If Birds Fly Back by Carlie Sorosiak // summer contemporary fails to soar

34327163Author(s): Carlie Sorosiak
Publisher:
 Macmillan
Publication date: 29th June 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: I received a NetGalley copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Linny has been living life in black and white since her sister Grace ran away. When she witnesses the return of a cult writer and movie legend long presumed dead, she’s certain it’s a sign. Surely Álvaro Herrera can tell her why people come back – and how to bring her sister home?

Sebastian is in Miami seeking his father, a man whose name he’s only just learned. An aspiring astrophysicist, he can tell Linny how much plutonium weighs and how likely she is to be struck by a meteorite. But none of the theories he knows are enough to answer his questions about why his father abandoned him. 

As Sebastian and Linny converge around the mystery of Álvaro’s disappearance and return, their live turn to technicolour – but finding the answers to their questions might mean risking everything that matters.

If you’ve looked at any summer most anticipated list this year, you’ve probably seen mentions of If Birds Fly Back. Another one for the YA-in-2017 hype train, I was intrigued by its premise – teen girl tries to track down her runaway sister by investigating celebrity disappearances, including that of a Hollywood figure, and collides with a poetic, aspiring scientist along with the way – and figured it would be a pleasant early summer read. The concept is somewhere between Nina LaCour’s Everything Leads to You and Nicola Yoon’s The Sun Is Also a Star (my review of which you can read here) but unfortunately that which made those books readable – charm, flashes of gorgeous prose – was lacking here.

Perhaps the most significant factor was the writing style. It’s choppy, jerky and totally off-putting. It really reminded me of Harriet Reuter Hapgood’s The Square Root of Summer (my review can be read here) which I didn’t enjoy either, though if you’re a fan of Reuter Hapgood, this book, also a Macmillan title, may be more your kind of thing. The book starts in media res and it’s so jumpy and confusing I had to check I hadn’t accidentally missed the first chapter of the ARC. The first half of the book is much of the same, with the prose leaving readers scrambling to catch up and get even a basic sense of who the characters are. I have high expectations for contemporaries – not least because there are so many of them in current YA – and if a novel doesn’t bring its A-game, whether that be in beautiful prose or new twists, I’d rather use precious reading time elsewhere.

However, the second half of the book shows improvement. Once the prose is settled in, and stops rushing about so much, the emotional stakes become clearer. Linny, short for Marilyn, is desperately seeking answers to her older sister’s disappearance even as her parents become ever more restrictive, while Sebastian, raised by a single mom who refuses to answer questions about his father, is searching for the man who has shaped his life by absence. Stronger pacing and greater dramatic tension make the book’s conclusion far more gripping and powerful than its opening.

There were some stylistic details, like Sebastian’s scientific explanations, which I really like, and others which are hit-and-miss. Linny’s screenplay is interesting, but very little seems to actually happen in it, and it could have been far more dynamic. The mysterious Álvaro lacks the charisma described by many of the characters and the setting sinks into sun-bleached staleness. The secondary cast could’ve been more developed and the romance is fairly predictable. Ultimately, Sorosiak fails to make If Birds Fly Back stand out from the crowd.

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For fans of Adi Alsaid, Nicola Yoon and Harriet Reuter Hapgood, this contemporary’s premise contains potential but a jerky writing style and unsurprising plot mean it fails to soar.

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The Girl’s Guide To Summer by Sarah Mlynowski // a rare mishap from Mlynowski

31199783Author(s): Sarah Mlynowski
Publisher:
 Orchard Books
Publication date: 15th June 2017
Category: YA/NA
Genre(s): contemporary
Series or standalone?: series (possibly? maybe? idek)
Source: I received a NetGalley copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Nineteen-year-old Sydney has the perfect summer mapped out. She’s spending the next four and half weeks traveling through Europe with her childhood best friend, Leela. Their plans include the Eiffel Tower, eating gelato, and making out with très hot strangers. Her plans do not include Leela’s cheating ex-boyfriend showing up on the flight to London, falling for the cheating ex-boyfriend’s très hot friend, monitoring a delicate home life via texts, or feeling like the rope in a friendship tug-of-war.

As Sydney zigzags through Switzerland, Italy, the Netherlands and France, she must learn when to hold on, when to keep moving, and when to jump into the Riviera…wearing only her polka dot underpants.

An experienced author of fiction for both adults and teens, Sarah Mlynowski can usually be relied upon to deliver fun, funky novels with a familiar, highly readable style. And in many ways, such traits are true of The Girl’s Guide to Summer (titled in some countries as I See London, I See France). It’s entertaining, fairly light-hearted and clearly designed as an untaxing, read-while-you-hold-a-brightly-coloured-drink-with-a-tiny-umbrella-in-one-hand beach read. The premise is straightforward and will appeal to the summer YA crowd. For fans of Luisa Plaja and Deb Caletti, it’s an absorbing and modern (namely in its persistent references to things like Instagram, which will no doubt see it quickly become dated) new release.

When long-time best friend Leela’s unexpected break-up sees her offered a spare plane ticket and the chance to backpack around Europe for a month, teenager Sydney, who hasn’t taken a break from her studies or from being her mom’s carer in years, can’t resist. Unfortunately, Leela’s ex-boyfriend Matt has decided to go backpacking anyway, and within days it becomes clear that they have unfinished emotional business of the tongue-tennis kind to take care of, leaving Sydney to play gooseberry – or get to know Matt’s mysterious (and, as she frequently reminds us, surprisingly hot) friend, Jackson. What unfolds is the story of a girl learning to navigate new continents, secret romances, thorny relationships, and the London Tube with, shall we say, varying levels of success.

The Girl’s Guide to Summer is frothy, sometimes even funny, stuff. Organised, put-together Sydney is there for her friends and family, whether that’s guiding drunk friends to the bathroom or checking up on her mother from thousands of miles away, but with temperamental Leela veering from loved-up to heartbroken at the drop of a hat and constantly placing demands on her attention, readers will likely feel she’s allowing herself to be pulled about a bit too often. Both meet other backpackers on their travels, including some particularly exuberant Australians, but I would’ve liked to have seen a more balanced, mutually beneficial friendship take up the core of the book. Her resident Paris friend, Kat, also gets plenty of time on the page but where emotional depth should appear alongside her confidence, she’s defined mostly by Sex and the City levels of brassy materialism. Sydney’s romance with outgoing, handsome Jackson, meanwhile, is certainly aiming for swoony – but one can’t help feeling it’s a little shallow, as after some initial back-and-forth Sydney spends most of the book specifying only her attraction to him while meaningful conversation is glossed over.

And, perhaps most crucially, while this book is being marketed as YA, specifically to Mlynowski’s YA audience, it is not YA. It’s something resembling NA (the once-popular ‘New Adult’ category), with a touch more added for some attempt at a half-hearted transition. There’s heavy drinking, drug use and (apparently in place of taking more than one or two opportunities to explore themes in a thoughtful, interesting way) a scene entirely set at a live sex show in Amsterdam. The protagonists’ travels around Europe rely on super generalised stereotypes, the relationships lack depth, serious themes aren’t particularly thoroughly handled and the ending is completely rushed, leaving little room for wrapping up details or any narrative conclusion.

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For fans of Keris Stainton and Deb Caletti, The Girl’s Guide to Summer is entertaining but ultimately ill-categorised. I expected more from the author of Ten Things We Did (And Probably Shouldn’t Have) and Don’t Even Think About It. 

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IN THE RED(ISH) CORNER: recent cover favourites!

Today on the blog, I talk some of my favourite recent YA cover designs (and try not to tear my hair out trying to figure out who actually designed them). I’ll be doing a follow-up post on my favourite cool-tone (navy, blue, green, etc) covers soon, too!

29740718What’s A Girl Gotta Do? by Holly Bourne
cover design by Hannah Cobley

The Spinster Club books are funny, entertaining, fierce and, of course, have unmistakable covers. Quite unusually for contemporary YA, they rely on solid, almost clashing colour combinations: yellow and black, pink and black, and here, in the final book of the trilogy, red and black. I was impressed by how loud this one is and how much force it gives to Lottie’s empowering, feminist mission. The illustration is energetic and unique. Also I hear the proof came with lipstick and those red-lip jelly sweets you can buy (A+ work, Usborne).

29979535Mistletoe and Murder by Robin Stevens
cover design by Nina Tara

I really like the Murder Most Unladylike series covers, you guys. They have such a classic feel. The title placement, the silhouettes, the series banner… ugh, they’re just too good. Striking, fitting and easy to recognise, I’m a big fan how much they match and how bold they are, particularly this latest installment. This red (a happy red, not like, a Scorsese red) merges the series design with the Christmas theme and totally suits Daisy and Hazel. They’re usually shelved in children’s or middle grade books, but they have huge multi-age appeal.

30197201A Quiet Kind of Thunder by Sara Barnard
cover design by Pan Mac Art Dept 

This eye-catching cover is fabulous. It’s both simple and complicated, and there’s gold foil. GOLD FOIL! (Gold foil, as you will see, is a bit of theme for me when it comes to book covers). I love that it’s just close enough to Barnard’s Beautiful Broken Things to be familiar but different enough that it establishes the individuality of Rhys and Steffi’s story (which I adored, as you can read here). I like the typography, too, and white is the perfect choice. My own copy of this fell victim to the Bookshop Sticker Monster (*sob*) but I rescued it and now it is SHINY.

25756328Love & Gelato by Jenna Evans Welch
cover design by Simon & Schuster

I haven’t read this one yet, but just can’t help liking its design: if we’re talking judging a book by its cover, then Love & Gelato has absolutely rocketed up my to-be-read list because of its gorgeously simple design. It’s elegant, pretty and it has ICE CREAM. I’m not always a fan of beige but the soft pink hues to the pale background give it an almost earthy feel which is oddly satisfying. I would’ve liked to see multiple flavours or colours on the cover but then that’s just because I really enjoy gelato.

25909375Wing Jones by Katherine Webber
cover design by Marie Soler (art direction) and Luke Lucas (illustration)

Katherine Webber’s début novel has two fabulous UK and US covers, but while I love the watercolour effect of The Heartbeats of Wing Jones, I’ve chosen the UK cover as it’s the one I own! I like the colourscheme, the bounce of the trainer (or sneakers, or runners, depending where you’re from) being depicted mid-movement, and the effect of the laces as the title is obviously clever. I’m not sure about the tagline placement (CENTRE IT, CENTRE IT) but what you can’t see from this angle are the ombre pink-purple sprayed edges, which are awesome.

29852514The Sun Is Also A Star by Nicola Yoon
cover design by Dominique Falla 

I think everyone found this cover breath-taking when it was first revealed. It bursts off the page, a riot of colour. If anything, I liked it even more when I discovered the process and inventiveness behind it (you can see how the tactile, three-dimensional cover was created here). It’s a great example of a really slick, ultra-modern cover that does a lot of work in making the book stand out, and while it focuses more on impact than content, the bright and explosive feel is  evocative of its insta-love story. 

And to conclude, some observations:

  • BRIGHT COLOURS FOR THE WIN, YES? I love, love, love bright colours.
  • If you’re going to have a pattern, you better make it classy or I will run for the hills.
  • I don’t mind pink in covers at all! EMBRACE THE PINK, PEOPLE.
  • I really, really like illustrated covers. I kind of had a feeling about this before I started researching, but it became incredibly clear once I began collecting favourites. For me, illustrated or graphic design-based covers are so much more versatile and appealing.
  • Related: I loathe YA book covers with models ontumblr_mqakvcc0cV1qmn5ngo5_250 them, especially if they have anything to do with the Gothic-girls-in-big-dresses or pastel-teenager-caught-in-sunrays-muses-about-life tropes. BLECH.
  • Make the title the most important thing on the cover! Big, eye-catching typography is your friend.
  • Simple and elegant, everyone. Simple and elegant.

What about you?  Do you judge books by their covers? What are some of your recent favourites?

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Release by Patrick Ness // a tale of two (rather off-kilter) halves

Author(s): Patrick Ness31194576
Publisher:
 Walker Books
Publication date: 4th May 2017
Category: YA
Genre(s): contemporary, supernatural
Series or standalone?: standalone
Source: I received a copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Between his religious family, a deeply unpleasant boss, and unrequited love for his sort-of ex, Enzo, it seems as though Adam’s life is falling apart.

He has two people to keep him sane – his new boyfriend Linus and his best friend Angela – but over the course of a single day, old memories and new heartaches come crashing together, throwing his life into chaos. Meanwhile, lurking at the edges, something unearthly and unsettling is set on a collision course with Adam and his town. A day of confrontation and transformation will not be without sacrifice – yet in spite of everything he has to let go, Adam may also find freedom in release.

Patrick Ness – a man with his fingers in a number of metaphorical pies when it comes to writing and creating for young people – is clearly enjoying being YA fiction’s genre-hopping answer to Neil Gaiman. Even a short list of his pursuits includes two Carnegie medals, two movie deals, the top spot in writing and creating Doctor Who spin-off Class, a plethora of awards, near-innumerable newspaper inches, and a string of well-received books. His cherry-picking of projects has made itself clear in novels like More Than This, The Rest of Us Just Live Here and now an attempt to bring Virginia Woolf’s formidable Mrs Dalloway to a modern teenage audience.

Perhaps because of this freedom to choose projects that might never get off the ground in the hands of a newly signed writer, Release is a novel which basks in its own literariness. There are nods to Woolf everywhere, from the wholesale borrowing of structure or events to more subtle references which should please those who’ve read the original without becoming too unwieldy for those who haven’t. Judy Blume’s Forever is also said to have been an influence. The writing style itself echoes with familiar characters of Ness’ YA: predictable rhythm, unflashy description, serious tone, the occasional moment of light-heartedness, though it’s denser and more formal than usual.

For fans of Two Boys Kissing by David Levithan, History Is All You Left Me by Adam Silvera and The Miseducation of Cameron Post by Emily M. Danforth, the core of Release is protagonist Adam’s struggle with identity and orientation in the face of small-town mindsets and his religious, intolerant parents, who subscribe to views even they know are out-dated. Confrontation of Adam’s experiences gives the novel emphatic dramatic weight. Ness navigates implicit repression, outright rejection and other difficult topics with consistent dexterity. He places the venom of Adam’s preacher father alongside the exhilaration of his relationship with Linus and the fearless acceptance of best friend Angela – one of the best and most underrated characters in the book. Complicated characters litter the novel, with only the occasional flat note or slip into the one-dimensional among the secondary cast.

By turns bleak and busy, harsh and hopeful, Adam’s story is accompanied by a rather less effective supernatural sideplot. Essentially, a so-called queen, a faun, a murder, drug abuse and unanswered questions get turned into the kind of eerie-mystery-possibly-a-ghost-story. The reader is aware that it’s supposed to illuminate some deep and meaningful parallel to the contemporary plotline, but it’s so disparate I found it detracted from the more successful parts of the book. If you’re going to write contemporary magical realism, you’re better off really going for it, as in Maggie Stiefvater’s The Raven Boys or Moira Fowley-Doyle’s spellbinding The Accident Season.

They say that imitation is the sincerest form of flattery, but perhaps more fitting here is Oscar Wilde’s variation on the phrase: “imitation is the sincerest form of flattery that mediocrity can pay to greatness.” Because while Release is solid, it’s not earth-shattering. In fact, the prose is sometimes, well, boring. I’m not sure that an attempted reworking of one of Virginia Woolf’s most complex books by a middle-aged white dude was something YA needed. Adam’s navigating of relationships, identity and sexual orientation sits firmly in the tradition of foregrounding the G in LGBT in teen fiction, while elements of the book designed to make it seem unique – reinterpretation of a classic, a supernatural undercurrent – don’t mesh the way they should. A Monster Calls remains Ness’ best work.

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An ambitious offering from the ever-versatile Patrick Ness, who is clearly punching for the literary side of critical acclaim with this Mrs Dalloway-inspired novel. Unfortunately, a misjudged supernatural subplot and prose that dulls more than it shines leave this effort curiously askew.

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The Names They Gave Us by Emery Lord // outstandingly thoughtful, feel good YA

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Author(s): Emery Lord
Publisher:
 Bloomsbury
Publication date: 1st June 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: I received a NetGalley copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Lucy Hansson was ready for the perfect summer with her boyfriend, working at her childhood Bible camp on the lake. But when her mom’s cancer reappears, Lucy falters – in faith, in love, and in her ability to cope.

When her boyfriend ‘pauses’ their relationship and her summer job switches to a different camp, this time for trouble kids, Lucy isn’t sure how much more she can handle. Thrown into a world of broken rules, close-knit coworkers and relentlessly energetic third graders, she attempts to regain her footing while keeping her Sundays with her mom to herself. But she’s not the only one with secrets, and she may find that in the summer she thought she needed it least, her new world – and the people in it – could be what she needs most. 

The Names They Gave Us is a considered and highly engaging exploration of the summer one confident but somewhat sheltered teenager’s world is turned upside down surprises and endears at every turn. It’s character-driven but delivers on plot as well as premise. It’s warm and heartfelt, but also serious, thoughtful and, occasionally, heartbreaking. I wasn’t expecting to enjoy it as much as I did, but it really blew me away. I gave Lord’s last book quite a high rating (you can read my review of When We Collided here), but I’m glad I left room for just a little more for this standalone.

Capable, put-together Lucy finds herself completely thrown by the recurrence of her mother’s cancer and by her dependable, upright boyfriend’s subsequent checking out of their relationship. When an old friend seeks an emergency replacement for a counsellor who quit at the summer camp across the lake, Lucy agrees at her mother’s request. At first feeling both out of place and way out of her depth, Lucy must navigate a new world where kids who have seen too much could do with someone on their side. Kind, accepting, hard-working Lucy is a well-realised protagonist. She does her best in the face of challenges and is slowly realising she is in a place where it is okay to feel as she does – angry, conflicted, afraid, guilty for the chinks showing in her once-dutiful armour – and what’s more, where new friends and unexpected allies will feel it with her.

Among them are fellow counsellors like friendly Anna, guarded Keely, and outgoing Tambe, each with histories and complexities of their own. Best of all, however, is the bespectacled, lively, flaweed Henry Jones. Their romance is realistic, passionate and honest. Lucy and Jones actually spend time together and get to know each other – their shared talent for music and equal devotion to the kids of camp are particular highlights – turning theirs from sweet romance to gorgeous relationship in a way that soars. I liked Lucy trying to figure out her young chargers, too, whether by teaching shy Thuy to swim to giving Nadia a shoulder to lean on. Vibrant, diverse and individual, these characters leap from the page.

The Names They Gave Us is filled with the requisite moments of plot and drama, secrets and revelations, humour and heartbreak. Frank, compassionate and incredibly empathetic, the vivid portrayal of its characters’ multifarious, and sometimes traumatic, experiences is exemplified by Lord’s unabashed confrontation of themes as varied as grief, sexuality, and religion. The immense sensitivity with which Lord depicts faith allows her to capture both Lucy’s belief and struggles. This is YA with present parents in the shape of Lucy’s funny, loving mom and open, good-natured pastor dad, and with fabulous, imperfect friendships, too. The ending is quite rushed and abrupt, and the prose style is a little choppy, but the book is absorbing from start to finish. A worthy choice for what is, at the time of writing, only my second five star rating of the year.

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I adored this book. For fans of Sara Barnard, Sarah Dessen and Jennifer E. Smith, this is feel-good, heart-rending contemporary. The characters are fantastic, the romance well-written and the story sweeps you away. Emery Lord is improving with every book she writes.

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Contemporary Catch-Up // The Hate U Give and When We Collided

Today on the blog it’s more contemporary YA (and I continue my battle with writing reviews that are actually less than a thousand words long), including one of 2016’s shiniest and one of 2017’s most talked-about!

25663637When We Collided by Emery Lord
Publisher: Bloomsbury
Publication date: April 7th 2016
Series or standalone?: standalone

Jonah is the kind of boy Vivi never expected to want.

Vivi is the kind of girl Jonah has never given himself time to love.

In an unflinching story about new love, old wounds, and the summer that paints their lives in vivid technicolour, Vivi and Jonah find that when you collide with the right person at just the right time, it can change you in all the ways you don’t expect.

As full of joy as it is of sorrow, this is a tale of family and food and love and sunshine and struggle. It is both generously written and incredibly bittersweet, and I was unexpectedly swept away by its frank and vividly unfurling story. The first Emery Lord book I’ve ever read, it’s taken me so long to review it her next book is already almost out – but if you haven’t read this yet, it’s absolutely worth doing so. For fans of Sarah Dessen and Sara Barnard, this is an energetic and memorable character-driven contemporary with enough plot and drive to feel satisfying.

Stubborn, sincere, sweet and hardworking, devoted brother Jonah is doing what he can to keep his family together after personal loss and during unspoken absences: keeping his family’s restaurant afloat, caring for his young siblings, running himself ragged. Bright, colourful Vivi is a whirlwind of cheer and exuberance, and longing to forget that which has been dealt to her, finds herself whisking a rather bewildered Jonah off his feet. Both are fabulously well-realised, at turns flawed and wonderful, characters: I liked Vivi, but particularly loved Jonah. Lord displays a deft hand in constructing secondary characters, too, whether in Verona Cove’s residents or, among my favourites, Jonah’s siblings.

Told in keen alternate narration, Jonah’s sturdy, big-hearted look at a precarious family contrasts sharply with Vivi’s gregarious but sometimes unpredictable enthusiasm. The latter is notable for its skilled and carefully-constructed illustration of rapid and reeling experiences of bipolar disorder. If you’re looking for YA that gives depth and resonance to the often lacking summer romance device, this is absolutely the book for you. Occasional missteps in twists, dialogue and narration – there’s a touch of instalove, the broader setting is a little forgettable (though the beach scenes are always a plus) and there are some details here and there I wasn’t a fan of – mean it falls short of being a five-star read, but there are moments when it comes close.

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When We Collided is sweeping, vivid and punchy. I love recommending this one. Such a fantastic read. 

32613366The Hate U Give by Angie Thomas
Publisher: Walker Books
Publication date: April 6th 2017
Series or standalone?: standalone

Sixteen-year-old Starr lives in two worlds: the poor neighbourhood where she was born and raised, and the posh suburban high school she attends an hour away.

The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed friend, Khalil, by a police officer, and – in a novel inspired by the Black Lives Matter Movement – she finds herself struggling for justice, clinging to hope, and fighting to be heard.

First things first: this is probably the hypiest book is the history of YA hype (and you know how I feel about hype). It débuted right onto the NYT bestseller list, already has a movie deal (with YA book-to-film-adaptation darling Amandla Stenberg set to play Starr), has at leas eight starred reviews from pillars-of-trade-reviewing like Kirkus, and has had more coverage in the months leading up to and just after release than I’ve seen for some UKYA books all together. If books were rated on buzz alone, well, there are some pretty happy marketing and publicity folks who can afford to take a holiday after this (and let’s face it, they might need a holiday after wrangling all those platform strategies, press releases and interviews…!). I was actually offered this book for review, but as it’s already out here in Ireland (I know!) I decided to pick up my own copy (shoutout to the lovely Jacq, whose recommendation bumped it up my always-toppling TBR).

Frank, sobering and often dark, this is a tough read told in forthright yet energetic style. Protagonist Starr’s voice is passionate, warm and distinctive, and readers will quickly be rooting for her. In a thematic, subplot-packed book, her struggles are often as internal as they are external: as well as seeking justice and the media circus which follows Starr’s witnessing of her friend’s death, there is exploration of her self-censorship at her posh secondary school, the impact of violence and trauma on a community, and the extent to which teenagers can be activists. The writing style isn’t spectacular, on occasion turning unwieldy, but a strong and present family dynamic – including Starr’s parents, siblings Seven and Sekani and some of her extended family – anchors the book brilliantly.

Authentic, empathetic and deeply entrenched in a rich series of experiences, The Hate U Give plunges the reader into its story with unapologetic momentum. Its stylistic immediacy coupled with its sharp examination of race and systemic inequality pitches it somewhere between Nicola Yoon’s frothy, current The Sun Is Also A Star and Malorie Blackman’s seminal (and still unparalleled) Noughts and Crosses, ensuring it will both land on most-recommended lists and crop up in classrooms under the auspices of particularly on-the-money teachers. The romance is lacklustre, uneven pacing makes it too long for a contemporary and it should be noted that the book is almost completely America-centric with little regard for goings-on in the rest of the world, but Starr’s tale has more vigour and outspokenness than most of John Green’s books put together. It’s weighed down only by a few duff or clunky emphases, and would be a great choice for listening to on audiobook. I It’s not an easy read – but then it’s not designed to be.

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For fans of Orangeboy by Patrice Lawrence, Wing Jones by Katherine Webber and Noughts and Crosses by Malorie Blackman, this powerful début novel is sure to continue making waves both sides of the Atlantic. 

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Most Anticipated Reads of 2017

It’s that time of year again: time to look briefly away from the fabulous YA releases of 2016 and indulge in a sordid affair with the novels of 2017 which have been catching our eye from across the room for months. I’ve stuck with ten (ish) here, but there are SO MANY to look forward to, it’s a wonder I could even decide…

Throne of Glass #6 by Sarah J. Maas

Okay, so this one was easy. The final installment of Sarah J. Maas’ legendary Throne of Glass series, this book doesn’t even have a title yet and I am SO EXCITED FOR IT. Empire of Storms was so full of twists and revelations it’s beyond words. It left everyone reeling – readers and characters alike – and I cannot wait to find out what happens next, let alone how Maas is going to wrap up what has become not just an epic but an extraordinary feat of female-led high fantasy in YA.

Once and for All by Sarah Dessen

I was so delighted when I heard the premise for Sarah Dessen’s next project. The concept reads like such a burst of joy. Like a delicious, glossy romantic comedy you’d turn to when you need to feel better (or eat several gallons of ice cream), with the added promise of the exceptional heart and depth and detail only a contemporary novel can bring. Weddings, family, a healthy dose of cynicism, happily-ever-afters and Dessen’s penchant for including past characters make this one to look out for. Oh, I have been WAITING for a book like this in YA.

Strange the Dreamer by Laini Taylor

The actual details of Strange the Dreamer – Taylor’s first big project after Daughter of Smoke and Bone – have until recently been a closely guarded secret. Whispers of a scholar who loves fairytales, a city bereft of its name, the mysteries of otherworldly creatures and a love letter to fantasy have, however, put this duology opener on my radar, and it certainly has me intrigued. I didn’t love Daughter of Smoke and Bone, but hopefully this will be more up my alley.

A Conjuring of Light by V.E. Schwab

If you’re looking for recent releases in classy, classic magic-and-knives-and-treachery fantasy fiction, Shades of Magic is the series you’re looking for. Full of adventure, allegiances, betrayals, bloodlust, princes, pirates, magical Londons and stylish coats, the final book in the trilogy promises to raise the stakes, answer burning questions and break hearts, probably in absolutely unequal measure.

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We Come Apart by Sarah Crossan and Brian Conaghan

A verse novel and a collaboration, We Come Apart raced up my most anticipated list after I attended Crossan and Conaghan’s first event for the book. They have a great rapport and talked about the book in a really vivid way. Perhaps most importantly, the extract we heard was fantastic. It tells the story of tough Jess and kind-hearted Nicu, two teenagers from very different backgrounds who find unexpected friendship with each other.

All About Mia by Lisa Williamson

I’ve actually already read a sampler of this, and it was amazing. Sixteen-year-old Mia is a middle child, sandwiched between Cambridge-bound Grace (‘Mother Teresa in a blazer’) and future Olympian Audrey (a swimmer otherwise known as Nemo). Constantly overshadowed by her high-achieving siblings, Mia’s grown used to being pushed aside, taking solace in selfies, parties and the knowledge that she probably more friends than her sisters put together, anyway. But when Grace drops a bombshell (and to Mia’s horror, goes unpunished), the family’s lives will be turned upside down over one unforgettable summer. Messy, relatable and full of wit, All About Mia could be a glorious addition to contemporary YA.

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Freshers by Tom Ellen and Lucy Ivison

Tom Ellen and Lucy Ivison are a force to be reckoned with when it comes to laugh-out-loud humour and realistic UKYA. They’re brilliant in interviews, too. After a hilarious, unashamed older YA début in Lobsters and younger YA novel Never Evers, they’re turning their attention to the antics of university freshers, and whatever trouble their characters get into, it’ll definitely be interesting…

Traitor to the Throne by Alwyn Hamilton

I really liked Alwyn Hamilton’s first book, and with a perennial habit of not picking up second books in trilogies, I’m hoping this one will be worth following up with! Hamilton’s badass heroine Amani inhabits a world of magic, rebellion, danger, and of course, love interests like the enigmatic Jin. Traitor to the Throne promises even more twists, turns and tenacity, and I’m excited to see where the story goes next.

A Crown of Wishes by Roshani Chokshi

The Star-Touched Queen was lavish, mythical and vivid, though its uneven plot and pacing meant it stopped short of being a favourite for me. This companion novel, however, shouldn’t face the same problems as it picks up with a warrior princess, an unlikely ally, and a fight for survival in battle-scarred kingdom. Readers will recognise heroes Gauri and Vikram as secondary characters from Chokshi’s début, and I’m interested to see how their story intertwines. I’m looking for more action, a tighter plot, and more of the myths which made the first book so nearly brilliant.

Long May She Reign by Rhiannon Thomas

My interest was piqued by the sound of this book as soon as it was announced. A royal tale of conspiracy, intrigue and unexpected inheritance, it seems quite different from many of my other most anticipated YA novels of 2017, pitched so far as an apparent edgy semi-fantasy mystery of sorts. It certainly has one of the most unusual premises of this list, so I’ll be keeping an eye out for it!

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Honourable mentions (because okay, I have to keep the wordcount down but who can leave any most-anticipated list at just ten?!): Wing Jones by Katherine Webber (about a girl juggling family, friends, heritage, and a new-found passion for athletics), The Spellbook of the Lost and Found by Moira Fowley-Doyle (The Accident Season was one of the best YA novels to come out of Ireland last year and I can’t wait to see Fowley-Doyle’s fierce, spellbinding, original work on the shelf again), A Quiet Kind of Thunder by Sara Barnard (an irresistible, deeply real love story I’ve actually read already but shhh, it can totally be a fave of this year and next) Spindle Fire by Lexa Hillyer (a high fantasy Sleeping Beauty retelling about curses,sisters and a kingdom on the brink, though I don’t know if it’s being published in the UK) and Now I Rise by Kiersten White (the sequel to And I Darken, White’s incredible genderbent alternate history about Lada the Impaler, my review of which you can read here).

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And so must end my brief fling with the most thrilling reads of 2017 – for now. Although, I’ve just noticed I may have to do another post just for débuts…

What books are you most looking forward to reading next year? Did any appear on this list? Let us know on Twitter or in the comments below!

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