Today on the blog, I review another of my most anticipated reads of the year! You can check out my review of the opener to this trilogy (And I Darken) here, or see a full list of my anticipated YA reads of 2017 here. Warning: this review may contain mild spoilers for both books!
Author(s): Kiersten White
Publisher: Corgi/PRH
Publication date: 6th July 2017
Category: YA
Genre(s): historical fiction
Series or standalone?: series (The Conquerors’ Saga #2)
Source: I received a Netgalley copy of this book from the publisher in exchange for an honest review. All quotes are taken from this copy and may be subject to change in final editions.
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Lada has only ever wanted one thing: the Wallachian throne. But foes stand in her way at every turn. She has no allies. No influence. Even her small band of soldiers is dwindling.
After failing to reclaim Wallachia, Lada is out to punish anyone who dares to cross her path. She storms the countryside with her men, including her childhood friend Bogdan, looking for a way in, but brute force isn’t getting her what she wants. She needs another tactic. But her silver-tongued brother, Radu, remains in the Ottoman Empire and thinking of Mehmed – now the sultan – brings little comfort to her stony heart.
Unbeknownst to Lada, Mehmed has sent Radu to Constantinople. He wants control of the city, and for that he needs a spy. Radu envies his sister’s fierce self-possession, but for the first time in his life, his tangled loyalties lead him to reject her requests of him. He must succeed in Constantinople if he is to ever to make the young ruler look upon him with the same longing Radu does.
The Dracul siblings must decide: how much they are prepared to sacrifice for power? How much are they willing to risk for love? And as nations quake and fall around them, will either goal be what they imagined?
A ruthless, bloodthirsty, fifteenth-century what-might-have-been saga about a genderbent Vlad the Impaler may be an unlikely choice of subject for young adult fiction, but it’s certainly an eye-catching one. After the success of trilogy opener And I Darken – it went straight to number four on the NYT bestseller list – Kiersten White is back for more of Lada Dracul’s vicious clambering toward the throne. Sweeping and dark, it’s a sequel that commands the reader’s attention.
One does not simply walk into power in Wallachia, and the ferocious Lada has come up against foes which have her bouncing around medieval Eastern Europe like a particularly murderous ping-pong ball. She finds an unexpected ally in the formidable John Hunyadi. The relationship between Lada and Hunyadi – the closest Lada may ever come to a ‘positive’ father figure, and even then only because he’s a celebrated warrior whom she grudgingly helped out of a skirmish – is a fantastic addition to the book. Lada’s still not quite as heartless as she thinks is, and watching her wrestle with newly-complicated decisions was riveting.
This series is, however, told in dual perspective. Radu fits into noblemen’s courts with a patience and diplomacy Lada could never achieve, and their split to opposite fringes of the Ottoman empire makes for a narrative in which he can really test his wings. Unfortunately, this doesn’t preclude him from making poor choices (the Dracul siblings, really, specialise in those). His blind belief that Mehmed will suddenly return his feelings if only he does the sultan’s every bidding can get a little repetitive and tiresome, but the story as a whole is rich and engaging. It’s rare that both halves of an interwoven narrative are equally compelling. I was so absorbed by each section I kept forgetting there was a different storyline coming up, and after I got over the momentary surprise at a switch, it’d happen all over again.
Resolute, clear-headed Nazira was given welcome prominence, while newcomer Daciana quickly makes her presence known. Her relationship with a rather bemused Stefan is an effective and balancing subplot. Long-suffering soldiers Nicolae and Bogdan (poor Bogdan, Lada is treating him much the same way as Mehmed treats Radu) also return. Mehmed himself takes up less of the narrative but still manages to make himself less likeable in that time, while the holdovers of a ‘romance’ between Mehmed and Lada seem rather redundant when it’s clear neither of them are willing to love anyone the way they love power. Or themselves.
A busy, action-packed plot is driven by Lada’s ambition in the lawless wilds of Wallachia and Radu’s activities as a double agent in Constantinople. It was this latter backdrop – much of the book takes place during the Fall of Constantinople in 1453 – that made the book stand out for me. It’s an immersive, brilliantly-conjured plunge into a superstitious, crumbling city. I’d like to see more YA set there. White’s writing style is closer to functional than illustrative, with some unnecessary intrusions from modern terms (e.g. ‘block’ for a street) but it does the trick. There are even flashes of flair (‘The moon did not take sides. But the blood-washed expanse of the Byzantine full moon seemed to promise otherwise’, ‘the teeth of the castle and the people it devoured’) and even, very occasionally, humour (‘the sultan is the son of a donkey!’) (donkeys get a very bad rap in this book, tbh). That said, it is at times too brutal, unnecessarily grim, and it definitely won’t be everyone’s cup of tea. It reads like the middle of a trilogy, with plenty yet to be resolved. I would’ve liked even more detail and history – though it is even clearer here than in And I Darken that this is reimagined historical fiction, and it remains to be seen if White will throw in some unpredictable twists for the finale.
Now I Rise is compelling, effective and demanding alternate history with a vicious female lead, increasingly developed characterisation and a rich choice of setting. Sweeping and unputdownable.