and kids who get their hands dirty.

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Vibrant, expressive and often clever, The Explorer is a good old-fashioned adventure story. Rundell’s prose is terrifically appealing. Ideal for young fans of Kiran Millwood Hargrave’s The Island at the End of Everything or Abi Elphinstone’s The Dreamsnatcher. 

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Spellbook of the Lost and Found by Moïra Fowley-Doyle // a strangely satisfying second novel

Author: Moïra Fowley-Doyle30079403
Publisher
: Corgi Children’s/PRH
Publication date: 1st June 2017
Category: YA
Genre: magical realism
Series or standalone?: standalone
Source: purchased
Find on Goodreads and The Book Depository

One stormy Irish summer night, Olive and her best friend, Rose, begin to lose things. It starts with simple items like hairclips and jewellery but soon it’s clear that Rose has lost something much bigger, something she won’t talk about, and Olive thinks her best friend is slipping away.

Then seductive diary pages written by a girl named Laurel begin to appear all over town. And Olive meets three mysterious strangers: Ivy, Hazel, and her twin brother, Rowan, secretly holed up in an abandoned housing estate. The trio are cool and alluring, but they seem lost too. Like Rose, they’re holding tight to painful secrets.

When they discover an ancient spellbook, full of hand-inked charms to conjure back lost things, they realise it might be their chance to set everything right – unless it’s leading them toward secrets that were never meant to be found. 

Beguiling, mysterious and just a little peculiar, Spellbook of the Lost and Found is full of interesting and bewitching things: a town bonfire, missing shoes, a wishing tree, charm bracelets, sprawling tattoos, illicit alcohol, flawed friendships, LGBTQ+ characters and, of course, several dogs named after types of cereal. Penned in what is fast becoming Moira Fowley-Doyle’s trademark style, it’s messy magical realism which walks an audaciously dangerous line between the real and surreal.

Spellbook’s inexplicable happenings are told in alternate narration. Loyal, quick Olive is the most accessible and straightforward, while secretive, tough Hazel works in a pub, trying to outrun her past. Starry-eyed Laurel is being swept away in the whirlwind of an all-consuming friendship with wild, unreliable Ash and dainty, dreamy Holly, turning ominous under the influence of a new forest-dwelling acquaintance. I liked Rowan, Emily and Max, but Ivy was forgettable. Fowley-Doyle pays characteristic attention to toxic and muddled relationships, though the closeness and vibrancy of its family scenes are a pleasant surprise. Olive and Rose are the best of the main cast, while Olive’s father, Daniel – purveyor of puns and daily doses of poetry, like a sort of affectionate, booming Yeatsian alarm clock – is undoubtedly the funniest character in the book.

Atmospheric and rough around the edges, the plot is cleverly woven, with plenty of suspense and scheming to keep the reader engaged. It only wanders off the pace in the second half, but the major twist is terrific – I for one didn’t guess it – and a late resurgence in plot makes for a strong finish. It’s the kind of book you have to read all over again just to put the details together. Fowley-Doyle conjures a world which is richly multifarious, at once recognisable and eerie, modern and uncanny. The titular spellbook is an old, tattered tome of uncertain provenance which is steeped in a blend of earthy enchantments, cultural religiosity and instinctive superstition, but at their best, the most magical elements of the novel spill over into its prose.

Its so-called romances are undeveloped and overly stylised. There’s potential, but the reader can’t help but wonder how much some of the romantically-linked characters actually have in common. Some fairly serious themes are mentioned, including alcoholism, assault and unhealthy relationships, which alongside other content warnings make this one for older teens. Also the drink poitín (described here as a kind of high-alcohol Irish moonshine, and by ‘high alcohol’ we mean likely to cause blindness, hallucinations and/or death) is spelled ‘poteen’ and I really wanted to correct it, though that’s a bit of niche critique.

However, the writing is consistently strong, with moments of striking description (a newspaper ‘flutters like a giant black-and-white-winged bird’, ‘there have always been three of us: a coven, a crowd, a three-headed dog’) and playful humour (‘he looks like a cross between a farmer and a teenage Victorian chimney sweep’). There’s a more satisfying sense of explanation and conclusion than in the otherwise excellent The Accident Season (you can read my review here) but there are still a few questions left tantalisingly unanswered, and, with some unnecessary ‘twists’ which demanded more exploration or better handling, some threads left frustratingly unresolved. It leaves you wondering just what in the story is real, where its magic came from and perhaps most importantly: how old is Mags Maguire and how long  has she had that pub?

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Dark, strange and littered with magic, Spellbook of the Lost and Found is a stylishly written and pleasingly clever second novel from one of the best – if not the best – Irish writers of current YA. As beguiling as it is befuddling, it’s a sometimes imperfect but frankly unputdownable addition to recent YA magical realism. I’m intrigued to see what Fowley-Doyle writes next. 

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One Italian Summer by Keris Stainton // chatty contemporary is as bubbly as it is bittersweet

Today on the blog, I review what should be one of many shiny summer reads this year!

31322309Author: Keris Stainton
Publisher:
 Hot Key Books
Publication date: 4th May 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: NetGalley
Find on Goodreads and The Book Depository

Milly loves her sisters more than anything. They’re her best friends and closest confidants. Their annual trip to Rome – full of food, family and fun – should be all she can think about. But this holiday is different. The city still holds its familiar charms, but it’s been a year since their dad died, and it’s left a gaping hole in their lives that none of them know how to fill.

With grief still raw for all of them, Milly is facing the additional awfulness of having to see Luke again. Gorgeous Luke, who she made a total fool of herself with. What’s more, things between Milly, her sisters and their mum are rocky. Leonie is tempestuous and unpredictable, Elyse is caught up in her new boyfriend, and Milly just doesn’t know how she fits in any more. Over one Italian summer, can Milly find a way back to the life she once had? Or is the person she once was gone for good? 

Bittersweet and bubbly, Keris Stainton’s latest contemporary is a solid addition to this year’s crop of summer UKYA. I was engrossed from the start. Keris – who remains the only UKYA author I know who could convincingly be known by a mononym – returns to charming, big-hearted form with One Italian Summer. Fans of Emma Hearts LA and Jessie Hearts NYC will find her conjuring of a world-famous city has just the right romantic comedy touch. I would’ve liked a little more detail or a stronger sense of Milly and her family’s years-long familiarity with the city, but for a fun, fast literary mini-break, it just about works.

There’s lots to enjoy in this book: delicious food, family weddings, late-night parties, sunny weather, delicious food, busy streets, an LGBT subplot, even more delicious food. The writing style is chatty, frank and funny, with plenty of cheeky, laugh-out-loud moments. The family dynamics are rich and realistic, with room for both familiarity and tension. The characters are on the whole well-realised, flawed and distinct.

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For as long as she can remember, teenager Milly and her sisters have spent a little bit of every summer in Rome with their parents, extended family and a cohort of friends. A wedding should make this trip the happiest ever – but still recovering from the loss of her dad, Milly isn’t sure anything can ever be the same again. She’s practically given up on college dreams, her mum works all the time, Elyse can’t wait to move out of home and in with her boyfriend, and Leonie is about to throw a curveball (natch). One Italian Summer may seem as light as a Victoria sponge but it is infused with the tang of heartache, perhaps more so than expected. The touristy hustle-and-bustle of Rome is tempered by the profundity and anchorlessness of loss. Its emotional core is never far from Milly’s narration. A tricky, and by no means always successful, balance between solemnity and messy reality makes for a summer contemporary with a serious side.

Close-knit, natural and devoted, the relationships which underpin the novel are particularly fantastic. They establish so much depth in such a short time. Elyse, Leonie and Milly are well-written individually, but they’re best when they’re together. From nicking each other’s food to collapsing face-first on each other’s duvets on bad days, they’ve got absolutely no sense of personal space and I loved it. There’s also a great dynamic with their cousin Toby and aunt Alice. I would’ve liked more prose description or extra plot, but if these relationships are the architecture of the book, then One Italian Summer stands on firm foundations.

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Milly feels her face flush even thinking about Luke, her cousin’s handsome best friend and the boy they’ve known for so long he’s become a regular face during their Roman holidays. Convinced she’s made an irreparable fool of herself in front of the friendly, laidback boy of her dreams, Milly’s romantic stumblings are painfully awkward and totally relatable. Stainton negotiates ideas of love, lust, consent and sex-positivity with only the occasional error, and I think Lauren James got it right when she described Milly as thirsty – because, oh boy, is she into Luke. She’s basically got “I want to lick his face” floating above her head in giant neon letters. Like with the book itself, there’s nothing hugely original or ground-breaking here, but it’s an enjoyable read. There are mistakes and misunderstandings, but I liked the way the relationship ultimately played out. There’s added romance with the soon-to-be-married Alice and Stefano, and while I don’t think we were supposed to like suave, good-natured Italian Stefano more than Luke, we all know he’s true love interest of the book, really. Stefano earns one of the stars here all by himself, to be honest.

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Sunlit and chatty, funny and bittersweet, One Italian Summer marks a return to form for Keris Stainton. A considerable improvement on previous release Counting Stars, there’s a warmth to this contemporary, and particularly its core relationships, which just about balances its weighty emotional subplot. If you like Lisa Williamson or Luisa Plaja, this one’s for you.

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Traitor to the Throne by Alwyn Hamilton // a strong sequel for sassy (and sandy) fantasy

Today on the blog, I’m (finally) reviewing one of the most exciting UKYA fantasy releases of the year – though it is a sequel, so there may be spoilers! If you need a recap, I reviewed the first book in the series, Rebel of the Sands, here.

31574408Author: Alwyn Hamilton
Publisher:
 Faber & Faber
Publication date: February 2nd 2017
Category: YA
Genre(s): fantasy
Series or standalone?: series (#2)
Source: NetGalley
Find on Goodreads and The Book Depository

Teenage gunslinger Amani Al-Hiza has escaped the dead-end desert town of Dustwalk only to find herself caught up in a rebellion held together by an enigmatic prince and a handful of extraordinary Demdji.

Thrust into the most dangerous place for a revolutionary in their war-torn kingdom, Amani is trapped in the sultan’s palace, far from the source of her magic and from those she cares about. With unlikely enemies as well as unexpected allies lurking around every corner, she must do whatever it takes to help end the tyranny of the sultan’s rule. Or the rebellion, and the hope it brings her people, will be snuffed out at the cold and pitiless hands of a tyrant – father to her rebel prince, a man who would slay his own family before giving up the throne.

For Amani, freedom is blood and sweat and sand. It means friendship forged in fire and the tantalising possibility of a life with mysterious rebel Jin. If they can make it out of the war for Miraji alive, and bring a new dawn to an old desert.

Rich, exciting and enthralling, Traitor to the Throne – the second book in what is rapidly becoming one of current UKYA’s most dramatic and action-packed fantasy series – is a commendable follow-up to last year’s Rebel of the Sands. This brisk but immersive foray into the world of Miraji – where rough wild west meets mysterious desert sands and long-hidden magic abounds – sees heroine Amani once again elbow-deep in fighting for her freedom and that of her people.  Hectic, pacy and bursting with plot, it’s driven by sparky bravery, simmering revolution, outrageous treachery, daring rescues, thrilling escapes, surprise re-appearances, and more powerful magic than ever before, and I was gripped from start to finish.

Tough, courageous, reckless and not afraid to get her hands dirty, the badass Amani crowns a cast of ragtag rebels, menacing enemies and palace spies. Among my favourites were well-written newcomers Sam and Rahim, royal prince turned noble rebel Ahmed and returning warrior Shazad, whose acerbic skill and general ferocity have been joined by fantastic flashes of friendship and loyalty. Amani’s love interest Jin also returns, though Hamilton is forced to squeeze their romantic moments into the unlikeliest of narrative places – and of course there are tempestuous tiffs and tricky complications to consider. The secondary cast is overbusy and difficult to keep track of even with the help of a character list. Hamilton resists the temptation of the traditional book two love triangle, however, and I am absolutely intrigued to see how intense the finale may be after such a fizzing installment.

Ideal for fans of Rae Carson’s The Girl of Fire and Thorns, Roshani Chokshi’s The Star-Touched Queen and Kiersten White’s And I Darken, this undoubtedly feels like the middle book of a trilogy but is still full of twists (some I guessed and some I didn’t), and if you haven’t read Rebel of the Sands, it’s well worth doing so. In world-building that is efficient yet sweeping, Hamilton takes the opportunity to show more of the creations she’s spun, from Miraji’s neighbouring nations to the sumptuous and treacherous palace. Opening with a jump in time allows for the avoidance of some second book pitfalls, but sacrifices potential emotional power and resolution.

I would’ve liked more description in the prose as it’s become noticeably more punchy and dialogue-heavy, with, dare I say it, almost too many quips? The first half is basically a bunch of teenagers trying to take over the desert armed only with sarcasm and quick comebacks, which while awesome, doesn’t make for the most substantial of reading experiences. Occasionally the series’ wild west element is forgotten amid the unquestionable glitz and glam of magic, but then that magic is beguiling – and if anything, it leaves the reader longing for more. Particularly pleasing is the weaving of folk-tales and myth-style storytelling into the high-stakes, highly entertaining plot.

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One of the best UKYA fantasy fiction offerings of recent years, Alwyn Hamilton’s tales of rebellion and magic, though not flawless, are pacy and full of action. Dramatic, exciting and unputdownable. I really enjoyed this one.

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Contemporary Catch-Up // The Hate U Give and When We Collided

Today on the blog it’s more contemporary YA (and I continue my battle with writing reviews that are actually less than a thousand words long), including one of 2016’s shiniest and one of 2017’s most talked-about!

25663637When We Collided by Emery Lord
Publisher: Bloomsbury
Publication date: April 7th 2016
Series or standalone?: standalone

Jonah is the kind of boy Vivi never expected to want.

Vivi is the kind of girl Jonah has never given himself time to love.

In an unflinching story about new love, old wounds, and the summer that paints their lives in vivid technicolour, Vivi and Jonah find that when you collide with the right person at just the right time, it can change you in all the ways you don’t expect.

As full of joy as it is of sorrow, this is a tale of family and food and love and sunshine and struggle. It is both generously written and incredibly bittersweet, and I was unexpectedly swept away by its frank and vividly unfurling story. The first Emery Lord book I’ve ever read, it’s taken me so long to review it her next book is already almost out – but if you haven’t read this yet, it’s absolutely worth doing so. For fans of Sarah Dessen and Sara Barnard, this is an energetic and memorable character-driven contemporary with enough plot and drive to feel satisfying.

Stubborn, sincere, sweet and hardworking, devoted brother Jonah is doing what he can to keep his family together after personal loss and during unspoken absences: keeping his family’s restaurant afloat, caring for his young siblings, running himself ragged. Bright, colourful Vivi is a whirlwind of cheer and exuberance, and longing to forget that which has been dealt to her, finds herself whisking a rather bewildered Jonah off his feet. Both are fabulously well-realised, at turns flawed and wonderful, characters: I liked Vivi, but particularly loved Jonah. Lord displays a deft hand in constructing secondary characters, too, whether in Verona Cove’s residents or, among my favourites, Jonah’s siblings.

Told in keen alternate narration, Jonah’s sturdy, big-hearted look at a precarious family contrasts sharply with Vivi’s gregarious but sometimes unpredictable enthusiasm. The latter is notable for its skilled and carefully-constructed illustration of rapid and reeling experiences of bipolar disorder. If you’re looking for YA that gives depth and resonance to the often lacking summer romance device, this is absolutely the book for you. Occasional missteps in twists, dialogue and narration – there’s a touch of instalove, the broader setting is a little forgettable (though the beach scenes are always a plus) and there are some details here and there I wasn’t a fan of – mean it falls short of being a five-star read, but there are moments when it comes close.

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When We Collided is sweeping, vivid and punchy. I love recommending this one. Such a fantastic read. 

32613366The Hate U Give by Angie Thomas
Publisher: Walker Books
Publication date: April 6th 2017
Series or standalone?: standalone

Sixteen-year-old Starr lives in two worlds: the poor neighbourhood where she was born and raised, and the posh suburban high school she attends an hour away.

The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed friend, Khalil, by a police officer, and – in a novel inspired by the Black Lives Matter Movement – she finds herself struggling for justice, clinging to hope, and fighting to be heard.

First things first: this is probably the hypiest book is the history of YA hype (and you know how I feel about hype). It débuted right onto the NYT bestseller list, already has a movie deal (with YA book-to-film-adaptation darling Amandla Stenberg set to play Starr), has at leas eight starred reviews from pillars-of-trade-reviewing like Kirkus, and has had more coverage in the months leading up to and just after release than I’ve seen for some UKYA books all together. If books were rated on buzz alone, well, there are some pretty happy marketing and publicity folks who can afford to take a holiday after this (and let’s face it, they might need a holiday after wrangling all those platform strategies, press releases and interviews…!). I was actually offered this book for review, but as it’s already out here in Ireland (I know!) I decided to pick up my own copy (shoutout to the lovely Jacq, whose recommendation bumped it up my always-toppling TBR).

Frank, sobering and often dark, this is a tough read told in forthright yet energetic style. Protagonist Starr’s voice is passionate, warm and distinctive, and readers will quickly be rooting for her. In a thematic, subplot-packed book, her struggles are often as internal as they are external: as well as seeking justice and the media circus which follows Starr’s witnessing of her friend’s death, there is exploration of her self-censorship at her posh secondary school, the impact of violence and trauma on a community, and the extent to which teenagers can be activists. The writing style isn’t spectacular, on occasion turning unwieldy, but a strong and present family dynamic – including Starr’s parents, siblings Seven and Sekani and some of her extended family – anchors the book brilliantly.

Authentic, empathetic and deeply entrenched in a rich series of experiences, The Hate U Give plunges the reader into its story with unapologetic momentum. Its stylistic immediacy coupled with its sharp examination of race and systemic inequality pitches it somewhere between Nicola Yoon’s frothy, current The Sun Is Also A Star and Malorie Blackman’s seminal (and still unparalleled) Noughts and Crosses, ensuring it will both land on most-recommended lists and crop up in classrooms under the auspices of particularly on-the-money teachers. The romance is lacklustre, uneven pacing makes it too long for a contemporary and it should be noted that the book is almost completely America-centric with little regard for goings-on in the rest of the world, but Starr’s tale has more vigour and outspokenness than most of John Green’s books put together. It’s weighed down only by a few duff or clunky emphases, and would be a great choice for listening to on audiobook. I It’s not an easy read – but then it’s not designed to be.

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For fans of Orangeboy by Patrice Lawrence, Wing Jones by Katherine Webber and Noughts and Crosses by Malorie Blackman, this powerful début novel is sure to continue making waves both sides of the Atlantic. 

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