The Names They Gave Us by Emery Lord // outstandingly thoughtful, feel good YA

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Author(s): Emery Lord
Publisher:
 Bloomsbury
Publication date: 1st June 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: I received a NetGalley copy of this book in exchange for an honest review.
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Lucy Hansson was ready for the perfect summer with her boyfriend, working at her childhood Bible camp on the lake. But when her mom’s cancer reappears, Lucy falters – in faith, in love, and in her ability to cope.

When her boyfriend ‘pauses’ their relationship and her summer job switches to a different camp, this time for trouble kids, Lucy isn’t sure how much more she can handle. Thrown into a world of broken rules, close-knit coworkers and relentlessly energetic third graders, she attempts to regain her footing while keeping her Sundays with her mom to herself. But she’s not the only one with secrets, and she may find that in the summer she thought she needed it least, her new world – and the people in it – could be what she needs most. 

The Names They Gave Us is a considered and highly engaging exploration of the summer one confident but somewhat sheltered teenager’s world is turned upside down surprises and endears at every turn. It’s character-driven but delivers on plot as well as premise. It’s warm and heartfelt, but also serious, thoughtful and, occasionally, heartbreaking. I wasn’t expecting to enjoy it as much as I did, but it really blew me away. I gave Lord’s last book quite a high rating (you can read my review of When We Collided here), but I’m glad I left room for just a little more for this standalone.

Capable, put-together Lucy finds herself completely thrown by the recurrence of her mother’s cancer and by her dependable, upright boyfriend’s subsequent checking out of their relationship. When an old friend seeks an emergency replacement for a counsellor who quit at the summer camp across the lake, Lucy agrees at her mother’s request. At first feeling both out of place and way out of her depth, Lucy must navigate a new world where kids who have seen too much could do with someone on their side. Kind, accepting, hard-working Lucy is a well-realised protagonist. She does her best in the face of challenges and is slowly realising she is in a place where it is okay to feel as she does – angry, conflicted, afraid, guilty for the chinks showing in her once-dutiful armour – and what’s more, where new friends and unexpected allies will feel it with her.

Among them are fellow counsellors like friendly Anna, guarded Keely, and outgoing Tambe, each with histories and complexities of their own. Best of all, however, is the bespectacled, lively, flaweed Henry Jones. Their romance is realistic, passionate and honest. Lucy and Jones actually spend time together and get to know each other – their shared talent for music and equal devotion to the kids of camp are particular highlights – turning theirs from sweet romance to gorgeous relationship in a way that soars. I liked Lucy trying to figure out her young chargers, too, whether by teaching shy Thuy to swim to giving Nadia a shoulder to lean on. Vibrant, diverse and individual, these characters leap from the page.

The Names They Gave Us is filled with the requisite moments of plot and drama, secrets and revelations, humour and heartbreak. Frank, compassionate and incredibly empathetic, the vivid portrayal of its characters’ multifarious, and sometimes traumatic, experiences is exemplified by Lord’s unabashed confrontation of themes as varied as grief, sexuality, and religion. The immense sensitivity with which Lord depicts faith allows her to capture both Lucy’s belief and struggles. This is YA with present parents in the shape of Lucy’s funny, loving mom and open, good-natured pastor dad, and with fabulous, imperfect friendships, too. The ending is quite rushed and abrupt, and the prose style is a little choppy, but the book is absorbing from start to finish. A worthy choice for what is, at the time of writing, only my second five star rating of the year.

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I adored this book. For fans of Sara Barnard, Sarah Dessen and Jennifer E. Smith, this is feel-good, heart-rending contemporary. The characters are fantastic, the romance well-written and the story sweeps you away. Emery Lord is improving with every book she writes.

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Contemporary Catch-Up // This Beats Perfect by Rebecca Denton and Countless by Karen Gregory

33135198Author(s): Rebecca Denton 
Publisher:
 Atom
Publication date: 2 February 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: I received a copy of this book from the publisher in exchange for an honest review.
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Amelie Ayres has impeccable taste in music: Bowie. Bush. Bob. So when she finds herself backstage watching one of the most famous boybands in the world perform for thousands of screaming fans, she expects to hate it – after all, The Keep are world’s most tragic band. She has to admit, though, that feels a sort of respect, not (obviously) for their music, but for the work that goes in to making them megastars. And when lead singer Maxx is not dressed up like Elvis and/or a My Little Pony, he is actually rather normal, with creative struggles not too dissimilar to her own.

But then a photo of her backstage makes her a subject of global speculation, and suddenly the world needs to know #Who’sThatGirl? for all the wrong reasons.

Immaculate is a concept. Flawless is fake. But just sometimes music, and hearts, can rock a perfect beat.

As someone who has kept an eye on boyband lit in YA fiction, I’d hoped this book would be an admirable addition to a sub-genre which is often fun, engaging and appealing to modern audiences. Unfortunately, I was left disappointed by a book which wastes its potential and, worse still, trivialises a style which has been so cleverly adapted in contemporaries like Sophia Bennett’s brilliant Love Song.

Teenage singer-songwriter Amelie Ayres, visiting her sound engineer father, finds herself backstage at the gig of one of the biggest boybands in the world – the only problem is, she has zero interest in the peppy pop and flashy outfits that have made them famous. She’s surprised by what it’s like to meet the boys behind the band, but when one of them snaps a selfie with her, the rumour mill goes into overdrive. Caught up in the world of the band whether she likes it or not, Amelie must navigate jealousy, paparazzi, hints of romance and her own stage fright if she’s to find where she truly wants, or needs, to be.

Unfortunately, the most interesting elements of this plot – the pressures of fame, behind-the-scenes figures, exploration of the sometimes-manufactured nature of boybands, possibilities for complex characterisation – are lost in a soup of bad dialogue, flat characters and poor prose. There is far better writing out there in YA than appears in this book. This Beats Perfect is patronising, vapid and full of the pseudo-dialogue that would half make you think the author had never actually heard a real teenager speak. It underestimates and undervalues its intended readership, insulting their intelligence and inadvertently making a mockery of the passion which is poured into fandom and musicianship.

The interest in music that’s supposed to make Amelie stand out quickly reveals itself to be music snobbery of the worst kind, transplanted onto a protagonist presented as knowing and somehow superior to other girls (and you know how much I dislike the ‘I’m not like other girls’ trope) but who is ultimately incredibly immature, particularly considering she and her friends are supposed to be sixteen. I liked Amelie’s interest in music production and there was potential in her relationship with her family, but Denton does a disservice to real teenagers in her stilted characterisation and in not being able to make her mind up about what the book is trying to say.

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I wanted to like this one, but This Beats Perfect wastes its potential and fails to deliver the intelligent and complex depictions of fandom, passion and music teenage readers deserve. Sophia Bennett’s Love Song and Jenny McLachlan’s Flirty Dancing are more enjoyable alternatives.

34299826Author(s): Karen Gregory
Publisher:
 Bloomsbury
Publication date: 4 May 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: I received a copy of this book from the publisher in exchange for an honest review.
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When Hedda discovers she is pregnant, she doesn’t believe she could ever look after a baby. The numbers just don’t add up. She’s young and still in the grip of an eating disorder that controls every aspect of her daily life. She’s even given it a name: Nia. But as the days tick by, Hedda comes to a decision: she and Nia will call a truce, just until the baby is born. 17 weeks, 119 days, 357 meals. 

Karen Gregory’s début novel is a story of love, heartache, and how sometimes the things that matter most can’t be counted.

I find books like this one – serious, relentless, grotesquely eerie – difficult to rate mainly because while I appreciate the effectiveness of the point the writer is trying to make, my star ratings are influenced by enjoyment, and I did not enjoy this book. Torn between the vice-like grip of her eating disorder and the desire to keep her daughter strong, teenager Hedda is engaged in a narratively violent struggle with the anorexia she calls Nia.

Countless is gritty, efficient and reminiscent of work by Melvin Burgess, Nick Hornby and Clare Furniss. It’s peppered with difficult choices, old habits and skewed relationships, with some characters failing while others step up to the plate. There’s unexpectedly kind neighbour Robin, honest fellow new mother Lois, Hedda’s distant, critical and painfully unforthcoming parents, her perfect, detached sister Tammy, and, never too far away, the reminders of the protagonist’s eating-disorder existence. It’s not a terribly diverse book, but YA readers looking for books without a romance may find the focus on character, topical issues and Hedda’s personal journey works for them.

Gregory explores themes of love, self-esteem, family breakdown and flashbacks to the weird world of ED units, where Hedda and her fellow sufferers go ostensibly for treatment but wind up building toxic friendships and becoming locked in some bizarre race to be thinnest, sickest, cruellest. She writes with both immense empathy and unflinching characterisation, but the book is undoubtedly triggering and I wouldn’t recommend it to anyone who has had or come into contact with real-life eating disorders. Moments of hope and Hedda’s unquestionable love for daughter Rose are really the only features that make reading a book that might be gripping if it weren’t so chilling possible.

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A mix of Jacqueline Wilson’s Dustbin Baby, Nick Hornby’s Slam and Laurie Halse Anderson’s Wintergirls, this is a brutal, almost raw rendering of hyper-contemporary YA, dominated by its theme of eating disorders but somewhat salvaged by its empathy and the depth of Hedda’s feeling for Rose. Not an enjoyable or an easy read, and not one I’ll be leaping to recommend.

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Traitor to the Throne by Alwyn Hamilton // a strong sequel for sassy (and sandy) fantasy

Today on the blog, I’m (finally) reviewing one of the most exciting UKYA fantasy releases of the year – though it is a sequel, so there may be spoilers! If you need a recap, I reviewed the first book in the series, Rebel of the Sands, here.

31574408Author: Alwyn Hamilton
Publisher:
 Faber & Faber
Publication date: February 2nd 2017
Category: YA
Genre(s): fantasy
Series or standalone?: series (#2)
Source: NetGalley
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Teenage gunslinger Amani Al-Hiza has escaped the dead-end desert town of Dustwalk only to find herself caught up in a rebellion held together by an enigmatic prince and a handful of extraordinary Demdji.

Thrust into the most dangerous place for a revolutionary in their war-torn kingdom, Amani is trapped in the sultan’s palace, far from the source of her magic and from those she cares about. With unlikely enemies as well as unexpected allies lurking around every corner, she must do whatever it takes to help end the tyranny of the sultan’s rule. Or the rebellion, and the hope it brings her people, will be snuffed out at the cold and pitiless hands of a tyrant – father to her rebel prince, a man who would slay his own family before giving up the throne.

For Amani, freedom is blood and sweat and sand. It means friendship forged in fire and the tantalising possibility of a life with mysterious rebel Jin. If they can make it out of the war for Miraji alive, and bring a new dawn to an old desert.

Rich, exciting and enthralling, Traitor to the Throne – the second book in what is rapidly becoming one of current UKYA’s most dramatic and action-packed fantasy series – is a commendable follow-up to last year’s Rebel of the Sands. This brisk but immersive foray into the world of Miraji – where rough wild west meets mysterious desert sands and long-hidden magic abounds – sees heroine Amani once again elbow-deep in fighting for her freedom and that of her people.  Hectic, pacy and bursting with plot, it’s driven by sparky bravery, simmering revolution, outrageous treachery, daring rescues, thrilling escapes, surprise re-appearances, and more powerful magic than ever before, and I was gripped from start to finish.

Tough, courageous, reckless and not afraid to get her hands dirty, the badass Amani crowns a cast of ragtag rebels, menacing enemies and palace spies. Among my favourites were well-written newcomers Sam and Rahim, royal prince turned noble rebel Ahmed and returning warrior Shazad, whose acerbic skill and general ferocity have been joined by fantastic flashes of friendship and loyalty. Amani’s love interest Jin also returns, though Hamilton is forced to squeeze their romantic moments into the unlikeliest of narrative places – and of course there are tempestuous tiffs and tricky complications to consider. The secondary cast is overbusy and difficult to keep track of even with the help of a character list. Hamilton resists the temptation of the traditional book two love triangle, however, and I am absolutely intrigued to see how intense the finale may be after such a fizzing installment.

Ideal for fans of Rae Carson’s The Girl of Fire and Thorns, Roshani Chokshi’s The Star-Touched Queen and Kiersten White’s And I Darken, this undoubtedly feels like the middle book of a trilogy but is still full of twists (some I guessed and some I didn’t), and if you haven’t read Rebel of the Sands, it’s well worth doing so. In world-building that is efficient yet sweeping, Hamilton takes the opportunity to show more of the creations she’s spun, from Miraji’s neighbouring nations to the sumptuous and treacherous palace. Opening with a jump in time allows for the avoidance of some second book pitfalls, but sacrifices potential emotional power and resolution.

I would’ve liked more description in the prose as it’s become noticeably more punchy and dialogue-heavy, with, dare I say it, almost too many quips? The first half is basically a bunch of teenagers trying to take over the desert armed only with sarcasm and quick comebacks, which while awesome, doesn’t make for the most substantial of reading experiences. Occasionally the series’ wild west element is forgotten amid the unquestionable glitz and glam of magic, but then that magic is beguiling – and if anything, it leaves the reader longing for more. Particularly pleasing is the weaving of folk-tales and myth-style storytelling into the high-stakes, highly entertaining plot.

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One of the best UKYA fantasy fiction offerings of recent years, Alwyn Hamilton’s tales of rebellion and magic, though not flawless, are pacy and full of action. Dramatic, exciting and unputdownable. I really enjoyed this one.

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Following Ophelia by Sophia Bennett // contemporary queen proves a dab hand at art-inspired historical fiction

Today on the blog, I take a look at Sophia Bennett’s latest! (what do you mean I haven’t reviewed Love Song yet I AM TOTALLY ON TOP OF MY REVIEW SCHEDULE).

33256865Author(s): Sophia Bennett
Publisher:
 Stripes
Publication date: 9 March 2017
Category: YA
Genre(s): historical fiction
Series or standalone?: series (#1)
Source: I received a NetGalley copy of this book in exchange for an honest review.
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London, 1857. Young scullery maid Mary Adams has swapped her old-fashioned Kent village for the grandeur – and grime – of Victorian London.

But it’s only when she sees John Everett Millais’ depiction of the tragic Ophelia that this new world opens up for her. Caught in the irresistible circles of the Pre-Raphaelite Brotherhood, where passionate young painters break the rules of art, dress, and society, she finds herself drawn to a host of new friends and heart-pounding capers. To survive in London’s high society, she reinvents herself as Persephone Lavelle, but even as rumours abound about the mysterious new face of London’s exciting art scene, she will learn that keeping secrets in the glamourous city is not as easy as it seems. And if she must choose, what will she sacrifice for who she wishes to be – and be with? 

Known for her chatty, ultra-modern YA – from fabulous teen fashion début Threads to brilliant bastion of boyband lit Love Song – Sophia Bennett’s first foray into historical fiction is pleasantly accomplished. Colourful, descriptive and neat, her prose here perhaps lacks the laugh-out-loud, natural feel of her contemporary work, but displays a remarkable shift to suit the genre.

This is accessible teen historical fiction for fans of Catherine Johnson, Julia Golding and Jacqueline Wilson. In fact, I couldn’t help feeling as I read that this book was everything I would’ve liked, but never quite obtained, from a Jacqueline Wilson historical if hers were not so simplistically or formulaically aimed at younger audiences: there is a richness, a patience, a stylistic satisfaction to Following Ophelia that simultaneously makes the novel engaging and refuses to underestimate readers. Bennett takes some fairly familiar ingredients (young maid, Victorian London, a well-to-do family, a secret world where class lines blur, a possible romance) and spins a story with just enough pluck to keep you reading.

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Mary Adams has one foot in the busy drudgery of life as a scullery maid and another in the tantalising escape of Pre-Raphaelitism, where rash and gifted painters are enraptured by her red hair and pale face, seeing her not as a changeling or curse but as a potential muse for great works. Finding herself drawn to talented young artist Felix, they embark on Hades and Persephone: the painting that will win him renown and free her from servitude. Mary’s secret life as Persephone sees her in cahoots with the vivacious Kitty and her scandalous brother Roly (“the most dangerous man in London”), while her everyday existence is brought down to earth with a bump by the seemingly antagonistic Annie, mysterious acquaintance Eddie, and the plight of her cousin Harriet. As the stakes get higher Bennett brilliantly takes the opportunity to explore issues involving agency, class, sexism, and lack of education. A particularly interesting look at the relationship between artist and model makes for a book which has its themes woven superlatively between escapades.

The book’s premise caught my eye because of the art, and it held my attention because of it. The discovery of the Pre-Raphaelite movement turns Mary’s narrative to glorious technicolour, and brings out the shine in Bennett’s prose. It may occasionally feel as if everything is a little too beautiful, but with entertaining cameos from some famous artistic figures – Hunt, Rossetti, Millais – and glittering insight into London’s high society, readers will be swept away by an eventful plot which cleverly segues from grimy servants’ quarters for glamourous parties sometimes within the space of a single chapter. Solidly, though not exceptionally, researched, the book glosses over some darker issues of Victorian Britain but has moments of real skill and has sequels in the pipeline, making it both an enjoyable read and a worthy recommendation for 11-14s.

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Remarkably accomplished, eventful and enjoyable historical fiction with an interesting cast and some deliciously vivid description. I’m particularly excited to learn that this is the first in a series.

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All About Mia by Lisa Williamson // second book syndrome? Not a chance

I finally got to read All About Mia by Lisa Williamson! (What? I have a very busy TBR). I’ve now read five of my most anticipated reads of the year (and about to start a sixth), which I am totally pleased with. Anyway, on with the review!

326157251Author(s): Lisa Williamson
Publisher:
 David Fickling Books
Publication date: 2 February 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: purchased
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One family. Three sisters.

Grace is the oldest and a straight-A student. Audrey is the youngest, a future Olympic swimming champion. And Mia? Mia is the the mess in the middle.

Mia is wild and daring, great with hair and selfies, and probably more popular than both her sisters put together – though these are not attributes appreciated by her parents or teachers. When Grace makes a shock announcement, Mia is almost relieved: finally someone else will bear the brunt of her parents’ high expectations and constant nagging. But instead, it’s Mia whose life spirals out of control – boozing, boys and bad behaviour – and who might put at risk the very things she loves the most.

From the author of one of 2015’s breakout débuts – The Art of Being Normal, a contemporary which won critical acclaim, garnered serious award credentials and swept many into the clamour of a new UKYA favourite – comes one of my most anticipated reads of 2017: Lisa Williamson’s rambunctious, remarkable second novel, All About Mia.

I loved the premise of this book. It’s just the kind of chunky, get-stuck-into-it contemporary UKYA I’ve been looking for. It has such a strong, big-hearted feel: it’s down-to-earth, chaotic, candid and entertaining. I think ‘realistic’ is a very overused word when it comes to YA, but if interesting characters, believable struggles and strong writing count, then All About Mia fits the bill.

Sixteen-year-old Mia Campbell-Richardson is sandwiched between Cambridge-bound Grace (‘Mother Teresa in a blazer’) and future Olympic swimmer Audrey (occasionally known as Nemo). Mia, however, isn’t academic or sporty, doesn’t have any kooky hobbies, and hasn’t got a clue what she wants to do with her life. She may be a selfie queen and the undisputed leader of her friends, but inside she feels constantly shown up by her high-achieving siblings. Where Grace and Audrey excel, Mia fails spectacularly; where her parents plaster her sisters’ successes all over the walls, Mia gets a handful of embarrassing photographs and constant reminders of the trouble she’s caused. When straight-A student Grace comes home early from her gap year and drops a bombshell, Mia hopes that her now-not-so-perfect sister will get the comeuppance she deserves – the kind of reprimand she’s been used to for years. But her parents’ ire is conspicuously absent, and what’s worse, Mia finds herself on a downward spiral that can mean only one thing: trouble.

This character-driven novel is at turns fun, frank and vivid. With their parents finally about to marry after a twenty-year engagement, Grace’s life turning upside down (and boyfriend Sam taking up what little space there is left in the house), Audrey adapting to strict training under a new coach and Mia muddling her way through one disaster after another, you could say that the Campbell-Richardson household is a little bit busy. These core characters are vibrant, flawed and brilliant, and I’d definitely read a spin-off about Audrey.

Messy, mouthy Mia is a force to be reckoned with. Resigned to being the family disappointment, her struggle to be seen in the shadow of her overachieving sisters is written in a deeply empathetic way. Williamson doesn’t underestimate her audience, either: it’s the reader who will notice first that Mia’s behaviour is immature and attention-seeking, but also the reader who will first empathise with her. Shallow and impulsive, she does some unlikeable things, but particularly in the early half of the book, her heart’s on every page. I loved some of the little details: her passion, her intelligence, Miss Linden’s belief in and kind words for her making all the difference.

In a move which should please YA fans looking for reads without a romance-orientated plot, Mia doesn’t have a love interest. However, this ploy is perhaps taken a little too literally as all of Mia’s romantic and physical experiences are unhealthy and the book is far more sex-negative than sex-positive. Secondary relationships for Mia’s loved-up parents and sister Grace with boyfriend Sam bring a touch of warmth and buoyance – though as we see both through Mia’s cringing perspective one can’t help but feel there’s a bit of ‘ick’ to them!

Unfortunately, the friendships which appear in Mia’s life needed more depth. Authors like Sara Barnard and Holly Bourne have set the bar high when it comes to friendship in recent YA, creating resonant, genuine platonic relationships between their prose teenagers, and what’s more, pointing out that many YA friendships which have come before have been cursory at best. The first half of the book is engaging and often hilarious but the second half is weighed down by unnecessary plot points and scenes which drag before a dramatic and satisfying climax finally breaks through and the book gets back on track. All About Mia shines brightest when the tight-knit, loving, ever-so-slightly dysfunctional Campbell-Richardsons take centre stage.

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Messy, outrageous, vivid and engaging, All About Mia boasts a brilliant premise and some great flashes of humour. A solid cast and a satisfying style are marred only by a few duff or unnecessary turns of plot. A blistering and lively contemporary standalone ideal for fans of Trouble by Non Pratt, All of the Above by Juno Dawson or Lobsters by Tom Ellen and Lucy Ivison.

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a pair of reviews // even more magical realism

22317526Author(s): Cathryn Constable
Publisher:
 Chicken House Books
Publication date: 5 January 2017
Category: children’s
Genre(s): magical realism
Series or standalone?: standalone
Source: ARC
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When Livy is accepted at Temple College – a school for the very brightest, and the oldest in London – no one is more surprised than she is. Though she’s always felt different, she doesn’t seem to quite fit in at Temple College, either.

Recently, Livy has become more and more drawn to the roof of the school, climbing fearlessly among its towering stone angels, where she can be alone, and has the strangest desire to fly. But her behaviour has been noticed by others, for whom the ability to defy gravity is magic which could be a possible reality… and involves a secret they’ll do anything to discover.

Five years after the release of her much-lauded children’s fiction début The Wolf Princess, Cathryn Constable follows up with a novel full of things to like: mysterious adventures, crumbling but atmospheric old buildings, hints of potions, concoctions and alchemy, tantalising tendrils of magic. Plain, uncomplicated prose accommodates moments of wonder and almost lyrical description – and perhaps could have accommodated a little more of it – in a story which unfolds like the ripple of billowing fabric in the wind.

Thrust into a school where stone Sentinels perch on the roof and the history of its founder seems to lurk wherever she goes, Livy is struggling to fit in and deal with the loss of her childhood best friend. The timelessness of traditional school stories, embodied here by the centuries-old Temple College with its stiff uniforms, stained glass windows and soaring towers, is tempered by the occasional nod to modernity and, more successfully, the presence of Livy’s family, especially little brother Tom. Constable’s skill works best when displaying Livy’s explorations, Tom’s boundless energy and one of the mysterious relics of Temple College’s eerie past.

Constable tackles some fairly serious themes in the book, but unfortunately there’s not quite enough time spent on the most pressing of them to say they’ve been adequately explored. As ever with novels aimed solidly in the middle of the children’s fiction section, the characters aren’t exactly realistic (including the secondary cast of children themselves), but then that’s not the point. I’d recommend Katherine Rundell’s Rooftoppers more readily, but there are plenty of discoveries, secrets and flights of fancy to fill the adventure.

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Fans of Katherine Rundell’s Rooftoppers and Kiran Millwood Hargrave’s The Girl of Ink and Stars will find atmospheric though not ground-breaking fare with Cathryn Constable’s The White Tower. Straightforward and, at its best, suitably elegant. 

33782743Author(s): Nigel McDowell
Publisher:
 Hot Key Books
Publication date: 9 March 2017
Category: children’s
Genre(s): magical realism, historical fiction
Series or standalone?: standalone
Source: ARC
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Luke Mountfathom is the son of Lord and Lady Mountfathom, keepers of a great House where the wrong door could take you to a far away land and strange animals appear to stalk the grounds at midnight. The house is his home – but it is also the headquarters of the Driochta, a magic-weaving group of poets, artists, politicians and activists charged with keeping the peace across the land. They have many powers – have mastered Mirror-Predicting and Smoke-Summoning and Storm-Breaching – and a final ability: that of Mogrifying; taking on a unique animal form.

But Luke’s idyllic existence at Mountfathom appears in danger. Word reaches them of a people with a wish for independence, a rising discontent and scenes of violence that even the Driochta cannot control. But what seems like a  quest for freedom involves a greater darkness than the rebels can know – and it draws Luke’s irretrievably into the fight. And when things quickly spin out of control for the Driochta, it is up to Luke, his cat Morrigan and his best friend Killian to worm out the heart of the evil in their land. 

For fans of Debi Gliori, Dave Rudden and Moira Fowley-Doyle, The House of Mountfathom is as eclectic as such a multifarious description would suggest: its melting pot of magical realism, historical fiction and action adventure is close to boiling over, it’s so stuffed. It’s got spells, shapeshifters, soldiers, servants, poets, priceless treasures, tradition, rebellion, wallpaper that comes alive, orchards, inexplicable powers, political tensions, class struggle, and room upon room of strange and wondrous workings. All that’s missing is the kitchen sink, and even then I’m sure Mountfathom has one somewhere.

The novel is populated by a vast array of characters, naturally named things like Findlater and Vane-Temple, theirs is an eccentricity in keeping with the most bizarre elements of the world concocted around them. The book never lingers too long on any of them which leaves some a little flat – the most interesting, like Lord and Lady Mountfathom, seem like they have oodles more to add than Luke’s viewpoint allows for. By far the most striking feature of the book, however, is the writing style. Its distinctive, choppy prose is forceful but evocative: jewel-like visuals and precise metaphors lurk in lopped off sentences and juddering lists. This may wear a little thin after fifty pages or so and a rather confusing narrative will occasionally not so much challenge readers as baffle them – more focused description and fewer jumpy paragraphs would give the storytelling a necessary steadying – but the story is strong.

The addition of historical fiction has some mixed results: on the one hand it’s a unique and bold decision, but on the other it can be a little jarring when the transition doesn’t quite work. However, this unusually complex pursuit of the genre – for example the fact that the Mountfathoms are aristocracy occupying a complicated position in historical events – is emblematic of an ability, aided by flashes of humour and lightning-quick points of reference, to appeal to an audience of children and adults alike.

The final novel by late writer Nigel McDowell, The House of Mountfathom’s shines best in its playful use of magic and wonder. It deploys magic spells and creations with reckless abandon. The impossible lopes about the House and its rolling grounds with the self-assured freedom of pure childlike imagination. There are streaks of dark to the book’s villains and themes, but it’s the fantastic and strange that the young fan will re-read this book for.

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An inventive and sometimes dark caper told in playful, idiosyncratic language, The House of Mountfathom is a vivid children’s novel, overflowing with magic and the fantastic. Pacy and chaotic, its meld of magical-realism-historical-adventure can seem a little overbusy, but has moments of real punch. 

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Mafiosa by Catherine Doyle // a fitting finale for a tale of feuds, fisticuffs and forbidden love

Author: Catherine Doyle25059637
Publisher:
 Chicken House
Publication date: 5 January 2017
Category: YA
Genre(s): contemporary, crime
Series or standalone?: series (#3)
Source: I received a copy of this book in exchange for an honest review.
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A dangerous feud rages on the streets of Chicago.

Protected by an infamous mafia family, Sophie is living a lie, pretending to lead a normal life while shadowed by the threat of violence and retribution. But the deceit can’t last for ever. Her heart belongs to someone she can’t have and her past makes her the prime target of a rival family. Dragged into the criminal underworld, there’s a part of her that wants revenge, but is she willing to pay the price – can she really be a mafiosa?

The highly anticipated conclusion to Catherine Doyle’s Blood for Blood series comes complete with a gorgeous cover, an action-packed plot and plenty of drama. Caught in a blood war she never asked for, Sophie finds herself trapped in a bitter rivalry with deadly consequences. Betrayal can come from unexpected places, and she must be on her guard if she wants to last long in the brutal criminal world which has claimed her as its own. After the shocking events of Vendetta and Inferno, the stakes for Sophie are higher and riskier than ever.

Dark, edgy and sensational, the is a finale readers will love. It’s pacy, full of plot and even throws up some last-minute shocks and surprises. The twists – one of which I did guess way back during book two – really keep you reading and I sped through it. This is contemporary-crime-romance-thriller all rolled into one: it’s got a touch of Gabrielle Zevin’s ice-cool All These Things I’ve Done and a shade of V.E. Schwab’s bloodthirsty This Savage Song,  but there really is nothing else like it on the UKYA shelf. I’d recommend a trigger or content warning for this finale as the violent Falcone-Marino blood feud threatens to lay waste to Chicago’s innocent and guilty alike, but if you have the stomach for it, the pacing and tension are undoubtedly gripping.

The Falcone boys are back, of course, and with a rival Mafia clan baying for blood, tensions are high in the household. All five of them get ample time on the page, but their family obligations are never far away. Nic sees Sophie as the mafiosa she could be: ruthless, furious, out for vengeance. Luca longs for a life free of feuds and bloodshed, where he and Sophie might stand a chance at a future. There is crowd-pleasing forbidden romance here and there’s a particular scene of stargazing fans are sure to lap up, though in a series which takes realism with a pinch of salt from the outset, it’s occasionally a little stylised. It’s in the pursuit of clearer character that Doyle really makes her mark; in these moments of clarity – whether it’s with poetry, one-on-one conversation, much-needed light relief, realizations of what characters are or are not capable of – improvements in writing style show.

The breakout star of Mafiosa for me, however, was Sophie’s light-hearted, deeply loyal best friend Millie. It’s been said that Blood for Blood would make for ideal Netflix Original series material, and I have to agree – it’s thrilling, dramatic, and super stylish – but the friendship between Millie and Sophie may be my favourite part of Mafiosa. After two books where their friendship was prominent but sometimes flat, it finally, feels natural: their dialogue is funny, silly and serious, their bond warm and strong, their love story in some ways more important than any other in the trilogy.

And the ending? Oh wow, the ending. It is a fitting finale. This is a spoiler-free zone, but I will say it’s the kind that will have you glancing at the dwindling page count, wondering how on earth Doyle’s going to get the characters out of this one…

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Dark, dangerous and twisted, there’s a sense of fervour to Catherine Doyle’s Mafiosa: full of ferocious feuds, fistfights, masquerade balls, murder, chases, poetry, sweeping romance, murder, inauspiciously interrupted kisses, climactic showdowns and more murder, this finale brings to a dramatic end one of the most unusual series in recent YA.  I’m intrigued to see what Doyle writes next. 

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