The Paper Alchemist does Pop Culture // Doctor Who series 10 episode 1 review

Today’s blog post is something different – a chance to indulge in my Doctor Who fandom! I don’t know if I’ll review the rest of the series, but it’s been so fun to write tumblr_oogw7angze1qf5tr5o1_500this one. 

It’s that time again: The Doctor has a new companion, a theme tune you could recreate with only the contents of a slightly dodgy dishwasher is ringing out and the BBC’s Saturday evenings are full of aliens once more. Peter Capaldi’s hair, accidentally suffused with several years’ worth of timestream ether, has exploded by at least 238%, and his Doctor seems to have softened around the edges, too: gone is the harsh, gloomy turn which appeared in much of his previous series’ self-recrimination, replaced by a kindlier, more eccentric figure. He’s just as prone to sudden leaps and occasional melancholy but perhaps willing to engage in a little more silliness and gusto. A poignant moment comes when he uses time travel to provide an emotional Bill (Pearl Mackie) with pictures of the mother she lost. He and Mackie bounce terrifically off each other – and it is Mackie who really shines here.

A rather rudimentary plot in which the Doctor and Bill are essentially chased across the universe by a semi-sentient puddle is mere scaffolding, an excuse to give this new acquaintance a chatty introduction. When it comes to companions, modern Who always works best when taking the ordinary and putting them into the extraordinary. Jenna Coleman’s plucky, much-maligned Clara suffered because no-one could decide what she was supposed to be, the promising Impossible Girl concept which saw her as everything from feisty governess to cheeky schoolteacher losing momentum as explanations became convoluted or individuality was sidelined in favour of perfunctory dialogue and exposition. As it stands, Moffat has taken what must seem like the only logical step and tried to forget any of it ever happened, but for fans the memories remain strong.

Thus Mackie’s Bill is less a breath of fresh air and more a bracing lungful, like being pushed out of a sauna into the Finnish snow in the nip. Inquisitive, gobby and wide-eyed, Bill isn’t afraid to ask the hard questions (“It’s like a… kitchen! A really posh kitchen. What happened with the doors though, did you run out of money?”) or ogle a bit when she finds herself in a time-travelling policebox helmed by a man with a penchant for extravagant outerwear. The message is clear: Bill is like us, only funnier.

Some lush camerawork and cinematography wraps an adventure in which The Doctor and Bill brave university essays, mysterious baths and unwitting villain Heather (Stephanie Hyam), who was looking a bit Jack at the end of Titanic (THERE WAS ROOM ON THE DOOR) after being thoroughly soaked by an alien oil slick. As they took refuge in a conveniently placed TARDIS (“The assembled hordes of Genghis Khan couldn’t get through that door, and believe me, they’ve tried,” remarked Christopher Eccleston’s Doctor in Rose, followed promptly by a more brusque “Now shut up a minute”), Bill alternated between deadpan and brassy, deftly played by Mackie when the Doctor couldn’t seem to understand her working-class origins and inability to enrol at St. Luke’s. Throw in such mainstays as jabbing buttons, running, unnecessary Daleks, a fairly constrained timeslot, and more running, and series ten announced itself with the kind of oomph some Who fans haven’t seen in years.

For long-time Whovians there were Easter eggs a-plenty, from nods to twenty-first century companions Clara (mind-wipes and familiar music) and Rose (chips, even Bill’s general bolshiness) to classic Who throwbacks including a glimpse at some disco-meets-Masterchef  white-clad Movellans and perhaps most interestingly, several weighty glances at a framed photograph of the Doctor’s granddaughter Susan, alongside another of River Song (archaeologist, wanted criminal, escape artist, the Doctor’s sometime-wife, and general badass). Despite occasional references – David Tennant’s “Donna, I’ve been a father before” after coming face-to-face with Jenny in The Doctor’s Daughter among the most heart-wrenching – to a past family life, The Susan Question has been rarely addressed in modern Who, and it’s one I’d love to see explored and finally answered. Capaldi, who is set to take his leave at the end of the current series, certainly has the grit and gravitas to pull off the look of a man confronting questions of family and loss. Could there even be more to it? Could Susan have more of a story to tell?

Small details and key teasers for the rest of the series litter the episode. The Doctor’s magnificently decorated office and university professorship should feature again as he protects a suspiciously alien-looking vault beneath the university, while Nardole’s continued presence seems like something of a misguided afterthought unless there are bigger plans in store. Bill joins River, Captain Jack Harkness, Madam Vastra and Jenny (not Jenny the Doctor’s clone-daughter, but a sword-wielding Victorian ladies’ maid who has a bit of a thing for lizard women from the dawn of time) and even Clara (who definitely had a fling with Jane Austen) as well as Class leads’ Charlie and Matteusz in the pantheon of canonically LGBTQ+ Who characters. The Doctor muses that she may see one-time crush Heather again with all of time and space at their disposal, but I’d rather see the rest of the series explore a more substantive relationship for her.

tumblr_oogp1utje31u4r6fqo7_500

For an episode that was somewhat light on actual plot ‘The Pilot’ packed quite a lot in. It even managed to gently poke fun at itself – whether in Bill’s “I know you’re not exactly a sci-fi person,” or her questioning of the usual TARDIS explanation: “It’s hidden itself as a box with ‘pull to enter’ on the front?” There were sparks of liveliness and awesome in this series opener that I didn’t expect. I hope it’s a sign Who will continue to deliver.

nametag2-fw

Hold Back The Stars by Katie Khan // striking sci-fi splices space and society

26804769Author: Katie Khan
Publisher: Doubleday
Publication date: 26th January 2017
Category: crossover, adult
Genre(s): science fiction
Series or standalone?: standalone
Source: won
Find on Goodreads and The Book Depository

In whose name? 
Not God, not king, or country.
In whose name?
My own.

Adrift in space with ninety minutes of air left and nothing to hold on to but each other, Carys and Max are fighting for their lives.

Their shuttle is damaged and Earth looms far below them. They can’t help but look back at the well-ordered  world they left behind – at the rules they couldn’t reconcile themselves to, and the life to which they might now never return. But in a society where love is banned, what happens when you find it? And when the odds are stacked against you, what do you do to survive? 

A simple premise, straightforward prose and a striking plot shape this remarkably confident début. It sees two fairly familiar stories entwined – one in space, the other earthbound – in a page-turning, engrossing read which slowly reveals how heroes Max and Carys go from aspiring chef and scientifically-orientated pilot to astronauts trapped in the vacuum of space. It’s smart, stylish and memorable, with a plenty of tension, conversation and even a few surprising twists. It’s a fast, pacy read, and I was so gripped I read it in one sitting.

Carys and Max’s Earth is a world in which the problems of the past are being solved by a new way of life: one where everyone spends time in each other’s countries, where languages are picked up like clockwork, and where the only loyalty is to oneself. This distinctive world-building makes for a strong backdrop to the exploration of the line – which sometimes turns surreptitiously sinister – between utopia and dystopia. At turns chilling, vibrant, unsettling and effective, Khan takes time to create a feasible utopia while simultaneously illustrating its flaws and the ultimate inability of the system to fit everyone. Max was raised with the ideals of Europia, which have brought peace, prosperity and understanding to a war-torn world. Carys is more skeptical, scornful of believers who send their children away and condemn them to years of loneliness on Rotation through different Voivodes. But neither wish to tip the balance that has made their world a better place – until they find each other.

Here’s where the book’s cover copy gets a little misleading. Love isn’t banned (this isn’t Delirium) but long-term relationships have become obsolete in a system which obliges citizens to move to randomly-assigned cities every three years (at least in those under 35, when they are permitted to choose a partner and have children). Unfortunately for a novel so pinned on a relationship, I wasn’t swayed by the romance. There’s an effort, however, to avoid the pitfalls of “the fate of this system depends on these two specific youths being definitely, completely unable to be together for REASONS!” trope, and they are interesting, compelling characters.

Then there’s the minor complication of Max and Carys spending much of the book FREEFALLING WILDLY AWAY FROM THEIR SPACESHIP. IN SPACE. The planet is surrounded by a recently-arrived, apparently-impassable asteroid field, and Europia wants to know how to navigate it. Fast-tracked to the space program and losing signal with on-board computer Osric, Max and Carys are going to have to rescue themselves. It’s a high-stakes concept and I couldn’t wait to see them aboard Laertes. 

Except we never get to see them aboard Laertes. There are almost no scenes set on the shuttle! There are mentions of experiments, a greenhouse and Carys’ flying skills, but the book never once lets the reader see what they’re ACTUALLY DOING in space in the first place. It builds up to their journey and just skips right by it. Imagine listening to a great song only for it end before the rousing chorus. Or buying an ice cream and getting an empty cone! It leaves out potentially the best part! Anyway, I WAS TOLD THERE WOULD BE SPACESHIPS AND THEIR ABSENCE IS DISAPPOINTING.

As a portrait of societies and human psychology, Hold Back the Stars frequently delivers. Max’s relationship with his parents is strained, while Carys is much closer to her mother Gwen. Many third-generation Europians have stopped investing in meaningful relationships altogether, overcome by the endless series of leavings, monotonous contribution and the isolation of being separated from family and any notion of lifelong friends. Secondary characters are each almost visibly confined and kept at arm’s length in a system which above all values the transient individual.

The downside to this characterisation is, however, that some seem flat, and if the book is occasionally thin on narrative richness, it can be traced to the base calculation of the novel: a cinematic efficiency in which the simplest of plots can be shaped to yield the highest impact result. I would’ve liked to see some character and world details more richly fleshed out. Older fans of Lauren James’ The Last Beginning and Malorie Blackman’s Chasing the Stars will find some things to like, but I still prefer Becky Chambers’ brilliant The Long Way to a Small Angry Planet. 

Of course, there are plot holes. Why do two characters walk into a grand hall to discuss their love lives and walk out in charge of a space shuttle? Who thought this was a good idea? If Carys is such a skilled pilot, why don’t we get to see her being a pilot for more than ten seconds? Why can different languages exist but not associated cultures? Did anything aside from impromptu Shakespeare readings happen on Laertes? Will I ever read more than two sci-fi books in a year where the romance is actually consistently romantic? Why is this book being marketed as YA when its characters and content are clearly adult fiction? WHO EVEN KNOWS.

3hstars-fw

Page-turning, striking and atmospheric, Hold Back the Stars is snappy sci-fi which is as much about a society as it is about a relationship. In some ways I would’ve liked more from it – more romance, more developed characters, more spaceships, more detail – but it’s still an engrossing read.

nametag2-fw

DECK THE HALLS WITH BELLS OF HOLLY (BOURNE): books to give as Christmas gifts this year

We all know the drill: it’s getting closer to Christmas, and you’re wondering if you can swap out the traditional novelty mug and socks for something a little more…conducive to your their book addiction. Or maybe you’re still doing the bookworm’s good work in trying to convince friends and family of the wonders of books in the first place (moment of silence for all those still struggling with this quest). Or maybe you don’t celebrate but just want an excuse to peruse the shelves for hours give birthday or seasonal presents anyway. But what to choose?! To shed some light on the matter, I thought I’d take you through some YA and kidlit perfect for that hard-to-please reader in your life…(even if it’s yourself)

giphy-2

THE CONTEMPORARY CONTINGENT

Am I Normal Yet? by Holly Bourne: I figured we should just get this out of the way first since it’s one of my favourite books to recommend and it’s kind of amazing. Heartfelt, raw and real, it’s the opening book in a trilogy about teens Evie, Lottie and Amber as they tackle friendship, feminism, and feeling less alone in the world. Focused on Evie, this book is also a great introduction to some of the best handling of mental health YA has to offer. It’s not always an easy read, but it’s chatty, accessible and honest. Fabulous.

Love Song by Sophia Bennett: Love Song is warm, feel-good and so well-written. It’s about unexpected allegiances, fractured friendships, new experiences, good food, great songs and of course, a boyband. (If you’re not aware of the #boybandlit phenomenon, check out this post for all the details). i don’t even have the words to describe how fantastic it is, only that it’s one of Sophia Bennett’s best books. It’s full of drama, gorgeously tender moments (I personally love the scene where Jamie sings to heroine Nina’s sister Ariel) and, of course, music.

London Belongs to Us by Sarra Manning: this is a book I’ll be giving as a gift this year, because it is brilliant. Fun, fresh, fast and full of joy, it’s a dizzying whirlwind of a book, pulling you in from start to finish. You can read my full (and much more eloquent) review here for more on its fierce female characters, grumpy French boys and glorious sense of humour.

26177619.jpg

SCI-FI THAT’S NOT STAR WARS

The Long Way to a Small Angry Planet by Becky Chambers: adult fiction! OH MY BLOG?! A rare sight indeed. But then The Long Way to A Small Angry Planet is exceptional in many ways: a refreshing, episodic, detailed, diverse, non-dystopian space opera, it is sci-fi filled with colourful characters, rich cultures, thematic exploration and of course the occasional raising of stakes. Perfect for fans of The Hitchhiker’s Guide to the Galaxy, with a little more drama thrown in. Another one I’ll be giving as a gift this Christmas.

The Last Beginning by Lauren James: Time travel! Starcrossed romance! Knitting! This is the story of Clove, a teenager investigating the sudden disappearance of two scientists, Katherine Finchley and Matt Galloway sixteen years before. There are multiple timelines, cool secondary characters in the shape of ex-hacker Tom and snarky computer Spart, and epistolary additions like letters, emails, extracts, doodles, transcripts and powerpoints which keep book both visual and interesting. Although it is a sequel so you should probably pick up its predecessor The Next Together as well. (You can read my reviews for both books here.)

These Broken Stars by Amie Kaufman and Meagan Spooner: you know the upcoming Jennifer Lawrence/Chris Pratt movie, Passengers? This is a little bit like that, except YA got it first and oh, the luxury spaceliner in question has just crashlanded from hyperspace onto a nearby planet. Apparently alone, teenagers Lilac – wealthy, privileged, whip-smart – and Tarver – a cynical war hero who came from nothing and, when Icarus crashes, apparently still has nothing – must rely on each other for their very survival. It’s alternately narrated, has an epic romance, and is just generally FULL of feels.

24550848.jpg

FIERCE HIGH FANTASY

The Star-Touched Queen by Roshani Chokshi: a lush, lyrical take on mythology and royalty, The Star-Touched Queen is fantasy of a slower kind. It dials things down a notch when it comes to pace and plot, but if you’re looking for world-building and a game of choice and chance that becomes steadily deadlier, then this diverse NYT bestseller may be for you.

A Darker Shade of Magic by V.E. Schwab: another technically-adult book, this is classy, classic fantasy, full of magical Londons and many-sided coats. Cut-throat almost-pirate Lila Bard steals something dangerous from Kell, brother of the prince of Red London, without realizing he’s an Antari – someone born with the ability to travel between worlds otherwise cut off from each other. Throw in waiting enemies, treacherous deceptions and poisoned power, and it’s a rich, compact opener to a trilogy.

Throne of Glass by Sarah J. Maas: Throne of Glass is the ULTIMATE high fantasy series in recent YA. If you (or the person you’re buying for) love vast, sprawling sagas with thrilling quests, deadly secrets and just a dash of magic, and you haven’t read it yet, then you need to get on that STAT. Now’s the perfect time to get started, too, as the final book in the series releases next year (though I’m going to include the cover for the third book here because it’s fab).

25203675

and finally: FICTION FOR THOSE PESKY KIDS

Winter Magic edited by Abi Elphinstone: a more recent release, this is a short story collection featuring contributions from award-winning children’s authors like Emma Carroll, Michelle Magorian, Piers Torday, Lauren St. John and Katherine Woodfine. And it it’s a book with a Christmassy winter theme! Its varied, vivid stories should have something for everyone and would make a great gift for eager young readers this year.

Rooftoppers by Katherine Rundell: elegant, extraordinary and full of adventure, Rooftoppers is already being considered a classic of children’s literature, and it was only released three years ago. If you haven’t read it yet, then I urge you to pick this one up, as it’s such a great book. It sees heroine Sophie escape to Paris as she searches for her long-lost mother with only the information contained on the cello case she was found in as a baby to go on, and recounts her acquaintance with the rooftoppers, street urchins who live beneath the night sky. There’s a magical quality to the book even though it isn’t strictly magical, and Rundell’s prose has moments of pure brilliance.

Never Evers by Tom Ellen and Lucy Ivison: ideal for readers nearing YA but with one foot still in middle grade fiction, this is a tale of early teen chaos and bashful charm. Never Evers has all the drama and disaster of classic light-hearted teen fiction – think Louise Rennison or Karen McCombie – with the added pandemonium of a school trip and ski slopes. It’s a landslide (or should that be avalanche?) of shenanigans: snow sport disasters, failed flirtations, new friendships, hidden ballet, igloo building, French popstars… oh, and the smuggling of a live hamster across several international borders. It’s mayhem, misunderstandings and mischief – and full of snow, too!

17350491

So there you have it: your guide to YA and children’s books ideal for gift-giving this Christmas! (Or just for treating yourself). What’s the best book you’ve ever been given – or the worst?! Are your favourites among these recommendations?

NameTag2.fw

The Last Beginning by Lauren James // even more wibbly-wobbly timey-wimey stuff

Author: La24550848uren James
Publisher: Walker Books
Publication date: 6 October 2016
Category: YA
Genre: contemporary, sci-fi, historical fiction, time travel (…it’s, er, complicated)
Series or standalone?: duology (#2)
Source: I received a copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

The epic sequel to Lauren James’ enthralling début about love, destiny and time travel.

Sixteen years ago, after a scandal that rocked – and saved – the world, Kate Finchley and Matt Galloway  vanished without a trace. 

Stumbling upon their story, and wondering what it has to do with hers, in the present day, teenager Clove Sutcliffe is determined to find out what happened to them. But where do you start looking for a couple who seem to have been reincarnated at every key moment in history? Who were Kate and Matt? Why were they born again and again? And who is the mystery girl who keeps appearing at every turn in Clove’s investigation?

Lauren James’ The Last Beginning brings back much of what made her début novel The Next Together stand out: a multitude of timelines, a sci-fi twist on a star-crossed romance, and of course, more pieces of the puzzle in the story of Matthew Galloway and Katherine Finchley, who seem destined to be born again and again throughout history, changing the world – and losing each other – every time.  Unique, funny, chaotic and full of adventure, The Last Beginning picks up with a new heroine. A passionate knitter and whiz-kid programmer, Clove is smart, impetuous, hot-headed and prone to making slightly disastrous and immature decisions, but her heart’s (usually) in the right place.

9467279

#clove’s life philosophy, tbh

Clove longs to be the world’s first time traveller, and lucky for her, her scientist parents have been working on a time machine prototype at the University of St. Andrews in Scotland. A startling revelation, however, turns Clove’s life upside down, and sees her tackling time travel rather sooner than even she expected. Throw in multiple mysteries to solve, fugitives to track down and a prominent LGBTQ+ romance, and Clove, while not my favourite character in the book, certainly has her hands full in this plot-packed but surprisingly fast read.

My favourite character, of course, was Tom. This won’t come as a surprise to anyone who’s seen my over-the-top livetweeting but just in case, let me explain: Tom is Matthew’s hot ex-hacker brother. Sharp, dedicated, quick-witted, and essentially a total softie, for me he stole the show in the first book and does so even more here. He’s hotter and more noble than ever. Oh, and at one point he trades science for rebellion and a motorbike. The novel has a relatively small cast and not all are vividly drawn, but newcomers Jen and Ella are solid additions, while Clove’s exchanges with sassy, soap-opera-watching computer Spart are a strong source of humour in the book.

Like with The Next Together, the book features historical, contemporary and futuristic sequences, twined together in a dizzying array of twists and connections. New for this book is the use of alternate universes – timelines which have diverged completely from ones the reader has been introduced to – and the huge emphasis on sci-fi. There’s so much going on, in fact, that it’s a little too confusing. The Last Beginning is so focused on hitting the beats and going through the motions of plot that it forgets to let the story breathe. It doesn’t spend enough time on scenes that matter, which lessens any sense of emotional payoff. It occasionally feels like a mere guide for filling in the blanks of the first book, and even then there are plot holes and unrealistic reactions which weigh down the text. There’s a lot of tell over show and the need to get through scenes as quickly as possible sees many characters acting, well, out of character. They’re so caught up in time-travel and sci-fi that the reader doesn’t get to see them as they are, as they could be. I would’ve liked to have seen more of Clove, Tom and Jen before the reveal, or more of Clove after meeting Kate and Matt – so much happens between them, but the book almost reads like important moments have been left off the page.

There is plenty to like about the book, however, and while you’ll need to have read The Next Together to make sense of this one (you can read my very excited 4.5 star review here), the duology remains one of the most unique on the UKYA shelf. The return of visual, often entertaining epistolary additions like letters, emails, articles, extracts, doodles, transcripts and powerpoints is particularly brilliant. The complexities of time travel are more than just navigated, they’re embraced: this is a book which throws its arms around things like anomalies and paradoxes and says, look, if there’s one there may as well be a hundred. More than anything, Lauren James has displayed a tremendous talent for concept and a willingness to add an unexpected twist or three to a familiar premise. I can’t wait to see where she goes with her writing next.

4Stars.fw

Fans of Lauren James’ début will find a lot to like about this sequel: the return of much-loved characters, a multitude of timelines, a busy plot, great humour and a prominent romance make for a jam-packed semi-epistolary read. It’s not quite perfect and the narrative needed more space to breathe, but it’s an absolutely enjoyable time-travel page-turner.

NameTag2.fw

The Next Together by Lauren James // wibbly-wobbly timey-wimey stuff

The Next Together by Lauren James has been out for a whole year! To celebrate, I’m reposting my review from the first time around (and just in case you haven’t read the book yet).

(You can read the original post here. Minor edits have been made to this one for typos and sentence structure.)

23266378Author: Lauren James
Publisher: Walker Books
Publication date: 3 September 2015
Category: YA
Genre: contemporary, sci-fi, historical, time-travel (…it’s a bit complicated)
Series or standalone?: series (#1 of 2)
Source: I received a copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

How many times can you lose the person you love?

Katherine and Matthew are destined to be born again and again, century after century. Each time, their presence changes history for the better, and each time, they fall hopelessly in love, only to be tragically separated.  Spanning the Crimean War, the Siege of Carlisle and the near-future of 2019 and 2039 they find themselves sacrificing their lives to save the world. But why do they keep coming back? What else must they achieve before they can be left to live and love in peace?  Maybe the next together will be different…

Take a look at any bookshelf this year and you’ll come face to face with a treasure trove of cutting-edge contemporaries and lush high fantasies. Look a little further, however, and you’ll find one of the most original UKYA débuts in years winning fans from all sides in the run up to publication. That début is The Next Together, a dramatic and enthralling tale of romance and intrigue split across three centuries.

We first meet Katherine and Matthew in a laboratory in 2039. And in 1745 before the Siege of Carlisle. And again during the Crimean War in 1854. And, in my favourite storyline, through post-it notes, power-points, e-mails, texts, status updates, diary entries and Tumblr posts from their lives in 2019. In fact, letters, articles, postcards and maps bring a touch of magic to all three of these otherwise straightforward stories, tying them together as they brim over with love, tragedy and hope. Kate and Matt’s romance draws you in and has you racing to discover their destiny; I absolutely adored it.

Their story is a veritable melting pot of themes and storylines, all rounded off with a distinct, economical and shamelessly British writing style. It has everything you could wish for and more: time travel, unusual settings, memorable leads, history, science, humour, LGBTQ+ characters, star-crossed lovers. It even brings us characters in a positive long-term relationship, something I really want to see more of in YA. The Next Together has so much going on, in fact, it almost shouldn’t work – but it does. Somehow, this patchwork quilt of a novel pulls together into a warm, comforting story readers will want to return to time and again. It’s inventive, sweet and down-to-earth.

There’s a sense that feisty, exuberant Kate could easily crash from one embarrassing situation to the next, but she’s witty, brave and bashful, and I couldn’t help but fall for her. This book is full of unexpected humour, and Kate is at the heart of it. She doesn’t hold back and she will grow on you. Matthew is her long-suffering partner in crime, but behind that shy smile and messy hair is a courageous, honourable and above all, deeply good guy. He’s a breath of fresh air against a backdrop of brooding YA heroes; it won’t be long before you fall for him, too. I loved Matt’s laidback brother Tom, too, and of course Kate’s cool, chatty grandmothers Nancy and Flo. I almost wished the book had been longer so as to spend more time with them – with all of the leading characters, really. It works as a standalone, but fans will be thrilled to hear a sequel, The Last Beginning, releases in October 2016.

Hit-and-miss pacing is an issue for an already compact book, as its early pages dawdle and later scenes are rushed. Some plot problems are just too easy for our leads to figure out and there are definite plot holes. I’d hoped for more passion and emotion in the writing (probably because I’d just finished reading Crown of Midnight, which is basically the written equivalent of a hurricane) and it’s missing illustrative description, so while it’s easy to let historical discrepancies slide as creative licence, readers will have to work to conjure up scenery and visuals. The book’s minor characters are hastily sketched at best and it doesn’t escape the age-old problem of tell vs. show, either.

Yet even in this constantly shifting sea of storylines, The Next Together does an excellent job of keeping you on your toes. Even the finale raises more questions than it answers. There’s something refreshingly innocent and old-school about the way this book looks at the world, though it’s modern and engaging. The first half of the book is a slow burn, but it’s full of mystery and by the time Kate and Matt start unravelling the threads of the conspiracy around them, it’s all kicking off: fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles…

Okay, so only some of those things happen here. But I don’t quote The Princess Bride without good reason. If you’re looking for a début that packs a surprising amount of action into its pages, this book is for you. Lauren James writes such heartfelt leads, it’s impossible not to be swept up in the joy, and possibilities, of this storytelling universe.

4hstars-fw

This book is like gold dust. Deeply romantic, refreshingly real and wonderfully original, it’s a stellar début from a talented new voice in YA fiction. The Next Together will capture your heart and your imagination. Charming, ambitious and surprising, once you’re hooked, you won’t want to put it down. It’s gut-wrenching, heart-warming, near-perfect and very, very funny. I can’t wait to see what Lauren James has in store for us next.

NameTag2.fw