Re-imagining Books As… Podcasts!

Today on The Paper Alchemist, I’m looking at some books (mostly YA) that would make amazing podcasts  (and describing them in detail, because of course. WE NEED THE JUICY DETAILS. Alternatively, feel free to see them as radio plays. I get very into this).

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the_loneliest_girlThe Loneliest Girl In The Universe by Lauren James

Commander Romy Silvers is the loneliest girl in the universe: the only crewmember of the spaceship Infinity, travelling to a distant planet on a mission to establish a new colony, Earth II. Then she learns that a new ship, The Eternity, has been launched and will join her – and on it is a single passenger named J. Their messages take months to transfer across the vast expanse of space, but Romy holds on to the hope that when J arrives, everything will be different. If she can keep her increasingly eerie ship running that long… 

This is such an obvious candidate for a podcast adaptation! A single viewpoint character, an ear-catching premise, a distinct setting, a twisty plot, escalating narrative tension, ominous thriller overtones. It’s a relatively compact book, so a well-planned series of 17-22 minute episodes would keep it short and sharp. It could be in the form of Romy’s captain’s or ship’s log, with sections of her fanfic for the fictional TV show Loch & Ness used to break up segments. Throw in some suitably sci-fi background noises and occasional guest voice actors to vary the sonic landscape, and you’d have a super-cool narrative podcast. It’d probably be totally creepy, but some of the most talked-about podcasts are dark or mysterious (*coughs* Welcome to Night Vale).

Side note: I’ve talked extensively about how much I like The Next Together (time travel! Epistolary additions! “Said the actress to the bishop”! Hot Tom!) and The Last Beginning (More time travel! LGBT lady protagonists! Hot DILF Tom!!). While either could work as a podcast, albeit quite a complex and busy one given the multiple time periods, from a more straightforward stylistic standpoint The Loneliest Girl In The Universe unfortunately fits the medium better. Also I SUPPOSE one can’t put the Finchley-Galloway-Sutcliffes (unless there is a collective noun for an extended family of rule-breaking gay time travellers that will have to be their name okay I don’t make the rules) in every feature. In the meantime though you can read more about them here, or here, or here…

30370281Freshers by Tom Ellen and Lucy Ivison

The messiest choice on this list by far! I reviewed Tom Ellen and Lucy Ivison’s third book Freshers before it released earlier this year (you can read the review here) and it was amazing – clever, vibrant, outrageous, incredibly funny. I’d definitely read a sequel, or in the absence of one, listen to a podcast adaptation.

The Freshers podcast could be framed as a university radio show, ostensibly hosted by one of the more sensible characters like Josh or someone totally outgoing and eclectic like Frankie (ohmygod, imagine her music choices) but actually hijacked by the entire friend group. It would include lots of chat, campus news, a slot for the Quidditch society, and salubrious amounts of gossip. Negin would be the deadpan, sarcastic one, speaking only when it’s effective. Rita would put in disclaimers to stop them being sued for libel, but be an unsurprisingly good contributor. Bowl-Cut Mary would wish she’d thought of it first and try to get on this wildly popular campus radio show (really, the first cool thing they’ve had on in years). 25-minute podcast episodes would cut in and out of the much longer in-world radio show (fading back in after ‘songs’ etc.), with some choice backstage scenes of plot where, most importantly, Josh and Phoebe finally talk about their OBVIOUS feelings!! There’d be lots of tea and laughter and quickfire dialogue and general awesomeness.

17199504The Bone Season by Samantha Shannon

I’d like to see more fantasy podcasts given a chance! I’ve chosen Samantha Shannon’s The Bone Season because it’s alternate timeline SFF, with some recognisable elements – the London setting, the general concept of clairvoyance – rather than high or epic fantasy, which might need more of a leap on the part of listeners. There was supposed to be a movie of this series but I haven’t heard anything about it in ages, so maybe a podcast would be a more successful medium! Episodes would be twenty minutes to half an hour, with that slightly mysterious, unsettling feel and evocative background soundscapes, like crowds or echoing tunnels. It would, of course, feature members of SciLo’s unnatural population, and would be as much about the more interesting elements of its world as about plot. Side characters might take take more prominence – one might even helm it (is there an order of clairvoyant to do purely with sound?) – than they do in the series, which is told almost exclusively from Paige Mahoney’s perspective. Think stories from or about London’s spirits, its different types of clairvoyants, its shadiest corners and ongoing rivalries – and every now and then, a hint at the shifting allegiances and events of the ongoing books.

The idea of a podcast or radio show in SciLo is also quite subversive – it’d be an insight into stories or an underworld the reader or listener knows is forbidden in the world of the books. And, oh wow, I’ve just realised if he thought he could get away with it, Jaxon Hall would absolutely showboat his way into a radio show like this. Like Potterwatch, only completely insufferable. Well, isn’t that delightful.

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The Spinster Club
trilogy by Holly Bourne
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Rather than just a book-to-podcast adaptation taking listeners from reworked versions of Am I Normal Yet? and its sequels, what strikes me as interesting podcast material here is the post-series years. Evie, Amber and Lottie, still frustrated with not seeing each other much several months after the events of And A Happy New Year? decide to make a commitment to record a friendship-and-feminism podcast every month so they have an inescapable excuse to hang out. Plot progression mostly involves behind-the-scenes moments, updates on who’s dating and who’s hating, Lottie’s political ascension and the steady exploration of the girls’ lives as twenty-somethings.

Lottie is the moderator and leader with the schedule and microphones, Evie is the researcher and referee, and Amber is the riotous one who inadvertently gets quoted in all the soundbytes. A shaky start devolves into lots of laughter, cheesy wotsits and Amber yelling about taking down the patriarchy while accidentally snorting her drink out of her nose. There are regular features such as ‘Feminist Ladies We Love’, ‘An American Boyfriend Chips In Where He’s Not Wanted; or, The Token Bloke’ and eventually ‘Agony Aunties (And Other Annoying Relatives)’ in which they attempt to give advice in response to a chosen listener letter, deferring to areas of expertise or experience or, sometimes hilariously, trying to tag-team an answer. Episodes are fifty minutes to an hour depending on how many times someone falls (or gets pushed) off their chair howling.

This is just me describing the perfect podcast now, isn’t it. TL;DR: SOMEONE MAKE THIS PLEASE I NEED MORE SPINSTER CLUB IN MY LIFE.

Would you like to see YA books turned into podcasts? What books would you pick? Do you have any podcast recommendations? Leave a comment down below!

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Wing Jones by Katherine Webber // big-hearted but bittersweet

25909375Author(s): Katherine Webber
Publisher: Walker Books
Publication date: 5th January 2017
Category: YA
Genre(s): contemporary, historical fiction
Series or standalone?: standalone
Source: purchased
Find on Goodreads and The Book Depository

Wing Jones has worshipped her older brother Marcus for as long as she can remember. Good-looking, popular, and the star of the football team, Marcus has made an asset of the Ghanaian-Chinese heritage that makes Wing stand out. 

Then a drunk Marcus gets behind the wheel of a car after a party. With Marcus in a coma, Wing is tormented at school for his mistake and haunted at home by her grandmothers’ grief.  

Unable to sleep, Wing finds herself sneaking out to run on her school’s empty track. When Aaron, Marcus’s best friend, sees her running, he recognizes that her speed and skill could get her spot on the track team – and maybe even a shot at a coveted sponsorship. Wing can’t pass up the opportunity to train with her longtime crush and to help pay Marcus’ medical bills, but can she handle being thrust out of Marcus’s shadow and into the spotlight?

One of my most anticipated reads of the year, it nevertheless took some time for me to get around to reading Wing Jones (more detail on that in my July reading check-in here). However, perhaps some distance from the hype (and you know how I feel about hype) was a good thing. It allowed a book I’d otherwise heard plenty about to spring a few surprises. It took me a while to get into the narrative as I found the writing style in the opening chapters very jerky and jagged, but rather like a runner finding their form, when the book hits its stride, it simply glides. Written with charm as well as drive, it’s gorgeously cinematic and would make for an awesome book-to-movie adaptation.

Wing Jones is, in many ways, typical ‘all-American’ YA: not only in setting, slang and sports, but in its petty high schoolers, crushing-on-older-brother’s-best-friend device, and familiar overarching formula. The added ingredients are of identity (Wing is biracial) with a dash of magical realism (her personal talismans, a lioness and a dragon, clearly represent the dual aspects of her heritage). Wing faces racism at school, but she’s proud of her heritage and her grandmothers, Granny Dee and LaoLao, are consistently present. If you’ve read Sarah Dessen’s Saint Anything, Angie Thomas’ The Hate U Give or Robyn Schneider’s The Beginning of Everything, you’ll recognise scraps of the story here.

When Wing’s star football player brother causes a car crash under the influence, her world is thrown into chaos. All she wants to do is run and run until her problems are far behind, so she does. Soon she’s running on an empty school track every night, wearing out her Converse and waiting for the sun to come up. What’s more, she’s good. She’s fast. It’s in running that Wing finds something that feels totally hers. The descriptions of running in the book are grounded yet spectacular, even soaring (“with my dragon on one side and my lioness on the other, I stretch my legs out, as my feet hit the track, heel-toe, heel-toe”), notably in the first third when it’s just Wing, the night and the track. Accidentally revealing her speed creates a flood of pressure and expectation (and paves the way for improbably swift success), but it also gives her a sense of purpose and, importantly, belonging, as she joins an athletics team and makes positive female friendships, particularly with warm, self-assured sprinter Eliza and her girlfriend Annie.

I was surprised by how much I loved the book’s romance. As swoonworthy as it is sweet, t’s probably one of the  top YA romances I’ve read all year. Aaron and Wing’s dynamic was built on actually spending time with each other (you’d be surprised how many YA romances aren’t!), and even with a requisite dose of drama, it’s a well-played and supportive relationship. A mix of fizzy first love and deep, realistic companionship, it’s been ages since I’ve read a YA relationship quite so delicious as this. Wing – brave, lost, angry, kind, big-hearted – grows a lot during the book, and the romance grows with her.

I was also surprised by Webber’s dextrous handling of character expression. Several secondary characters were a little two-dimensional on occasion – the book could’ve used more backstory – but her subtle understanding of the core cast was terrific. This is a deceptively hard-hitting novel, but it makes Wing’s elation all the more moving. I expect the mid-90s setting and elements of magical realism (Wing’s lioness and dragon appear to her in moments of need, but it’s never really explained in any way. Are they elaborate metaphors? Imaginary friends? Is she hallucinating?!) will be a deal-breaker for some, but a few unnecessary scenes aside, it’s an interesting twist in a hugely bittersweet book.

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Bittersweet yet charming, Wing Jones is big-hearted, cinematic, satisfyingly driven YA. A top-notch romance and vivid running scenes are among the highlights as a choppy start gives way to a book that really hits its stride.

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Beyond The Wall by Tanya Landman // historical fiction effort proves a let down

34668577Author(s): Tanya Landman
Publisher: Walker Books
Publication date: 6th April 2017
Category: YA
Genre(s): historical fiction
Series or standalone?: standalone
Source: I received a copy of this book from the publisher in exchange for an honest review.
Find on Goodreads and The Book Depository

Britannia. A conquered land.

Running. Weeping. Blood on her lips.
Blood in her mouth.
Blood that is not her own.

After maiming her master, Cassia has no choice but to run. With dogs on her trail and a bounty on her head, escape from the vast Roman Empire seems impossible. But beyond the river, far to the north, stands Hadrian’s Wall – the furthest limit of the empire. And beyond it? Danger. Uncertainty. Freedom.

I snapped this book up because of its premise. Historical fiction set in the Roman Empire, but not from the perspective of a Roman? A female lead and a solid cover to boot? It’s eye-catching stuff (or at least it is if like me you’re on the lookout for more historical fiction in your review pile). The book’s protagonist Cassia once didn’t even know there was a place where the Roman Empire ended, but finds hope in tantalising rumours of a wild land the Romans have failed to tame beyond what became known as Hadrian’s Wall. I particularly liked the potential for deconstructing the Roman occupation through the eyes of a character who doesn’t fit into their highly stratified society. And the greedy, cruel, violent, hubristic Romans of fourth century Britannia certainly are the villains of the piece. Cassia only dares accept aid from one or two of them, and the major Roman character, Marcus, has secrets of his own.

This is the first Tanya Landman book I’ve read – the first I’ve even heard of, though I was vaguely aware of the name, probably because of the Carnegie Medal – and there were some flashes of promising prose (‘the statue of Neptune was face down like a drowned man’), particularly in the earliest chapters. The plot focuses on Cassia’s various escapes from slavery, taking her from stately villa to chaotic Londinium, from roadside taverns to the wintry north. As well as Marcus, she’s joined by fellow escaped slaves Rufus, Silvio and Flavia, and there were some emphasised moments such as the returning of the elderly Flavia to her village in Germania. However, just when the story would have been at its most interesting – Cassia’s arrival and acceptance into a complex, cultured ‘barbarian’ tribe (probably Picts) in what was known to the Romans as Caledonia – the book abruptly cuts away .Marcus’ narration reverts to Roman society and while it provides some plot twists, it means that the increasingly pent-up curiosity built by the entire first half of the book goes unfulfilled. A near-cliffhanger in what is slated as a standalone also makes for a displeasing, rushed ending.

The book stops short of the really demanding, thoughtful exploration its themes could’ve yielded, too. It hurries along at a commercial pace, but fails to stretch itself in the thematic department, as strong YA historical fiction should. Perhaps this would’ve been fine in a title for younger readers (and even then, I say this with a pinch of salt – look at the scope and skill of books like Robin Stevens’ Murder Most Unladylike series or Kiran Millwood Hargrave’s The Island at the End of Everything) but while the cover gives it an apparent middle grade vibe, make no mistake: this book isn’t for kids. Violence, particularly sexual violence, incest and misogyny, is not only pervasive in Landman’s text but is also essentially used as a carousel of plot tropes. Landman spins from one to the other before rounding back to the start all over again. It’s tedious, unoriginal and downright tasteless in a book which makes absolutely no attempt to pursue alternative sources of ‘tension’ or ‘stakes’. The result is a book that seems at once both ‘convenient’ – as characters pass through whole swathes of the Roman Empire unimpeded or have minor plot problems solved with almost oleaginous ease – and horrific. I won’t be recommending this one.

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A solid premise is let down by a narrow, unimaginative selection of plot events and an unsatisfying shift in character which fails to capitalise on readers’ curiosity about the very thing described by the title: that is, the wilderness Beyond the Wall.

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6 LGBTQ+ YA reads you may have missed

Today on the blog, I talk some seriously underrated YA featuring LGBTQ+ teens (mostly as an excuse to bookpush titles I’ve really enjoyed of late). We’ve all heard of David Levithan, Patrick Ness, Benjamin Alire Sáenz, Becky Albertalli et al, but what about the YA books you may not know have LGBTQ+ characters?

24550848The Last Beginning by Lauren James 

You guys, I keep recommending this book. Funny, chaotic and full of adventure, The Last Beginning displays much of Lauren James’ characteristic writing style: a multitude of timelines, epistolary additions, and of course, more pieces of the puzzle in the story of Matthew Galloway and Katherine Finchley. Technically a companion novel to her début The Next Together, it picks up with a new heroine. A passionate knitter and whiz-kid programmer, Clove is smart, hot-headed and prone to making slightly disastrous and immature decisions, but her heart’s (usually) in the right place. Clove’s relationship with girlfriend Ella (which from the outset steers clear of bury-your-gays tropes) is threaded throughout and makes for a light-hearted sci-fi twist on typical star-crossed romance.

32200595A Conjuring of Light by V.E. Schwab

The final book in V.E. Schwab’s Shades of Magic trilogy – or as she rather cryptically puts it, the final book in the first arc of the Shades of Magic series – is one you’ll need to read after finishing the previous books A Darker Shade of Magic and A Gathering of Shadows, but it’s totally worth catching up on. It’s absorbing, memorable fantasy with real classic punch. A Conjuring of Light is almost as long as the first two books put together, and a good deal of that is spent on Rhy, prince of the magic-drenched but in peril Red London, and Alucard, a nobleman turned pirate who gets dragged (only a little reluctantly) into the battle to save the city. As it’s packaged as traditional run-of-the-mill portal fantasy, it may be obvious that it features gay or bi characters, but Rhy and Alucard’s relationship proved a hit with fans. Rich, engaging and highly recommended.

33972290The Space Between by Meg Grehan

The Space Between is delicate, elegant, sorrowful, sweet, and all told in verse. I reviewed it earlier this month and it’s exactly the kind of thing many readers of YA have been calling for, so it’s frustrating to see it get so little traction! Little Island, its Irish-based publisher, also brought you Needlework by the award-winning, YALC-attending Deirdre Sullivan. It ticks all the boxes: mental health themes, two girls who fall in love, solid writing, a pretty cover. If you like books by Louise Gornall (you can read my review of Under Rose-Tainted Skies here) and Nina LaCour, or ‘Instagram poets’ like Amanda Lovelace, this one is well worth reading. 

25648276Unboxed by Non Pratt 

Published by Barrington Stoke last year, Non Pratt’s Unboxed is filled with complex, mature themes and awesome characters – and it’s accessible, specialist fiction for teens with dyslexia and other difficulties with reading. There’s a tendency to think of dyslexia-friendly fiction as going ‘back to basics’, but frankly, assuming that any reader should be satisfied with simple plots or subjects is incredibly condescending. Pratt brings the bolshiness and brilliance of longer novels like Trouble and Remix to this character-focused, entertaining YA novella, and – not to give too many spoilers – one of the major characters is a girl who likes girls and is in a relationship. Also, the character Dean was inspired by Wolfgang from Sense8, which gets an A+ from me. Non Pratt’s latest full-length novel Truth or Dare features an asexual character, if that’s more your cup of tea.

Spellbook of the Lost and Found by Moïra Fowley-Doyle30079403

Moïra Fowley-Doyle’s penchant for messy magical realism weaves YA which is beguiling, dark, mysterious and just a little peculiar. Spellbook of the Lost and Found is full of interesting and bewitching things: a town bonfire, missing shoes, a wishing tree, charm bracelets, sprawling tattoos, illicit alcohol, flawed friendships and, of course, several dogs named after types of cereal. Just as in her début The Accident Season, this one is chock full of LGBTQ+ teenagers, with a lyrical emphasis on adventure and adventure. Loyal, quick Olive is bisexual, as is her best friend Rose who strikes up (or rather falls in to) a relationship with tough newcomer Hazel. Fowley-Doyle is one of the best writers of Irish YA out there at the moment – I’d recommend her work for cleverness and flashes of fantastic prose alone.

alloftheaboveAll of the Above by Juno Dawson 

All of the Above is practically bursting with character: between artistic newcomer Toria, fierce but secretive Daisy, bolshy pack leader Polly, awkward Beasley, book-mad Freya, uber-cool Nico, permanently-entwined Alex and Alice, and of course, Geoff the cross-dressing squirrel, readers are from the off confronted with a colourful cast of teenagers. Among them are gay, bisexual, asexual and queer characters with varying experiences of sexuality and relationships. Chatty, frank, funny and littered with pop culture references, the narration keeps you reading and packs a punch. Toria’s experiences as a biracial British-Punjabi teenager only occasionally influence the plot but inform her forthright (“Brompton-on-Sea isn’t exactly a cultural melting pot”) and warmly wry (“Worst. Hindu. Ever”) voice. Juno Dawson is a relatively well-known UKYA figure, but All of the Above is one of her most underrated books.

23454354Bonus: Tumbling by Susie Day (short fiction) 

Tumbling is one of five pieces of original fiction commissioned for the Malorie Blackman-curated anthology Love Hurts in 2015. It is far and away the best part of the collection – the only one worth remembering, really. It’s ostensibly about Shirin and Candy (otherwise known as eye_brows and vaticancameltoes), but it’s about much more, too: first love, teen friendship, fangirls, Sherlock, illness, self-doubt and honesty. It’s engaging, chatty, sleek and well-written. If you like books by Nina LaCour or Sarra Manning, this is the short story for you. It NEEEEEEDS a full-length adaptation IMMEDIATELY.

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So there you have it! Have you read any of the books on this list? Are there any you’re planning to read? 

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Truth or Dare by Non Pratt // solid UKYA from a cornerstone of current contemporary

25458747Author(s): Non Pratt
Publisher:
 Walker Books
Publication date: 1st June 2017
Category: YA
Genre(s): contemporary
Series or standalone?: standalone
Source: I received a copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Sef Malik and Claire Casey may go to the same school, but they operate in entirely different circles. If the usual rules applied, they’d never have ended up in each other’s company.

When a horrific accident turns Sef’s world upside down, he and Claire fall into an unlikely friendship. They become Truth Girl and Dare Boy, confessing secrets and staging outrageous dares to raise funds for Sef’s older brother, Kam.

But Sef is prepared to do anything to help his brother. He’s willing to risk everything he has – and what if he’s prepared to risk Claire, too?

In what is arguably the busiest genre in UKYA, Non Pratt quickly established herself as a reliable voice for modern, often laugh-out-loud contemporaries. Her much-lauded début Trouble and hilarious second book Remix as well as novellas like Unboxed and the upcoming Second Best Friend for Barrington Stoke give her admirable teen fiction credentials. Truth or Dare bears the hallmarks of Pratt’s established style – a contemporary setting, dual narration, prominent friendships and relationships – though the prose is perhaps steadier and less flippant. It’s solidly written with a driven, satisfyingly focused plot. As is the contemporary fashion, it’s undeniably issue-centric, but there’s plenty going on and it’s never boring.

As with much of Pratt’s work, it’s full of flawed and well-realised characters. There’s a sense that almost all the characters have something more going on – other stories, other preoccupations, off-screen lives – which I’ve rarely seen achieved in YA. I would’ve liked to have seen a little more of these on the page, though this is already one of Pratt’s longer books. From Sef’s brother Kamran and best friend Finn to Claire’s parents and her best friend Seren, there’s some dextrous characterisation which has clearly benefited from Pratt’s growing skill. It’s Sef and Claire who take centrestage, however, and the sharp, flirty back-and-forth between outgoing, charismatic Sef and smart, kind Claire is the jewel in Truth or Dare’s crown.

At once both relatable and defiant as she faces down malicious schoolboys, the trials and tribulations of friendship, and her relationship with Sef, it’s Claire readers will take to first. Pratt confronts the idea that with so many ways of recording modern teen life – voluntarily and, most troublingly, involuntarily – a culture has developed where teenagers aren’t allowed to forget anything they’ve been or done, as past mistakes and experiences can be brought up again and again, leaving them defined, and damaged, by moments that would once have become a mere anecdote or long-ago recollection. In Claire’s case it’s an accidental nip slip, but there are interesting and important ramifications for teen life as a whole. I’d like to see similar themes explored further in YA, particularly as the thread is somewhat dropped in the latter stages of this book. Sef is a less likeable, as while he’s complex and sympathetic, it’s hard not to notice how manipulative he is toward Claire. It’s narratively deliberate, but one can’t help feeling that, after the book’s climax, a clean break would be the best choice for both of them.

That said, YA has never been a hotbed of healthy life choices, and elsewhere you’ll find outrageous dares, a vlogger somehow believably called Moz (meep morp), family scenes, food fights, themes of class and diversity, and, of course, characters you’ll want to punch in the face. Pratt’s put in solid research (and indeed is holding a fundraiser inspired by the book in which she’ll shave her head at YALC) and once you get into it, the book is a real page-turner. It needed more humour, alternate narration rather than flipped halves (when you’ve finished one half of the book you flip it over to read the other), and a deeper sense of resolution. Ultimately, it lacked the spark that makes me really adore a book. Remix remains my favourite Non Pratt novel.

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A solid, if unspectacular, addition to UKYA. Dextrous, realistically flawed characterisation and a driven plot make this one engaging despite readers missing out on the full clout of Pratt’s usual quick humour, memorable heroines and pacier style.

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Release by Patrick Ness // a tale of two (rather off-kilter) halves

Author(s): Patrick Ness31194576
Publisher:
 Walker Books
Publication date: 4th May 2017
Category: YA
Genre(s): contemporary, supernatural
Series or standalone?: standalone
Source: I received a copy of this book in exchange for an honest review.
Find on Goodreads and The Book Depository

Between his religious family, a deeply unpleasant boss, and unrequited love for his sort-of ex, Enzo, it seems as though Adam’s life is falling apart.

He has two people to keep him sane – his new boyfriend Linus and his best friend Angela – but over the course of a single day, old memories and new heartaches come crashing together, throwing his life into chaos. Meanwhile, lurking at the edges, something unearthly and unsettling is set on a collision course with Adam and his town. A day of confrontation and transformation will not be without sacrifice – yet in spite of everything he has to let go, Adam may also find freedom in release.

Patrick Ness – a man with his fingers in a number of metaphorical pies when it comes to writing and creating for young people – is clearly enjoying being YA fiction’s genre-hopping answer to Neil Gaiman. Even a short list of his pursuits includes two Carnegie medals, two movie deals, the top spot in writing and creating Doctor Who spin-off Class, a plethora of awards, near-innumerable newspaper inches, and a string of well-received books. His cherry-picking of projects has made itself clear in novels like More Than This, The Rest of Us Just Live Here and now an attempt to bring Virginia Woolf’s formidable Mrs Dalloway to a modern teenage audience.

Perhaps because of this freedom to choose projects that might never get off the ground in the hands of a newly signed writer, Release is a novel which basks in its own literariness. There are nods to Woolf everywhere, from the wholesale borrowing of structure or events to more subtle references which should please those who’ve read the original without becoming too unwieldy for those who haven’t. Judy Blume’s Forever is also said to have been an influence. The writing style itself echoes with familiar characters of Ness’ YA: predictable rhythm, unflashy description, serious tone, the occasional moment of light-heartedness, though it’s denser and more formal than usual.

For fans of Two Boys Kissing by David Levithan, History Is All You Left Me by Adam Silvera and The Miseducation of Cameron Post by Emily M. Danforth, the core of Release is protagonist Adam’s struggle with identity and orientation in the face of small-town mindsets and his religious, intolerant parents, who subscribe to views even they know are out-dated. Confrontation of Adam’s experiences gives the novel emphatic dramatic weight. Ness navigates implicit repression, outright rejection and other difficult topics with consistent dexterity. He places the venom of Adam’s preacher father alongside the exhilaration of his relationship with Linus and the fearless acceptance of best friend Angela – one of the best and most underrated characters in the book. Complicated characters litter the novel, with only the occasional flat note or slip into the one-dimensional among the secondary cast.

By turns bleak and busy, harsh and hopeful, Adam’s story is accompanied by a rather less effective supernatural sideplot. Essentially, a so-called queen, a faun, a murder, drug abuse and unanswered questions get turned into the kind of eerie-mystery-possibly-a-ghost-story. The reader is aware that it’s supposed to illuminate some deep and meaningful parallel to the contemporary plotline, but it’s so disparate I found it detracted from the more successful parts of the book. If you’re going to write contemporary magical realism, you’re better off really going for it, as in Maggie Stiefvater’s The Raven Boys or Moira Fowley-Doyle’s spellbinding The Accident Season.

They say that imitation is the sincerest form of flattery, but perhaps more fitting here is Oscar Wilde’s variation on the phrase: “imitation is the sincerest form of flattery that mediocrity can pay to greatness.” Because while Release is solid, it’s not earth-shattering. In fact, the prose is sometimes, well, boring. I’m not sure that an attempted reworking of one of Virginia Woolf’s most complex books by a middle-aged white dude was something YA needed. Adam’s navigating of relationships, identity and sexual orientation sits firmly in the tradition of foregrounding the G in LGBT in teen fiction, while elements of the book designed to make it seem unique – reinterpretation of a classic, a supernatural undercurrent – don’t mesh the way they should. A Monster Calls remains Ness’ best work.

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An ambitious offering from the ever-versatile Patrick Ness, who is clearly punching for the literary side of critical acclaim with this Mrs Dalloway-inspired novel. Unfortunately, a misjudged supernatural subplot and prose that dulls more than it shines leave this effort curiously askew.

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Contemporary Catch-Up // The Hate U Give and When We Collided

Today on the blog it’s more contemporary YA (and I continue my battle with writing reviews that are actually less than a thousand words long), including one of 2016’s shiniest and one of 2017’s most talked-about!

25663637When We Collided by Emery Lord
Publisher: Bloomsbury
Publication date: April 7th 2016
Series or standalone?: standalone

Jonah is the kind of boy Vivi never expected to want.

Vivi is the kind of girl Jonah has never given himself time to love.

In an unflinching story about new love, old wounds, and the summer that paints their lives in vivid technicolour, Vivi and Jonah find that when you collide with the right person at just the right time, it can change you in all the ways you don’t expect.

As full of joy as it is of sorrow, this is a tale of family and food and love and sunshine and struggle. It is both generously written and incredibly bittersweet, and I was unexpectedly swept away by its frank and vividly unfurling story. The first Emery Lord book I’ve ever read, it’s taken me so long to review it her next book is already almost out – but if you haven’t read this yet, it’s absolutely worth doing so. For fans of Sarah Dessen and Sara Barnard, this is an energetic and memorable character-driven contemporary with enough plot and drive to feel satisfying.

Stubborn, sincere, sweet and hardworking, devoted brother Jonah is doing what he can to keep his family together after personal loss and during unspoken absences: keeping his family’s restaurant afloat, caring for his young siblings, running himself ragged. Bright, colourful Vivi is a whirlwind of cheer and exuberance, and longing to forget that which has been dealt to her, finds herself whisking a rather bewildered Jonah off his feet. Both are fabulously well-realised, at turns flawed and wonderful, characters: I liked Vivi, but particularly loved Jonah. Lord displays a deft hand in constructing secondary characters, too, whether in Verona Cove’s residents or, among my favourites, Jonah’s siblings.

Told in keen alternate narration, Jonah’s sturdy, big-hearted look at a precarious family contrasts sharply with Vivi’s gregarious but sometimes unpredictable enthusiasm. The latter is notable for its skilled and carefully-constructed illustration of rapid and reeling experiences of bipolar disorder. If you’re looking for YA that gives depth and resonance to the often lacking summer romance device, this is absolutely the book for you. Occasional missteps in twists, dialogue and narration – there’s a touch of instalove, the broader setting is a little forgettable (though the beach scenes are always a plus) and there are some details here and there I wasn’t a fan of – mean it falls short of being a five-star read, but there are moments when it comes close.

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When We Collided is sweeping, vivid and punchy. I love recommending this one. Such a fantastic read. 

32613366The Hate U Give by Angie Thomas
Publisher: Walker Books
Publication date: April 6th 2017
Series or standalone?: standalone

Sixteen-year-old Starr lives in two worlds: the poor neighbourhood where she was born and raised, and the posh suburban high school she attends an hour away.

The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed friend, Khalil, by a police officer, and – in a novel inspired by the Black Lives Matter Movement – she finds herself struggling for justice, clinging to hope, and fighting to be heard.

First things first: this is probably the hypiest book is the history of YA hype (and you know how I feel about hype). It débuted right onto the NYT bestseller list, already has a movie deal (with YA book-to-film-adaptation darling Amandla Stenberg set to play Starr), has at leas eight starred reviews from pillars-of-trade-reviewing like Kirkus, and has had more coverage in the months leading up to and just after release than I’ve seen for some UKYA books all together. If books were rated on buzz alone, well, there are some pretty happy marketing and publicity folks who can afford to take a holiday after this (and let’s face it, they might need a holiday after wrangling all those platform strategies, press releases and interviews…!). I was actually offered this book for review, but as it’s already out here in Ireland (I know!) I decided to pick up my own copy (shoutout to the lovely Jacq, whose recommendation bumped it up my always-toppling TBR).

Frank, sobering and often dark, this is a tough read told in forthright yet energetic style. Protagonist Starr’s voice is passionate, warm and distinctive, and readers will quickly be rooting for her. In a thematic, subplot-packed book, her struggles are often as internal as they are external: as well as seeking justice and the media circus which follows Starr’s witnessing of her friend’s death, there is exploration of her self-censorship at her posh secondary school, the impact of violence and trauma on a community, and the extent to which teenagers can be activists. The writing style isn’t spectacular, on occasion turning unwieldy, but a strong and present family dynamic – including Starr’s parents, siblings Seven and Sekani and some of her extended family – anchors the book brilliantly.

Authentic, empathetic and deeply entrenched in a rich series of experiences, The Hate U Give plunges the reader into its story with unapologetic momentum. Its stylistic immediacy coupled with its sharp examination of race and systemic inequality pitches it somewhere between Nicola Yoon’s frothy, current The Sun Is Also A Star and Malorie Blackman’s seminal (and still unparalleled) Noughts and Crosses, ensuring it will both land on most-recommended lists and crop up in classrooms under the auspices of particularly on-the-money teachers. The romance is lacklustre, uneven pacing makes it too long for a contemporary and it should be noted that the book is almost completely America-centric with little regard for goings-on in the rest of the world, but Starr’s tale has more vigour and outspokenness than most of John Green’s books put together. It’s weighed down only by a few duff or clunky emphases, and would be a great choice for listening to on audiobook. I It’s not an easy read – but then it’s not designed to be.

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For fans of Orangeboy by Patrice Lawrence, Wing Jones by Katherine Webber and Noughts and Crosses by Malorie Blackman, this powerful début novel is sure to continue making waves both sides of the Atlantic. 

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